SKU: GC35-SEL1018

Sony E 10-18mm f/4 OSS Lens

Regular price $1,424.05
RRP $1,499.00, now $1,424.05Save $74.95
Pay with
Pay with

Discount applies only while stock lasts.

Availability

  • Availability: Out of stock

This item is currently out of stock. Contact us for estimated arrival.

Price Match

Fill out the price match form below, and we will be in touch shortly.

Price Match Request For:
Sony E 10-18mm f/4 OSS Lens
Sony E 10-18mm f/4 OSS Lens
Our Price: $1,424.05

Price Match

Fill out the price match form below, and we will be in touch shortly.

Competitor Information:
Your Details:
Regular price $1,424.05
RRP $1,499.00, now $1,424.05
Regular price $1,424.05
RRP $1,499.00, now $1,424.05

Product Overview

Sony E 10-18mm f/4 OSS Lens

Take on ultra-wide landscapes or tight interiors with your APS-C-format E-mount camera by using the E 10-18mm f/4 OSS Lens from Sony. Delivering a super wide 15-27mm equivalent zoom range, and offering a constant f/4 aperture, this lens can produce high-quality images in a variety of difficult scenarios. The implementation of one Super ED and three aspherical elements further guarantees image quality by minimising aberrations throughout the range. Also, the lens is equipped with Optical SteadyShot image stabilisation for reducing the effects of camera shake.

What's in the box:

Sony E 10-18mm f/4 OSS Lens

Sony ALC-SH123 Lens Hood

Sony ALC-F62S 62mm Front Lens Cap

Sony ALC-R1EM Rear Lens Cap

Need advice?

Speak to one of our dedicated Australian-based sales team members.

Call us

FAQs

What types of photography are best suited for the Sony E 10-18mm f/4 OSS Lens?

The Sony E 10-18mm f/4 OSS Lens is particularly well-suited for landscape photography, architecture, and interior shots due to its ultra-wide focal length range of 10-18mm, which translates to an equivalent of 15-27mm on APS-C cameras. This makes it ideal for capturing expansive scenes or fitting tight spaces into a single frame. Additionally, the constant f/4 aperture allows for consistent exposure settings, making it easier to manage light conditions when shooting in varying environments.

How does the Optical SteadyShot image stabilisation work in this lens?

The Optical SteadyShot image stabilisation system in the Sony E 10-18mm f/4 OSS Lens helps to counteract camera shake, which can be particularly beneficial when shooting handheld at slower shutter speeds. This system uses compensatory adjustments in the lens to maintain a steady image, allowing for clearer photos without the blur that can occur from minor hand movements. It can also work in conjunction with sensor-shift image stabilisation found in compatible Sony cameras, providing an enhanced level of stability.

What advantages do the Super ED and aspherical elements offer in this lens?

The inclusion of one Super ED (extra-low dispersion) glass element and three aspherical elements in the Sony E 10-18mm f/4 OSS Lens significantly enhances image quality. The Super ED element helps to reduce chromatic aberrations and colour fringing, resulting in clearer and more colour-accurate images. The aspherical elements minimise common optical distortions such as astigmatism and field curvature, ensuring sharpness and detail across the entire frame, which is essential for ultra-wide-angle photography.

Can this lens be used for video recording?

Yes, the Sony E 10-18mm f/4 OSS Lens is a great choice for video recording, especially for projects that require wide-angle shots. The internal focus mechanism allows for smooth and silent autofocus transitions, which is critical in video production. Additionally, the lens’s Optical SteadyShot stabilisation helps in achieving smoother footage by reducing camera shake, making it an excellent option for handheld shooting.

What is the minimum focus distance, and how does it affect shooting?

The minimum focus distance of the Sony E 10-18mm f/4 OSS Lens is 24.89 cm. This allows photographers to capture subjects that are relatively close to the lens, making it versatile for creative compositions. The ability to focus close gives you the opportunity to experiment with perspective and depth, especially in macro-style shots or when you want to include foreground elements in your wide-angle images.

What impact does the seven-blade circular diaphragm have on image quality?

The seven-blade circular diaphragm in the Sony E 10-18mm f/4 OSS Lens contributes to the aesthetic quality of out-of-focus areas in your images, commonly referred to as bokeh. A rounded diaphragm helps produce a smoother and more pleasing background blur, which can enhance the separation of your subject from the background when using selective focus techniques. This feature is particularly beneficial in portraiture or when shooting in busy environments where you want to draw attention to the subject.

Product Reviews

Verified by Trustvoice

Recommended Accessories

Sigma 28-45mm

Sigma 28-45mm T2 FF AF Cine Review: Cinema Glass That Focuses...

The Sigma AF Cine 28-45mm T2 FF combines the optical performance of Sigma’s popular Art series with professional cinema features and reliable autofocus. In this hands-on review, Laz puts the lens through...

View post
Insta360 C6

Insta360 X6 Review: 500 km Across the Simpson Desert

We put the Insta360 X6 to the ultimate test across 500 km of the Simpson Desert! From stunning low-light footage and 8K 360° video to replaceable lenses and wireless audio, discover how...

View post
Canon G7 X Mark III vs Fujifilm X100VI: Which Should You Buy?

Canon G7 X Mark III vs Fujifilm X100VI: Which Should You Buy?

Compare the Canon PowerShot G7 X Mark III vs Fujifilm X100VI in our real-world camera comparison. Discover the differences in image quality, low-light performance, colour, video features, zoom, and price to find...

View post
Tamron 16-50mm F2.8 vs Sigma 18-50mm F2.8: Which Compact APS-C Zoom Should You Buy?

Tamron 16-50mm F2.8 vs Sigma 18-50mm F2.8: Which Compact APS-...

If you shoot on an APS-C mirrorless camera and want one lens that stays on the body most of the time, there's a good chance the Sigma 18-50mm F2.8 DC DN Contemporary...

View post
PTZ Cameras

The Ultimate Guide to PTZ Cameras: Choosing the Right Setup f...

Compare Canon, Sony, BirdDog and Telycam PTZ cameras on image quality, tracking, zoom and value. Find the right setup for your production at Georges Cameras.

View post
Beauty Photo of Sienna Etches

Beauty Lighting: How to Combine Hard and Soft Light to Make S...

A working beauty photographer’s guide to combining hard and soft light, beauty dish vs softbox, grids, negative fill and a clamshell setup you can copy, for skin that pops.

View post
Panel Discussion at Lunar Studios

Everyone Can Take a Picture. Not Everyone Can Hold the Room

What an agent, a Vogue visuals producer and a brand-side creative lead really look for in photographers now. There is a point in almost every creative career where the work alone stops...

View post
Beyond Reach: My Experience With the Fujifilm XF400mmF4.5 Super-Telephoto Lens

Beyond Reach: My Experience With the Fujifilm XF400mmF4.5 Sup...

Explore our hands-on experience with the Fujifilm XF400mmF4.5, covering its sharpness, autofocus, reach and performance for sport, wildlife, landscapes and portraits.

View post
Learn to Get the Shot Right In-Camera

Learn to Get the Shot Right In-Camera

Beauty photography tips from Oliver Minnett’s Georges workshop, covering lighting, direction, working with a creative team, and using Sony and Profoto gear.

View post
Stop Trying to Learn Everything at Once

Stop Trying to Learn Everything at Once

Beauty photography tips from Oliver Minnett’s Georges workshop, covering lighting, direction, working with a creative team, and using Sony and Profoto gear.

View post