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Microphones
Studio Recording
Audio Cables & Adapters
Audio Accessories
Strobe & Flash Lighting
Softboxes & Accessories
Reflectors & Accessories
Light Stands & Mounting Accessories
Telescopes
Photo Tripods & Heads
Tripod & Head Accessories
Monopods & Accessories
Video Tripods & Heads
Video Tripod Accessories
Pedestals, Stands & Mounts
46 products
Georges Cameras presents an expertly curated selection of Quick Release Clamps, integral for photographers and videographers seeking swift and secure camera mounting solutions for tripods and heads.
Georges Cameras presents an expertly curated selection of Quick Release Clamps, integral for photographers and videographers seeking swift and secure camera mounting solutions for tripods and heads.
These clamps are designed to facilitate rapid changes between gear, enhancing workflow efficiency and ensuring that no moment is missed. Our range includes options compatible with a variety of tripod and head brands, offering universal solutions as well as model-specific designs. Ideal for dynamic shooting environments where time is of the essence, these Quick Release Clamps are crafted from high-quality materials to ensure durability and reliability.
Whether you're capturing fast-paced sports, engaging in wildlife photography, or working on a commercial shoot, our selection provides the assurance that your camera can be securely attached and released with ease, offering peace of mind and flexibility to creative professionals.
A working beauty photographer’s guide to combining hard and soft light, beauty dish vs softbox, grids, negative fill and a clamshell setup you can copy, for skin that pops.
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What an agent, a Vogue visuals producer and a brand-side creative lead really look for in photographers now. There is a point in almost every creative career where the work alone stops...
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Beauty photography tips from Oliver Minnett’s Georges workshop, covering lighting, direction, working with a creative team, and using Sony and Profoto gear.
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We were invited by Karla Spetic to help light her runway, we chose Profoto's new LED lights for the job!
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Sony has just launched the new Sony A7R VI, the latest camera in its high-resolution Alpha line, and I was lucky enough to spend some time with it earlier this week. I...
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Mobile podcasting isn’t about shortcuts. It’s about picking gear that actually works, in the places podcasts actually happen. I used to chase the “best” setup. Turns out, the best setup is the...
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Rigging gets a bad rap because a lot of rigs are built backwards. People buy parts first, bolt everything on, and end up with a camera that looks serious but shoots worse....
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Clyde Vaughan Guest post by Clyde Vaughan — ahead of Clyde's talk on January 22: “How to create incredible images: A talk by Clyde Vaughan”. If you ask “what makes a good...
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We’ve all been there: you’re on a remote shoot, beautiful location, but you’re either scrambling to find a power outlet or lugging a massive, noisy petrol generator through the bush. We’ve been...
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Alright—let’s do the DSLR vs mirrorless thing properly. Not “on paper”, not “in theory”, but head-to-head on the stuff that actually matters when you’re out shooting. My name's Oliver Minnett, I'm Georges...
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