SKU: GC11-42259

NiSi 100x150mm Nano IR Hard Graduated Neutral Density Filter GND8 (0.9) - 3 Stop

Regular price $265.05
RRP $279.00, now $265.05Save $13.95
Pay with
Pay with

Availability

  • Availability: In-Stock at Warehouse (4 - 8 days)

Available to order, ready to pick up in-store within 4 - 8 days.

Price Match

Fill out the price match form below, and we will be in touch shortly.

Price Match Request For:
NiSi 100x150mm Nano IR Hard Graduated Neutral Density Filter GND8 (0.9) - 3 Stop
NiSi 100x150mm Nano IR Hard Graduated Neutral Density Filter GND8 (0.9) - 3 Stop
Our Price: $265.05

Price Match

Fill out the price match form below, and we will be in touch shortly.

Competitor Information:
Your Details:
This item is currently backordered and we are awaiting arrival. star If you'd like to know when it's due, we're here to help!

phone Call us during business hours at 02 9299 0177.
chatChat live with our team on-site.
emailOr email us anytime at info@georges.com.au with the subject "Awaiting Arrival"
Awaiting Stock β“˜
Regular price $265.05
RRP $279.00, now $265.05
Regular price $265.05
RRP $279.00, now $265.05

Product Overview

The 100x150mm Nano IR Hard Graduated Neutral Density Filter – ND8 (0.9) – 3 Stop is a rectangular filter that helps to darken specific areas of an image, such as bright skies while allowing for a normal, unaffected exposure in the other regions of the image. The filter is densest at the edge and tapers to clear by the middle, with a hard-edged line of transition between the dense and clear areas. Hard-edged GNDs have a sudden transition from dark to clear. This type of filter is most appropriate for scenes which have a sudden transition from the foreground to the sky. Most commonly, this would include landscapes with no elements protruding above the horizon such as a seascape looking toward the open ocean. They can be used shooting into the direct light where a sharp transition is needed. When used shooting away from the light, they can produce very moody and dramatic skies. Avoid using them where elements protrude above the horizon since those elements will appear very dark above the transition line in your image.

What's in the box:

NiSi Nano Hard-Edge Graduated IRND Filter (100 x 150mm, 3-Stop)

Filter Pouch

Need advice?

Speak to one of our dedicated Australian-based sales team members.

Call us

FAQs

What types of photography are best suited for using the NiSi 100x150mm Nano IR Hard Graduated Neutral Density Filter?

The NiSi 100x150mm Nano IR Hard Graduated Neutral Density Filter is particularly effective for landscape photography, especially in scenarios where you have a clear distinction between the bright sky and a darker foreground. This filter is ideal for seascapes or landscapes without protruding elements above the horizon, allowing for dramatic sky effects and balanced exposures.

How does the hard edge of this filter impact my photos compared to soft-edged filters?

The hard edge of this filter creates a sudden transition from the dark to clear area, which is beneficial for scenes with a sharp line, such as when the horizon is straight and unobstructed. In contrast, a soft-edged filter would gradually transition, making it suitable for scenes with elements that require a more blended effect. Choose the hard edge for clear, defined boundaries in your images.

Can the NiSi GND8 filter be used in combination with other filters?

Yes, the NiSi GND8 filter can be used in conjunction with other filters as long as they are compatible with the NiSi 100mm filter system. However, be mindful of potential vignetting, especially when stacking multiple filters or using wide-angle lenses. Always test the combination to ensure the desired outcome.

How do I properly position the filter for optimal results?

To achieve the best results with the NiSi GND8 filter, position the darker section of the filter at the horizon line where the sky meets the landscape. This ensures that the bright areas of the sky are darkened while the foreground remains correctly exposed. Make adjustments based on your composition and lighting to ensure a seamless transition.

What maintenance is required to keep the filter in good condition?

To maintain the NiSi GND8 filter, regularly clean it with a microfiber cloth and a lens cleaning solution to remove dust and smudges. Avoid using abrasive materials that could scratch the surface. Always store the filter in its protective case when not in use to prevent damage.

What impact does the infrared protection coating have on my images?

The infrared protection coating on the NiSi GND filters effectively eliminates unwanted infrared light that can cause colour casts, particularly with digital sensors. This ensures that your images maintain true-to-life colours and do not exhibit the red tint often associated with infrared interference when shooting at small apertures.

Is this filter suitable for video as well as photography?

Yes, the NiSi 100x150mm Nano IR Hard Graduated Neutral Density Filter can be used for video shooting, particularly in outdoor settings where you want to control the exposure of bright backgrounds while keeping the foreground properly exposed. This helps create a more balanced image and can enhance the overall cinematic quality of your footage.

Product Reviews

Verified by Trustvoice

Recommended Accessories

Insta360 C6

Insta360 X6 Review: 500 km Across the Simpson Desert

We put the Insta360 X6 to the ultimate test across 500 km of the Simpson Desert! From stunning low-light footage and 8K 360Β° video to replaceable lenses and wireless audio, discover how...

View post
Canon G7 X Mark III vs Fujifilm X100VI: Which Should You Buy?

Canon G7 X Mark III vs Fujifilm X100VI: Which Should You Buy?

Compare the Canon PowerShot G7 X Mark III vs Fujifilm X100VI in our real-world camera comparison. Discover the differences in image quality, low-light performance, colour, video features, zoom, and price to find...

View post
Tamron 16-50mm F2.8 vs Sigma 18-50mm F2.8: Which Compact APS-C Zoom Should You Buy?

Tamron 16-50mm F2.8 vs Sigma 18-50mm F2.8: Which Compact APS-...

If you shoot on an APS-C mirrorless camera and want one lens that stays on the body most of the time, there's a good chance the Sigma 18-50mm F2.8 DC DN Contemporary...

View post
PTZ Cameras

The Ultimate Guide to PTZ Cameras: Choosing the Right Setup f...

Compare Canon, Sony, BirdDog and Telycam PTZ cameras on image quality, tracking, zoom and value. Find the right setup for your production at Georges Cameras.

View post
Beauty Photo of Sienna Etches

Beauty Lighting: How to Combine Hard and Soft Light to Make S...

A working beauty photographer’s guide to combining hard and soft light, beauty dish vs softbox, grids, negative fill and a clamshell setup you can copy, for skin that pops.

View post
Panel Discussion at Lunar Studios

Everyone Can Take a Picture. Not Everyone Can Hold the Room

What an agent, a Vogue visuals producer and a brand-side creative lead really look for in photographers now. There is a point in almost every creative career where the work alone stops...

View post
Beyond Reach: My Experience With the Fujifilm XF400mmF4.5 Super-Telephoto Lens

Beyond Reach: My Experience With the Fujifilm XF400mmF4.5 Sup...

Explore our hands-on experience with the Fujifilm XF400mmF4.5, covering its sharpness, autofocus, reach and performance for sport, wildlife, landscapes and portraits.

View post
Learn to Get the Shot Right In-Camera

Learn to Get the Shot Right In-Camera

Beauty photography tips from Oliver Minnett’s Georges workshop, covering lighting, direction, working with a creative team, and using Sony and Profoto gear.

View post
Stop Trying to Learn Everything at Once

Stop Trying to Learn Everything at Once

Beauty photography tips from Oliver Minnett’s Georges workshop, covering lighting, direction, working with a creative team, and using Sony and Profoto gear.

View post
Beauty Photography Tips: Three Things I Wish I Knew Earlier

Beauty Photography Tips: Three Things I Wish I Knew Earlier

Beauty photography tips from Oliver Minnett’s Georges workshop, covering lighting, direction, working with a creative team, and using Sony and Profoto gear.

View post