Overview

Zeiss 55mm f1.4 Otus APO Distagon ZE for Canon

Employing a no-holds-barred design, the Canon EF-mount ZEISS Otus 55mm f/1.4 ZE is an optically refined normal-length prime characterized by its bright maximum aperture and advanced optics for high sharpness and colour accuracy. The fast f/1.4 design excels in difficult lighting conditions and is also suitable for adjusting the depth of field to isolate subject matter using selective focus. A Distagon optical concept is used to promote edge-to-edge sharpness and low field curvature, and, through the use of low dispersion and aspherical elements, this lens also achieves a well-corrected image quality void of aberrations, colour fringing, and distortion. A floating elements system is also used, for consistent performance throughout the focusing and aperture ranges, in order to achieve even sharpness and clarity. An enhanced ZEISS T* anti-reflective coating has also been applied to significantly reduce ghosting and lens flare for improved contrast and colour fidelity when working in strong lighting conditions.

SKU: GC40-2010056

Zeiss 55mm f/1.4 Otus APO Distagon ZE - Canon EF Mount

Zeiss 55mm f1.4 Otus APO Distagon ZE for Canon

Employing a no-holds-barred design, the Canon EF-mount ZEISS Otus 55mm f/1.4 ZE is an optically refined normal-length prime characterized by its bright maximum aperture and advanced optics for high sharpness and colour accuracy. The fast f/1.4 design excels in difficult lighting conditions and is also suitable for adjusting the depth of field to isolate subject matter using selective focus. A Distagon optical concept is used to promote edge-to-edge sharpness and low field curvature, and, through the use of low dispersion and aspherical elements, this lens also achieves a well-corrected image quality void of aberrations, colour fringing, and distortion. A floating elements system is also used, for consistent performance throughout the focusing and aperture ranges, in order to achieve even sharpness and clarity. An enhanced ZEISS T* anti-reflective coating has also been applied to significantly reduce ghosting and lens flare for improved contrast and colour fidelity when working in strong lighting conditions.

Its manual focus design is complemented by a rubberized focus ring for fine-tuned, precise control over your focus position. Additionally, Otus-series lenses also feature an equally aesthetic and durable anodized metal lens barrel surface along with engraved focusing scales and distinctive high-visibility yellow paint.

Features:

A normal-length prime lens is designed for full-frame Canon EF-mount cameras, however can also be used with APS-C models where it provides an 88mm equivalent focal length.

Impressively bright f/1.4 maximum aperture is well-suited for working in low-light conditions and also provides greater control over the focus position when using shallow depth of field techniques.

Distagon optical concept affords high sharpness, well-corrected image quality from edge-to-edge, and very low field curvature.

Apochromatic optical design utilizes six anomalous partial dispersion elements to significantly reduce colour fringing and chromatic aberrations for increased clarity and colour fidelity.

One aspherical element controls distortion and spherical aberrations in order to produce greater sharpness and more accurate rendering.

ZEISS T* anti-reflective coating has been applied to each lens surface to help minimize reflections and provide greater contrast and colour fidelity.

The floating elements system helps to maintain consistent image quality throughout the entire focusing range, from 1.6' to infinity.

Manual focus design is benefitted by focusing and depth of field scales, which are filled with high-visibility yellow paint, along with hard stops at both infinity and minimum focusing positions.

The all-metal lens barrel has a frosted, anodized surface along with a rubberized focusing ring for both durability and improved tactile control.

Regular price $5,410.96
Sale price $5,410.96 Regular price $7,418.00 Save 27%
Pay with
Pay with
Found a better price? Request a price match

Price Match

Fill out the price match form below, and we will be in touch shortly.

Price Match Request For:
Zeiss 55mm f/1.4 Otus APO Distagon ZE for Canon
Zeiss 55mm f/1.4 Otus APO Distagon ZE - Canon EF Mount
Our Price: $5,410.96

Price Match

Fill out the price match form below, and we will be in touch shortly.

Competitor Information:
Your Details:
This item is currently backordered and we are awaiting arrival. star If you'd like to know when it's due, we're here to help!

phone Call us during business hours at 02 9299 0177.
chatChat live with our team on-site.
emailOr email us anytime at info@georges.com.au with the subject "Awaiting Arrival"
Awaiting Stock

Checking availability...

$5,410.96

Product Overview

Zeiss 55mm f1.4 Otus APO Distagon ZE for Canon

Employing a no-holds-barred design, the Canon EF-mount ZEISS Otus 55mm f/1.4 ZE is an optically refined normal-length prime characterized by its bright maximum aperture and advanced optics for high sharpness and colour accuracy. The fast f/1.4 design excels in difficult lighting conditions and is also suitable for adjusting the depth of field to isolate subject matter using selective focus. A Distagon optical concept is used to promote edge-to-edge sharpness and low field curvature, and, through the use of low dispersion and aspherical elements, this lens also achieves a well-corrected image quality void of aberrations, colour fringing, and distortion. A floating elements system is also used, for consistent performance throughout the focusing and aperture ranges, in order to achieve even sharpness and clarity. An enhanced ZEISS T* anti-reflective coating has also been applied to significantly reduce ghosting and lens flare for improved contrast and colour fidelity when working in strong lighting conditions.

FAQs

Need advice?

Speak to one of our dedicated Australian-based sales team members.

Call us

Key Features

Product Reviews

Panel Discussion at Lunar Studios

Everyone Can Take a Picture. Not Everyone Can Hold the Room

What an agent, a Vogue visuals producer and a brand-side creative lead really look for in photographers now. There is a point in almost every creative career where the work alone stops...

View post
Beauty Photography Tips: Three Things I Wish I Knew Earlier

Beauty Photography Tips: Three Things I Wish I Knew Earlier

Beauty photography tips from Oliver Minnett’s Georges workshop, covering lighting, direction, working with a creative team, and using Sony and Profoto gear.

View post
Models on stage at Karla Spetics show

How We Lit Karla Spetic's Australian Fashion Week Show with P...

We were invited by Karla Spetic to help light her runway, we chose Profoto's new LED lights for the job!

View post
Ricardo sits with Ollie and discusses mobile podcasting setups

Sony A7R VI First Thoughts: A Portrait Photographer’s Take on...

Sony has just launched the new Sony A7R VI, the latest camera in its high-resolution Alpha line, and I was lucky enough to spend some time with it earlier this week. I...

View post
Ricardo sits with Ollie and discusses mobile podcasting setups

Mobile Podcasting Setups Explained: From First Rig to Full Pr...

Mobile podcasting isn’t about shortcuts. It’s about picking gear that actually works, in the places podcasts actually happen. I used to chase the “best” setup. Turns out, the best setup is the...

View post
Tilta Sony FX Rigging

Rigging Up Your Sony Cinema Camera

Rigging gets a bad rap because a lot of rigs are built backwards. People buy parts first, bolt everything on, and end up with a camera that looks serious but shoots worse....

View post
Gracaie Stendl Portfolio Images

What Makes a Good Photographer? A Portfolio Deconstruction

Clyde Vaughan Guest post by Clyde Vaughan — ahead of  Clyde's talk on January 22: “How to create incredible images: A talk by Clyde Vaughan”. If you ask “what makes a good...

View post
Ollie Jones holds the 22 kg DJI Power 2000

The End of the Generator? Hands-on with the DJI Power 2000

We’ve all been there: you’re on a remote shoot, beautiful location, but you’re either scrambling to find a power outlet or lugging a massive, noisy petrol generator through the bush. We’ve been...

View post
Oliver Minnett teaching a photography workshop

Why 2026 Might be the year to change from DSLR to Mirrorless

Alright—let’s do the DSLR vs mirrorless thing properly. Not “on paper”, not “in theory”, but head-to-head on the stuff that actually matters when you’re out shooting. My name's Oliver Minnett, I'm Georges...

View post
Two Leica M11P's on a desk

Leica is now at Georges Cameras

Some cameras don’t just document your life; they become part of it. I bought a Leica M6 in 2012. Photography had always been a part of my life; my dad had run...

View post