Overview

Using a remote camera lets you explore creativity and expand photographic coverage in unique ways. On location, remote cameras can be where you physically can’t. Get shots no one else can by firing a remote camera at the same time you fire your main body. Two images, two perspectives, one photographer! In the studio, get out from behind the lens and really connect with your subjects.

SKU: GC49-45.4.N-MCDC2-ACC-1

Pocketwizard Nikon MCDC2 Remote Pre-Trig Cable 30C

Using a remote camera lets you explore creativity and expand photographic coverage in unique ways. On location, remote cameras can be where you physically can’t. Get shots no one else can by firing a remote camera at the same time you fire your main body. Two images, two perspectives, one photographer! In the studio, get out from behind the lens and really connect with your subjects.

How to Use

Connect the N-MCDC2-ACC Remote Camera Cable to your camera’s remote port and a receiving PocketWizard radio. Trigger your remote camera by either pressing test on a handheld PocketWizard or from one mounted on your handheld camera’ s hot shoe.

Half press / Pre Trigger Options

Enabling half press pre triggers the camera. This means the remote camera will be pre triggered when half press is enabled, just like you are half pressing the shutter button directly on the remote camera itself. It will focus and confirm exposure. The advantage of the half press feature is that your camera will respond to the actual trigger signal faster, as it should be completely ready to take the photo as soon as it gets the signal to fire. Half press is available “on demand” with some PocketWizard radios as a feature. Continuous half press is available to all PocketWizard radios if you add a PTMM cable.

Plus III

Using a hand held transmitting radio half press the test button on the radio in your hand to pre trigger your remote camera, then press all the way to take the photo. If you are shooting from a handheld camera with a hot shoe mounted transmitting radio, use a remote camera cable on both the transmitting and receiving PocketWizard radios to enable pre triggering for the remote camera. When you half press the shutter button of the camera in your hand, the remote Plus III should pre trigger the remote camera at the same time.

Plus IV

The Plus IV can receive a half press signal from a transmitting Plus III but cannot send one. See above for details about how half press works.

MultiMAX

You can pre trigger a remote camera using the MultiMAX radios by enabling or disabling their zones. This feature works when using the -ACC port on the MultiMAX units, without the MSMM adapter. It is not available on older MultiMAX radios that only have a top port.

The PTMM adapter can be added to any setup to enable constant pre triggering. It is an adapter that connects to the remote camera cable and has a box with a switch. When you turn it “on”, the camera will be constantly pre triggered. When it is “off”, the camera will fire after confirming focus and exposure. The camera will respond much more quickly but will use more battery power.

FlexTT5, FlexTT6, Plus II, Plus Receiver, MultiMAX without -ACC ports half press / pre trigger is only available on these units by adding the PTMM adapter.

Compatibility

PocketWizard Compatibility

All PocketWizard transceivers

Camera Compatibility

For Nikon cameras with an MCDC2 port including: Z series, D780, D750, D600 series, D7000 series, D5000 series, D3000 series, Df, and D90.

Not for Nikon Z50. D70s, or D80.

Key Features

  • For Nikon MC-DC2 Remote Shutter Terminal
  • For all PocketWizard Radio Triggers
  • Remote On/Off: Plus III, later MultiMAX
  • Remote On/Off with FlexTT5 as Receiver
  • Add PTMM Adapter to Make Pre-trigger
  • Includes MSMM Adapter
  • Use with All PocketWizards with MSMM

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Product Overview

Using a remote camera lets you explore creativity and expand photographic coverage in unique ways. On location, remote cameras can be where you physically can’t. Get shots no one else can by firing a remote camera at the same time you fire your main body. Two images, two perspectives, one photographer! In the studio, get out from behind the lens and really connect with your subjects.

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