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Microphones
Studio Recording
Audio Cables & Adapters
Audio Accessories
Strobe & Flash Lighting
Softboxes & Accessories
Reflectors & Accessories
Light Stands & Mounting Accessories
Telescopes
Photo Tripods & Heads
Tripod & Head Accessories
Monopods & Accessories
Video Tripods & Heads
Video Tripod Accessories
Pedestals, Stands & Mounts
14 products
George's Cameras range of Professional Cinema Drones, including elite DJI models like the Mavic 3, is meticulously curated for filmmakers and production teams who demand the highest level of aerial cinematography.
George's Cameras range of Professional Cinema Drones, including elite DJI models like the Mavic 3, is meticulously curated for filmmakers and production teams who demand the highest level of aerial cinematography.
DJI, a pioneer in drone technology, offers cutting-edge models that are synonymous with unparalleled image quality, advanced flight stability, and comprehensive control features. The Mavic 3, among others, stands out for its Hasselblad camera, offering exceptional imaging capabilities, extended flight times, and obstacle sensing in all directions, ensuring the safety and precision of each flight.
Ideal for capturing cinematic footage with exquisite detail and clarity, our Professional Cinema Drones enable creative visionaries to explore new horizons in storytelling, from sweeping landscapes to intricate aerial sequences.
Whether you're working on a feature film, a commercial project, or a documentary, our selection provides the tools necessary to achieve breathtaking aerial shots that elevate your narrative, ensuring your productions are not just seen but remembered.
A working beauty photographer’s guide to combining hard and soft light, beauty dish vs softbox, grids, negative fill and a clamshell setup you can copy, for skin that pops.
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What an agent, a Vogue visuals producer and a brand-side creative lead really look for in photographers now. There is a point in almost every creative career where the work alone stops...
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Beauty photography tips from Oliver Minnett’s Georges workshop, covering lighting, direction, working with a creative team, and using Sony and Profoto gear.
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We were invited by Karla Spetic to help light her runway, we chose Profoto's new LED lights for the job!
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Sony has just launched the new Sony A7R VI, the latest camera in its high-resolution Alpha line, and I was lucky enough to spend some time with it earlier this week. I...
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Mobile podcasting isn’t about shortcuts. It’s about picking gear that actually works, in the places podcasts actually happen. I used to chase the “best” setup. Turns out, the best setup is the...
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Rigging gets a bad rap because a lot of rigs are built backwards. People buy parts first, bolt everything on, and end up with a camera that looks serious but shoots worse....
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Clyde Vaughan Guest post by Clyde Vaughan — ahead of Clyde's talk on January 22: “How to create incredible images: A talk by Clyde Vaughan”. If you ask “what makes a good...
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We’ve all been there: you’re on a remote shoot, beautiful location, but you’re either scrambling to find a power outlet or lugging a massive, noisy petrol generator through the bush. We’ve been...
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Alright—let’s do the DSLR vs mirrorless thing properly. Not “on paper”, not “in theory”, but head-to-head on the stuff that actually matters when you’re out shooting. My name's Oliver Minnett, I'm Georges...
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