39mm Filter Size
Leica M Mount
Created by potrace 1.16, written by Peter Selinger 2001-2019
Standard Prime
Created by potrace 1.16, written by Peter Selinger 2001-2019
f/2 Aperture
35mm Focal Length
320 g
Overview

Leica APO-Summicron-M 35mm f/2 ASPH. Lens (Black)

Pairing the classic wide-angle focal length with an optically refined design, the black APO-Summicron-M 35mm f/2 ASPH. lens from Leica is a fast wide-angle prime characterised by its apochromatic designation. Six lens elements feature anomalous partial dispersion and high refractive index glass, rendering the lens capable of focusing red, green, and blue wavelengths at the same plane in order to virtually eliminate chromatic aberrations. In addition, three aspherical elements with a total of four aspherical surfaces are incorporated to reduce spherical aberrations, providing edge-to-edge sharpness.

SKU: GC165-11699

Leica APO-Summicron-M 35mm f/2 ASPH. Lens (Black)

Leica APO-Summicron-M 35mm f/2 ASPH. Lens (Black)

Pairing the classic wide-angle focal length with an optically refined design, the black APO-Summicron-M 35mm f/2 ASPH. lens from Leica is a fast wide-angle prime characterised by its apochromatic designation. Six lens elements feature anomalous partial dispersion and high refractive index glass, rendering the lens capable of focusing red, green, and blue wavelengths at the same plane in order to virtually eliminate chromatic aberrations. In addition, three aspherical elements with a total of four aspherical surfaces are incorporated to reduce spherical aberrations, providing edge-to-edge sharpness.

The APO-Summicron-M 35 f/2 ASPH. goes one step further, by facilitating true close-up imaging with minimum a focusing distance of just 11.8", surpassing previous M-series lenses featuring a typical close-focus distance of approximately 27.5". With a smoothly engineered detent at 0.7m on the focus ring, the user can feel when the lens steps into the close-focus range and indicates when Live View or an EVF should be used for precise focus and composition. This compact 35mm lens is also distinguished by its compact form factor, making it ideal for use as an everyday lens. Like all M-mount lenses, it features a manual focus design, and a convenient focusing tab for more refined control during use.

Key Features:

Leica M-Mount Lens

Aperture Range: f/2 to f/16

Apochromatic Design

Three Aspherical Elements

10 Elements in 5 Groups

Manual Focus Design

Minimum Focusing Distance: 11.8"

Filter Thread: 39mm

What's in the Box:

Leica APO-Summicron-M 35mm f/2 ASPH. Lens (Black)

Metal Lens Hood

Metal Front Cap

Rear Lens Cap

Nappa Leather Lens Pouch

39mm Filter Size
Leica M Mount
Created by potrace 1.16, written by Peter Selinger 2001-2019
Standard Prime
Created by potrace 1.16, written by Peter Selinger 2001-2019
f/2 Aperture
35mm Focal Length
320 g
Regular price $14,344.05
Sale price $14,344.05 Regular price $15,100.00 Save 5%
Pay with
Pay with
Found a better price? Request a price match

Price Match

Fill out the price match form below, and we will be in touch shortly.

Price Match Request For:
Leica APO-Summicron-M 35mm f/2 ASPH. Lens (Black)
Leica APO-Summicron-M 35mm f/2 ASPH. Lens (Black)
Our Price: $14,344.05

Price Match

Fill out the price match form below, and we will be in touch shortly.

Competitor Information:
Your Details:
This item is currently backordered and we are awaiting arrival. star If you'd like to know when it's due, we're here to help!

phone Call us during business hours at 02 9299 0177.
chatChat live with our team on-site.
emailOr email us anytime at info@georges.com.au with the subject "Awaiting Arrival"
Awaiting Stock

Checking availability...

$14,344.05

Product Overview

Leica APO-Summicron-M 35mm f/2 ASPH. Lens (Black)

Pairing the classic wide-angle focal length with an optically refined design, the black APO-Summicron-M 35mm f/2 ASPH. lens from Leica is a fast wide-angle prime characterised by its apochromatic designation. Six lens elements feature anomalous partial dispersion and high refractive index glass, rendering the lens capable of focusing red, green, and blue wavelengths at the same plane in order to virtually eliminate chromatic aberrations. In addition, three aspherical elements with a total of four aspherical surfaces are incorporated to reduce spherical aberrations, providing edge-to-edge sharpness.

Need advice?

Speak to one of our dedicated Australian-based sales team members.

Call us

Key Features

39mm Filter Size

Leica APO-Summicron-M 35mm f/2 ASPH. Lens supports a 39mm filter size for added creative control.

Leica M Mount

Leica APO-Summicron-M 35mm f/2 ASPH. Lens is equipped with Leica M lens mount for seamless camera compatibility.

Created by potrace 1.16, written by Peter Selinger 2001-2019

Standard Prime

Leica APO-Summicron-M 35mm f/2 ASPH. Lens is a standard prime lens designed for professional imaging.

Created by potrace 1.16, written by Peter Selinger 2001-2019

f/2 Aperture

Leica APO-Summicron-M 35mm ASPH. Lens features a fast maximum aperture of f/2 for enhanced low-light performance.

35mm Focal Length

Leica APO-Summicron-M f/2 ASPH. Lens delivers a focal length of 35mm, ideal for versatile shooting.

320 g

Leica APO-Summicron-M 35mm f/2 ASPH. Lens weighs 320 g, ensuring a balanced and portable setup.

See Every Detail Like Never Before

Leica APO-Summicron-M 35mm f/2 ASPH. Lens (Black)

See Every Detail Like Never Before

Light, Motion, and Emotion Perfected

Optimised for dynamic scenes, this lens handles fast-moving subjects, varying light, and subtle emotions to bring your photography to life.

Turn Moments into Masterpieces

Turn Moments into Masterpieces

From fleeting street scenes to intimate portraits, every shot comes alive with rich detail, dynamic contrast, and beautifully balanced tones.

Product Reviews

Beauty Photo of Sienna Etches

Beauty Lighting: How to Combine Hard and Soft Light to Make S...

A working beauty photographer’s guide to combining hard and soft light, beauty dish vs softbox, grids, negative fill and a clamshell setup you can copy, for skin that pops.

View post
Panel Discussion at Lunar Studios

Everyone Can Take a Picture. Not Everyone Can Hold the Room

What an agent, a Vogue visuals producer and a brand-side creative lead really look for in photographers now. There is a point in almost every creative career where the work alone stops...

View post
Beauty Photography Tips: Three Things I Wish I Knew Earlier

Beauty Photography Tips: Three Things I Wish I Knew Earlier

Beauty photography tips from Oliver Minnett’s Georges workshop, covering lighting, direction, working with a creative team, and using Sony and Profoto gear.

View post
Models on stage at Karla Spetics show

How We Lit Karla Spetic's Australian Fashion Week Show with P...

We were invited by Karla Spetic to help light her runway, we chose Profoto's new LED lights for the job!

View post
Ricardo sits with Ollie and discusses mobile podcasting setups

Sony A7R VI First Thoughts: A Portrait Photographer’s Take on...

Sony has just launched the new Sony A7R VI, the latest camera in its high-resolution Alpha line, and I was lucky enough to spend some time with it earlier this week. I...

View post
Ricardo sits with Ollie and discusses mobile podcasting setups

Mobile Podcasting Setups Explained: From First Rig to Full Pr...

Mobile podcasting isn’t about shortcuts. It’s about picking gear that actually works, in the places podcasts actually happen. I used to chase the “best” setup. Turns out, the best setup is the...

View post
Tilta Sony FX Rigging

Rigging Up Your Sony Cinema Camera

Rigging gets a bad rap because a lot of rigs are built backwards. People buy parts first, bolt everything on, and end up with a camera that looks serious but shoots worse....

View post
Gracaie Stendl Portfolio Images

What Makes a Good Photographer? A Portfolio Deconstruction

Clyde Vaughan Guest post by Clyde Vaughan — ahead of  Clyde's talk on January 22: “How to create incredible images: A talk by Clyde Vaughan”. If you ask “what makes a good...

View post
Ollie Jones holds the 22 kg DJI Power 2000

The End of the Generator? Hands-on with the DJI Power 2000

We’ve all been there: you’re on a remote shoot, beautiful location, but you’re either scrambling to find a power outlet or lugging a massive, noisy petrol generator through the bush. We’ve been...

View post
Oliver Minnett teaching a photography workshop

Why 2026 Might be the year to change from DSLR to Mirrorless

Alright—let’s do the DSLR vs mirrorless thing properly. Not “on paper”, not “in theory”, but head-to-head on the stuff that actually matters when you’re out shooting. My name's Oliver Minnett, I'm Georges...

View post