Overview

The Manfrotto Camera Support Salon 230 is designed to provide reliable and stable support for your camera gear, whether in the studio or on location. With an impressive weight capacity of up to 13kg, it accommodates a wide range of cameras and accessories. Its adjustable height (57cm to 232cm) offers versatile positioning for various shots, while its sturdy construction ensures lasting durability. The compact design makes it easy to transport, providing a perfect balance of stability, flexibility, and convenience for any professional setup.

SKU: GC40-MF-809

Manfrotto Camera Support Salon 230

The Manfrotto Camera Support Salon 230 is designed to provide reliable and stable support for your camera gear, whether in the studio or on location. With an impressive weight capacity of up to 13kg, it accommodates a wide range of cameras and accessories. Its adjustable height (57cm to 232cm) offers versatile positioning for various shots, while its sturdy construction ensures lasting durability. The compact design makes it easy to transport, providing a perfect balance of stability, flexibility, and convenience for any professional setup.

Key Features:

Adjustable height: Offers versatile positioning for various shooting angles.

Sturdy construction: Provides reliable support for heavy equipment.

Compact and portable design: Easy to transport and set up for on-the-go shoots.

Specifications:

Weight: 65.7kg

Min Height: 57cm

Max Height: 232cm

Safety Payload Weight: 13kg

Perfect For:

The Manfrotto Camera Support Salon 230 is ideal for professional photographers and videographers who need a reliable support system for their cameras and equipment. Its sturdy build and adjustable height make it perfect for both studio setups and on-location shoots, ensuring that your gear is safely and securely mounted.

Recommended Accessories:

The Manfrotto 055 Series Tripod is a sturdy and versatile option that enhances camera support for improved stability. The Manfrotto 502HD Fluid Video Head provides smooth and precise camera movements, making it ideal for video production. Use the Manfrotto Super Clamp to securely attach additional lighting or accessories to the support system. For outdoor shoots, the Manfrotto Sandbags ensure stability by adding extra weight to your setup. Lastly, the Manfrotto Quick Release Plate allows for efficient and quick attachment and removal of your camera during shoots.

Regular price $5,238.66
Sale price $5,238.66 Regular price $6,925.00 Save 24%
Pay with
Pay with
Found a better price? Request a price match

Price Match

Fill out the price match form below, and we will be in touch shortly.

Price Match Request For:
Manfrotto Camera Support Salon 230
Manfrotto Camera Support Salon 230
Our Price: $5,238.66

Price Match

Fill out the price match form below, and we will be in touch shortly.

Competitor Information:
Your Details:
In Stock

Checking availability...

$5,238.66

Product Overview

The Manfrotto Camera Support Salon 230 is designed to provide reliable and stable support for your camera gear, whether in the studio or on location. With an impressive weight capacity of up to 13kg, it accommodates a wide range of cameras and accessories. Its adjustable height (57cm to 232cm) offers versatile positioning for various shots, while its sturdy construction ensures lasting durability. The compact design makes it easy to transport, providing a perfect balance of stability, flexibility, and convenience for any professional setup.

Need advice?

Speak to one of our dedicated Australian-based sales team members.

Call us

Product Reviews

Beauty Photo of Sienna Etches

Beauty Lighting: How to Combine Hard and Soft Light to Make S...

A working beauty photographer’s guide to combining hard and soft light, beauty dish vs softbox, grids, negative fill and a clamshell setup you can copy, for skin that pops.

View post
Panel Discussion at Lunar Studios

Everyone Can Take a Picture. Not Everyone Can Hold the Room

What an agent, a Vogue visuals producer and a brand-side creative lead really look for in photographers now. There is a point in almost every creative career where the work alone stops...

View post
Beauty Photography Tips: Three Things I Wish I Knew Earlier

Beauty Photography Tips: Three Things I Wish I Knew Earlier

Beauty photography tips from Oliver Minnett’s Georges workshop, covering lighting, direction, working with a creative team, and using Sony and Profoto gear.

View post
Models on stage at Karla Spetics show

How We Lit Karla Spetic's Australian Fashion Week Show with P...

We were invited by Karla Spetic to help light her runway, we chose Profoto's new LED lights for the job!

View post
Ricardo sits with Ollie and discusses mobile podcasting setups

Sony A7R VI First Thoughts: A Portrait Photographer’s Take on...

Sony has just launched the new Sony A7R VI, the latest camera in its high-resolution Alpha line, and I was lucky enough to spend some time with it earlier this week. I...

View post
Ricardo sits with Ollie and discusses mobile podcasting setups

Mobile Podcasting Setups Explained: From First Rig to Full Pr...

Mobile podcasting isn’t about shortcuts. It’s about picking gear that actually works, in the places podcasts actually happen. I used to chase the “best” setup. Turns out, the best setup is the...

View post
Tilta Sony FX Rigging

Rigging Up Your Sony Cinema Camera

Rigging gets a bad rap because a lot of rigs are built backwards. People buy parts first, bolt everything on, and end up with a camera that looks serious but shoots worse....

View post
Gracaie Stendl Portfolio Images

What Makes a Good Photographer? A Portfolio Deconstruction

Clyde Vaughan Guest post by Clyde Vaughan — ahead of  Clyde's talk on January 22: “How to create incredible images: A talk by Clyde Vaughan”. If you ask “what makes a good...

View post
Ollie Jones holds the 22 kg DJI Power 2000

The End of the Generator? Hands-on with the DJI Power 2000

We’ve all been there: you’re on a remote shoot, beautiful location, but you’re either scrambling to find a power outlet or lugging a massive, noisy petrol generator through the bush. We’ve been...

View post
Oliver Minnett teaching a photography workshop

Why 2026 Might be the year to change from DSLR to Mirrorless

Alright—let’s do the DSLR vs mirrorless thing properly. Not “on paper”, not “in theory”, but head-to-head on the stuff that actually matters when you’re out shooting. My name's Oliver Minnett, I'm Georges...

View post