Overview

Panasonic Leica DG Summilux 12mm f/1.4 ASPH. Lens

A fast and optically refined wide-angle prime, the Leica DG Summilux 12mm f/1.4 ASPH. Lens from Panasonic is a 24mm equivalent lens designed for Micro Four Thirds digital cameras. Characterized by its truly bright f/1.4 maximum aperture, this lens is ideal for working in low-light conditions and also affords a wealth of control over focus placement for using shallow depth of field techniques. The optical design employs a pair of aspherical elements, two ultra extra-low dispersion elements, and one extra-low dispersion element in order to control both spherical and chromatic aberrations for a high degree of sharpness and clarity from edge to edge. Benefitting the optical assets, this lens also incorporates a smooth and quiet autofocus motor that is well-suited to both stills and video recording, and a manual AF/MF switch lends direct focus mode adjustment for more intuitive handling. Additionally, the all-metal construction of the lens is also weather-resistant in order to permit working in trying environmental conditions. Pairing Leica's design legacy with Panasonic's technological innovation, this versatile wide-angle prime is distinguished by both its optical merits as well as intuitive handling and contemporary functionality.

SKU: GC80-H-X012E

Panasonic Leica DG Summilux 12mm f/1.4 ASPH. Lens

Panasonic Leica DG Summilux 12mm f/1.4 ASPH. Lens

A fast and optically refined wide-angle prime, the Leica DG Summilux 12mm f/1.4 ASPH. Lens from Panasonic is a 24mm equivalent lens designed for Micro Four Thirds digital cameras. Characterized by its truly bright f/1.4 maximum aperture, this lens is ideal for working in low-light conditions and also affords a wealth of control over focus placement for using shallow depth of field techniques. The optical design employs a pair of aspherical elements, two ultra extra-low dispersion elements, and one extra-low dispersion element in order to control both spherical and chromatic aberrations for a high degree of sharpness and clarity from edge to edge. Benefitting the optical assets, this lens also incorporates a smooth and quiet autofocus motor that is well-suited to both stills and video recording, and a manual AF/MF switch lends direct focus mode adjustment for more intuitive handling. Additionally, the all-metal construction of the lens is also weather-resistant in order to permit working in trying environmental conditions. Pairing Leica's design legacy with Panasonic's technological innovation, this versatile wide-angle prime is distinguished by both its optical merits as well as intuitive handling and contemporary functionality.

Features:

Designed for mirrorless Micro Four Thirds digital cameras, this wide-angle 12mm f/1.4 lens provides a 24mm equivalent focal length.

The bright f/1.4 maximum aperture is well-suited to working in difficult and low lighting conditions and also affords greater control over the depth of field for selective focus techniques.

Two aspherical elements are featured in the lens design, which helps to maintain a compact form factor as well as help to reduce spherical aberrations and distortions.

Two ultra extra-low dispersion (UED) elements and one extra-low dispersion (ED) element work to significantly minimize colour fringing and chromatic aberrations for increased clarity and colour fidelity.

The smooth and near-silent autofocus performance complements movie recording applications while the quick operation is beneficial to still photographers.

A manual aperture ring gives tactile control over exposure settings and a dedicated AF/MF switch offers a simple, intuitive means for switching between focusing modes.

The metal construction of the lens is durable as well as splash- and dust-resistant when paired with Lumix Micro Four Thirds cameras for working in harsh environments.

A rounded nine-blade diaphragm contributes to a pleasing bokeh quality when making shallow depth of field imagery.

Regular price $1,529.95
Sale price $1,529.95 Regular price $2,299.00 Save 33%
Pay with
Pay with
Found a better price? Request a price match

Price Match

Fill out the price match form below, and we will be in touch shortly.

Price Match Request For:
Panasonic Leica DG Summilux 12mm f/1.4 ASPH. Lens
Panasonic Leica DG Summilux 12mm f/1.4 ASPH. Lens
Our Price: $1,529.95

Price Match

Fill out the price match form below, and we will be in touch shortly.

Competitor Information:
Your Details:
In Stock

Checking availability...

$1,529.95

Product Overview

Panasonic Leica DG Summilux 12mm f/1.4 ASPH. Lens

A fast and optically refined wide-angle prime, the Leica DG Summilux 12mm f/1.4 ASPH. Lens from Panasonic is a 24mm equivalent lens designed for Micro Four Thirds digital cameras. Characterized by its truly bright f/1.4 maximum aperture, this lens is ideal for working in low-light conditions and also affords a wealth of control over focus placement for using shallow depth of field techniques. The optical design employs a pair of aspherical elements, two ultra extra-low dispersion elements, and one extra-low dispersion element in order to control both spherical and chromatic aberrations for a high degree of sharpness and clarity from edge to edge. Benefitting the optical assets, this lens also incorporates a smooth and quiet autofocus motor that is well-suited to both stills and video recording, and a manual AF/MF switch lends direct focus mode adjustment for more intuitive handling. Additionally, the all-metal construction of the lens is also weather-resistant in order to permit working in trying environmental conditions. Pairing Leica's design legacy with Panasonic's technological innovation, this versatile wide-angle prime is distinguished by both its optical merits as well as intuitive handling and contemporary functionality.

Need advice?

Speak to one of our dedicated Australian-based sales team members.

Call us

Key Features

Product Reviews

Panel Discussion at Lunar Studios

Everyone Can Take a Picture. Not Everyone Can Hold the Room

What an agent, a Vogue visuals producer and a brand-side creative lead really look for in photographers now. There is a point in almost every creative career where the work alone stops...

View post
Beauty Photography Tips: Three Things I Wish I Knew Earlier

Beauty Photography Tips: Three Things I Wish I Knew Earlier

Beauty photography tips from Oliver Minnett’s Georges workshop, covering lighting, direction, working with a creative team, and using Sony and Profoto gear.

View post
Models on stage at Karla Spetics show

How We Lit Karla Spetic's Australian Fashion Week Show with P...

We were invited by Karla Spetic to help light her runway, we chose Profoto's new LED lights for the job!

View post
Ricardo sits with Ollie and discusses mobile podcasting setups

Sony A7R VI First Thoughts: A Portrait Photographer’s Take on...

Sony has just launched the new Sony A7R VI, the latest camera in its high-resolution Alpha line, and I was lucky enough to spend some time with it earlier this week. I...

View post
Ricardo sits with Ollie and discusses mobile podcasting setups

Mobile Podcasting Setups Explained: From First Rig to Full Pr...

Mobile podcasting isn’t about shortcuts. It’s about picking gear that actually works, in the places podcasts actually happen. I used to chase the “best” setup. Turns out, the best setup is the...

View post
Tilta Sony FX Rigging

Rigging Up Your Sony Cinema Camera

Rigging gets a bad rap because a lot of rigs are built backwards. People buy parts first, bolt everything on, and end up with a camera that looks serious but shoots worse....

View post
Gracaie Stendl Portfolio Images

What Makes a Good Photographer? A Portfolio Deconstruction

Clyde Vaughan Guest post by Clyde Vaughan — ahead of  Clyde's talk on January 22: “How to create incredible images: A talk by Clyde Vaughan”. If you ask “what makes a good...

View post
Ollie Jones holds the 22 kg DJI Power 2000

The End of the Generator? Hands-on with the DJI Power 2000

We’ve all been there: you’re on a remote shoot, beautiful location, but you’re either scrambling to find a power outlet or lugging a massive, noisy petrol generator through the bush. We’ve been...

View post
Oliver Minnett teaching a photography workshop

Why 2026 Might be the year to change from DSLR to Mirrorless

Alright—let’s do the DSLR vs mirrorless thing properly. Not “on paper”, not “in theory”, but head-to-head on the stuff that actually matters when you’re out shooting. My name's Oliver Minnett, I'm Georges...

View post
Two Leica M11P's on a desk

Leica is now at Georges Cameras

Some cameras don’t just document your life; they become part of it. I bought a Leica M6 in 2012. Photography had always been a part of my life; my dad had run...

View post