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32 products
Georges Cameras offers a specialised selection of Lens Tripod Collars, essential for photographers who utilise telephoto and other heavy lenses requiring additional support. These tripod collars provide a more balanced and stable mounting point for lenses, significantly reducing strain on the camera mount and improving image sharpness by minimising vibrations.
Georges Cameras offers a specialised selection of Lens Tripod Collars, essential for photographers who utilise telephoto and other heavy lenses requiring additional support. These tripod collars provide a more balanced and stable mounting point for lenses, significantly reducing strain on the camera mount and improving image sharpness by minimising vibrations.
Designed to fit a wide range of lens diameters, our lens tripod collars are crafted from durable materials, ensuring longevity and reliability during extensive use. Ideal for wildlife, sports, and landscape photography where precision and stability are paramount, our collection includes collars that are compatible with major lens brands, enhancing the functionality and versatility of your photography equipment. By distributing weight evenly and allowing for smooth rotation between landscape and portrait orientations, lens tripod collars are indispensable tools for achieving professional-grade photographs in challenging shooting conditions.
A working beauty photographer’s guide to combining hard and soft light, beauty dish vs softbox, grids, negative fill and a clamshell setup you can copy, for skin that pops.
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What an agent, a Vogue visuals producer and a brand-side creative lead really look for in photographers now. There is a point in almost every creative career where the work alone stops...
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Beauty photography tips from Oliver Minnett’s Georges workshop, covering lighting, direction, working with a creative team, and using Sony and Profoto gear.
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We were invited by Karla Spetic to help light her runway, we chose Profoto's new LED lights for the job!
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Sony has just launched the new Sony A7R VI, the latest camera in its high-resolution Alpha line, and I was lucky enough to spend some time with it earlier this week. I...
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Mobile podcasting isn’t about shortcuts. It’s about picking gear that actually works, in the places podcasts actually happen. I used to chase the “best” setup. Turns out, the best setup is the...
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Rigging gets a bad rap because a lot of rigs are built backwards. People buy parts first, bolt everything on, and end up with a camera that looks serious but shoots worse....
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Clyde Vaughan Guest post by Clyde Vaughan — ahead of Clyde's talk on January 22: “How to create incredible images: A talk by Clyde Vaughan”. If you ask “what makes a good...
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We’ve all been there: you’re on a remote shoot, beautiful location, but you’re either scrambling to find a power outlet or lugging a massive, noisy petrol generator through the bush. We’ve been...
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Alright—let’s do the DSLR vs mirrorless thing properly. Not “on paper”, not “in theory”, but head-to-head on the stuff that actually matters when you’re out shooting. My name's Oliver Minnett, I'm Georges...
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