Overview

Panasonic Lumix S 24-105mm f/4 Macro O.I.S. Lens

Covering a versatile wide-angle to short-telephoto range, the Lumix S 24-105mm f/4 Macro O.I.S. from Panasonic is a flexible zoom, featuring a constant f/4 maximum aperture, for L-mount mirrorless cameras. In regard to its optical design, a series of low dispersion and aspherical elements are used to control a variety of aberrations, colour fringing, and distortion in order to realize a high degree of sharpness, clarity, and colour accuracy. Balancing its optical performance, this zoom is also unique due to is 1:2 maximum magnification ratio and 11.8" minimum focusing distance to suit working with close-up subjects. Additionally, an Optical Image Stabilizer helps to control the effects of camera shake for sharper handheld shooting and the lens sports a weather-sealed design for use in harsh conditions.

SKU: GC80-S-R24105GC

Panasonic Lumix S 24-105mm f/4 Macro O.I.S. Lens

Panasonic Lumix S 24-105mm f/4 Macro O.I.S. Lens

Covering a versatile wide-angle to short-telephoto range, the Lumix S 24-105mm f/4 Macro O.I.S. from Panasonic is a flexible zoom, featuring a constant f/4 maximum aperture, for L-mount mirrorless cameras. In regard to its optical design, a series of low dispersion and aspherical elements are used to control a variety of aberrations, colour fringing, and distortion in order to realize a high degree of sharpness, clarity, and colour accuracy. Balancing its optical performance, this zoom is also unique due to is 1:2 maximum magnification ratio and 11.8" minimum focusing distance to suit working with close-up subjects. Additionally, an Optical Image Stabilizer helps to control the effects of camera shake for sharper handheld shooting and the lens sports a weather-sealed design for use in harsh conditions.

Features:

Standard 24-105mm zoom is designed for full-frame L-mount mirrorless cameras, however can also be used with APS-C models where it provides a 36-157.5mm equivalent focal length range.

Constant f/4 maximum aperture maintains consistent illumination throughout the zoom range.

Four aspherical elements, including two made from extra-low dispersion glass, help to minimize distortions and spherical aberrations throughout the zoom range in order to maintain edge-to-edge sharpness and illumination.

One ultra extra-low dispersion element and two extra-low dispersion elements greatly reduce chromatic aberrations and colour fringing in order to produce a high degree of clarity and colour accuracy.

The macro design provides a half life-size 1:2 magnification ratio and a minimum focusing distance of 11.8" for working with close-up subjects.

Optical Image Stabilizer minimizes the appearance of camera shake for sharper handheld shooting, and also supports 5-Axis Dual I.S. 2 for increased stabilization performance.

AF/MF switch permits quick changing between focusing modes and a zoom lock switch can be used to prevent the lens from extending when not in use.

Splash, dust, and freezeproof design benefits working in inclement weather conditions down to -14°F.

The rounded nine-blade diaphragm contributes to a pleasing bokeh quality.

Regular price $1,798.00
Sale price $1,798.00 Regular price $1,799.00 Save 0%
Pay with
Pay with
Found a better price? Request a price match

Price Match

Fill out the price match form below, and we will be in touch shortly.

Price Match Request For:
Panasonic Lumix S 24-105mm f/4 Macro O.I.S. Lens
Panasonic Lumix S 24-105mm f/4 Macro O.I.S. Lens
Our Price: $1,798.00

Price Match

Fill out the price match form below, and we will be in touch shortly.

Competitor Information:
Your Details:
In Stock

Checking availability...

$1,798.00

Product Overview

Panasonic Lumix S 24-105mm f/4 Macro O.I.S. Lens

Covering a versatile wide-angle to short-telephoto range, the Lumix S 24-105mm f/4 Macro O.I.S. from Panasonic is a flexible zoom, featuring a constant f/4 maximum aperture, for L-mount mirrorless cameras. In regard to its optical design, a series of low dispersion and aspherical elements are used to control a variety of aberrations, colour fringing, and distortion in order to realize a high degree of sharpness, clarity, and colour accuracy. Balancing its optical performance, this zoom is also unique due to is 1:2 maximum magnification ratio and 11.8" minimum focusing distance to suit working with close-up subjects. Additionally, an Optical Image Stabilizer helps to control the effects of camera shake for sharper handheld shooting and the lens sports a weather-sealed design for use in harsh conditions.

Need advice?

Speak to one of our dedicated Australian-based sales team members.

Call us

Key Features

Product Reviews

Models on stage at Karla Spetics show

How We Lit Karla Spetic's Australian Fashion Week Show with P...

We were invited by Karla Spetic to help light her runway, we chose Profoto's new LED lights for the job!

View post
Ricardo sits with Ollie and discusses mobile podcasting setups

Sony A7R VI First Thoughts: A Portrait Photographer’s Take on...

Sony has just launched the new Sony A7R VI, the latest camera in its high-resolution Alpha line, and I was lucky enough to spend some time with it earlier this week. I...

View post
Ricardo sits with Ollie and discusses mobile podcasting setups

Mobile Podcasting Setups Explained: From First Rig to Full Pr...

Mobile podcasting isn’t about shortcuts. It’s about picking gear that actually works, in the places podcasts actually happen. I used to chase the “best” setup. Turns out, the best setup is the...

View post
Tilta Sony FX Rigging

Rigging Up Your Sony Cinema Camera

Rigging gets a bad rap because a lot of rigs are built backwards. People buy parts first, bolt everything on, and end up with a camera that looks serious but shoots worse....

View post
Gracaie Stendl Portfolio Images

What Makes a Good Photographer? A Portfolio Deconstruction

Clyde Vaughan Guest post by Clyde Vaughan — ahead of  Clyde's talk on January 22: “How to create incredible images: A talk by Clyde Vaughan”. If you ask “what makes a good...

View post
Ollie Jones holds the 22 kg DJI Power 2000

The End of the Generator? Hands-on with the DJI Power 2000

We’ve all been there: you’re on a remote shoot, beautiful location, but you’re either scrambling to find a power outlet or lugging a massive, noisy petrol generator through the bush. We’ve been...

View post
Oliver Minnett teaching a photography workshop

Why 2026 Might be the year to change from DSLR to Mirrorless

Alright—let’s do the DSLR vs mirrorless thing properly. Not “on paper”, not “in theory”, but head-to-head on the stuff that actually matters when you’re out shooting. My name's Oliver Minnett, I'm Georges...

View post
Two Leica M11P's on a desk

Leica is now at Georges Cameras

Some cameras don’t just document your life; they become part of it. I bought a Leica M6 in 2012. Photography had always been a part of my life; my dad had run...

View post
Man using Sony A7 V Mirrorless Camera

5 Things to Know Before You Upgrade Your Camera

Upgrading your camera? Learn the 5 things that matter: sensor size, ergonomics, lenses, power/media, and colour/screens—so you can choose the right camera with confidence.

View post
Girls taking photo with Point and Shoot

Canon G7X Mark III vs Sony, Panasonic, Ricoh & Fujifilm: Best...

Looking beyond the Canon G7X Mark III? We compare the best compact cameras from Sony, Panasonic, Ricoh and Fujifilm to help you choose the right model for 2025.

View post