Standard Zoom
Sony E & Nikon Z
F/2.8
67 mm
28mm - 75mm
550g
Overview

Tamron 28-75mm f/2.8 Di III VXD G2 Lens

The Tamron 28-75mm F/2.8 Di III VXD G2 for Sony E Mount and Nikon Z Mount has been designed with both photography and videography in mind. It's a versatile lens that offers high image quality, fast autofocus capabilities and smooth zoom control. Its large f/2.8 maximum aperture ensures great low light performance, and its 9-blade circular aperture ensures beautiful bokeh.

SKU: GC47-TM-A063SF

Tamron 28-75mm f/2.8 Di III VXD G2 Lens

Tamron 28-75mm f/2.8 Di III VXD G2 Lens

The Tamron 28-75mm F/2.8 Di III VXD G2 for Sony E Mount and Nikon Z Mount has been designed with both photography and videography in mind. It's a versatile lens that offers high image quality, fast autofocus capabilities and smooth zoom control. Its large f/2.8 maximum aperture ensures great low light performance, and its 9-blade circular aperture ensures beautiful bokeh.

The lens also features an improved VXD (Voice-coil eXtreme-torque Drive) motor for fast and silent autofocus capability, as well as full-time manual focus override. Its close focusing distance of 19cm is perfect for capturing detailed close-up shots. The lens also has a 9-blade circular diaphragm, which ensures smooth and beautiful out-of-focus area of your images. Additionally, it comes with Fluorine coating that helps repel dust, dirt and moisture for better protection and durability. This is an incredibly versatile lens that is perfect for all types of users. Whether you are shooting landscapes, portraits or close-up shots, the Tamron 28-75mm F/2.8 Di III VXD G2 for Sony E Mount will deliver exceptional results.

Versatile standard zoom designed for full-frame Sony E mount and Nikon Z mount mirrorless cameras but can also be used with APS-C models where it will provide a 42-112.5mm equivalent focal length range.

Bright constant f/2.8 maximum aperture affords consistent illumination throughout the zoom range and also affords greater control over depth of field for working with selective focus techniques.

The improved optical design increases resolution and enhances imaging performance.

VXD (Voice-coil eXtreme-torque Drive) linear motor focus mechanism provides fast, quiet, and precise autofocus performance throughout the zoom range.

Minimum focusing distance of just 7.1" and a 1:2.7 maximum magnification for working with close-up subjects.

Updated ergonomic design for improved operability.

The connector port works in conjunction with Tamron Lens Utility software for customising lens functions and updating firmware through the lens rather than through the camera.

Key Features:

Full-Frame | f/2.8 to f/22

Updated Optical Design

VXD Linear Motor Focus Mechanism

Minimum Focusing Distance: 7.1"

Tamron Lens Utility Connector Port

What's in the Box:

Tamron 28-75mm f/2.8 Di III VXD G2 Lens

Standard Zoom
Sony E & Nikon Z
F/2.8
67 mm
28mm - 75mm
550g
Regular price $945.63
Sale price $945.63 Regular price $1,599.00 Save 40%
Pay with
Pay with
Found a better price? Request a price match

Price Match

Fill out the price match form below, and we will be in touch shortly.

Price Match Request For:
Tamron 28-75mm f/2.8 Di III VXD G2 Lens
Tamron 28-75mm f/2.8 Di III VXD G2 Lens
Our Price: $945.63

Price Match

Fill out the price match form below, and we will be in touch shortly.

Competitor Information:
Your Details:
In Stock

Checking availability...

$945.63

Product Overview

Tamron 28-75mm f/2.8 Di III VXD G2 Lens

The Tamron 28-75mm F/2.8 Di III VXD G2 for Sony E Mount and Nikon Z Mount has been designed with both photography and videography in mind. It's a versatile lens that offers high image quality, fast autofocus capabilities and smooth zoom control. Its large f/2.8 maximum aperture ensures great low light performance, and its 9-blade circular aperture ensures beautiful bokeh.

FAQs

Need advice?

Speak to one of our dedicated Australian-based sales team members.

Call us

Key Features

Standard Zoom

The Tamron 28-75mm f/2.8 Di III VXD G2 lens provides a wide-to-portrait-length range and is compatible with Sony E and Nikon Z mounts, making it a versatile zoom option.

Sony E & Nikon Z

Mirrorless versions are equipped with interchangeable Sony E and Nikon Z Mount.

F/2.8

The f/2.8 maximum aperture provides consistent lighting and precise depth of field control for selective focus techniques.

67 mm

The Tamron 28-75mm F/2.8 Di III VXD G2 for Sony E and Nikon Z Mount has a front filter size of 67mm.

28mm - 75mm

The Tamron F/2.8 Di III VXD G2 for Sony E and Nikon Z Mount has a focal length of 28 to 75mm.

550g

The Tamron 28-75mm F/2.8 Di III VXD G2 for Sony E and Nikon Z Mount weighs only 550 grams.

Product Reviews

Beauty Photo of Sienna Etches

Beauty Lighting: How to Combine Hard and Soft Light to Make S...

A working beauty photographer’s guide to combining hard and soft light, beauty dish vs softbox, grids, negative fill and a clamshell setup you can copy, for skin that pops.

View post
Panel Discussion at Lunar Studios

Everyone Can Take a Picture. Not Everyone Can Hold the Room

What an agent, a Vogue visuals producer and a brand-side creative lead really look for in photographers now. There is a point in almost every creative career where the work alone stops...

View post
Beauty Photography Tips: Three Things I Wish I Knew Earlier

Beauty Photography Tips: Three Things I Wish I Knew Earlier

Beauty photography tips from Oliver Minnett’s Georges workshop, covering lighting, direction, working with a creative team, and using Sony and Profoto gear.

View post
Models on stage at Karla Spetics show

How We Lit Karla Spetic's Australian Fashion Week Show with P...

We were invited by Karla Spetic to help light her runway, we chose Profoto's new LED lights for the job!

View post
Ricardo sits with Ollie and discusses mobile podcasting setups

Sony A7R VI First Thoughts: A Portrait Photographer’s Take on...

Sony has just launched the new Sony A7R VI, the latest camera in its high-resolution Alpha line, and I was lucky enough to spend some time with it earlier this week. I...

View post
Ricardo sits with Ollie and discusses mobile podcasting setups

Mobile Podcasting Setups Explained: From First Rig to Full Pr...

Mobile podcasting isn’t about shortcuts. It’s about picking gear that actually works, in the places podcasts actually happen. I used to chase the “best” setup. Turns out, the best setup is the...

View post
Tilta Sony FX Rigging

Rigging Up Your Sony Cinema Camera

Rigging gets a bad rap because a lot of rigs are built backwards. People buy parts first, bolt everything on, and end up with a camera that looks serious but shoots worse....

View post
Gracaie Stendl Portfolio Images

What Makes a Good Photographer? A Portfolio Deconstruction

Clyde Vaughan Guest post by Clyde Vaughan — ahead of  Clyde's talk on January 22: “How to create incredible images: A talk by Clyde Vaughan”. If you ask “what makes a good...

View post
Ollie Jones holds the 22 kg DJI Power 2000

The End of the Generator? Hands-on with the DJI Power 2000

We’ve all been there: you’re on a remote shoot, beautiful location, but you’re either scrambling to find a power outlet or lugging a massive, noisy petrol generator through the bush. We’ve been...

View post
Oliver Minnett teaching a photography workshop

Why 2026 Might be the year to change from DSLR to Mirrorless

Alright—let’s do the DSLR vs mirrorless thing properly. Not “on paper”, not “in theory”, but head-to-head on the stuff that actually matters when you’re out shooting. My name's Oliver Minnett, I'm Georges...

View post