SKU: GC07-VE929RFC

Laowa 9mm T2.9 Zero-D Cine - Canon RF

Regular price $1,016.40
RRP $1,099.00, now $1,016.40Save $82.60
Pay with
Pay with

Availability

  • Availability: Awaiting stock

This item is currently on backorder. To secure your allocation from the next shipment, please place a pre-order. Contact us for estimated arrival.

Price Match

Fill out the price match form below, and we will be in touch shortly.

Price Match Request For:
Laowa 9mm T2.9 Zero-D Cine - Canon RF
Laowa 9mm T2.9 Zero-D Cine - Canon RF
Our Price: $1,016.40

Price Match

Fill out the price match form below, and we will be in touch shortly.

Competitor Information:
Your Details:
This item is currently backordered and we are awaiting arrival. star If you'd like to know when it's due, we're here to help!

phone Call us during business hours at 02 9299 0177.
chatChat live with our team on-site.
emailOr email us anytime at info@georges.com.au with the subject "Awaiting Arrival"
Awaiting Stock ⓘ
Regular price $1,016.40
RRP $1,099.00, now $1,016.40
Regular price $1,016.40
RRP $1,099.00, now $1,016.40

Product Overview

This exciting prime lens provides ultra wide-angle coverage up to 113° angle of view (100° on MFT system). The tiny size & light weight match perfectly with mirrorless cameras and are suitable for use with gimbals. The new Cine version comes with standard 0.8 mod gears on both aperture and focus rings. A standard 55mm filter thread is designed to mount screw-in filters easily. 2 aspherical elements plus 3 extra-low dispersion elements successfully correct chromatic aberration, realize close-to-zero distortion & deliver excellent corner to corner sharpness.

What's in the box:

Venus Optics Laowa 9mm T2.9 Zero-D Cine Lens (RF Mount, Feet/Meters, Black)

Front and Rear Lens Caps

Pelican Case with Custom-Cut Foam

Need advice?

Speak to one of our dedicated Australian-based sales team members.

Call us

Key Features

FAQs

What are the advantages of using a T2.9 aperture in the Laowa 9mm lens?

The T2.9 maximum aperture allows for greater light capture, making it ideal for low-light shooting conditions. This feature enables filmmakers to maintain a fast shutter speed while achieving a shallow depth of field, which can enhance the cinematic quality of the footage. The ability to shoot at a larger aperture also provides more creative control over the focus, allowing for softer backgrounds and more emphasis on the subject.

How does the close-to-zero distortion feature benefit filmmakers?

The close-to-zero distortion design is particularly beneficial for architectural and real estate videography, as it ensures that lines remain straight and true, without the warping often associated with ultra-wide-angle lenses. This feature also enhances the overall image quality by maintaining accurate proportions, which is critical when capturing spaces or subjects where distortion could detract from the professional appearance of the footage.

Can this lens be used for both photo and video shooting?

Yes, the Laowa 9mm T2.9 Zero-D Cine lens is designed with filmmakers in mind, but its optical quality and fast aperture make it equally suitable for photography. The smooth, stepless aperture control and precise focus gears enhance the shooting experience for both mediums. Whether you are capturing dynamic video scenes or still images, this lens can deliver exceptional results.

What types of projects is the Laowa 9mm lens best suited for?

This lens is particularly well-suited for projects requiring wide-angle shots, such as landscape photography, architecture, interiors, and establishing shots in films. Its compact and lightweight design makes it an excellent choice for handheld shooting, gimbal use, and even in-vehicle shots, providing versatility across various shooting environments.

What should I consider when using this lens with different sensor sizes?

When using the Laowa 9mm lens with different sensor sizes, it's important to consider the field of view it provides. With Super 35 sensors, you will achieve a 120° field of view, while on APS-C sensors, it is 113°, and on Micro Four Thirds systems, it is 100°. Understanding these differences can help you plan your shots accordingly and take full advantage of the lens's capabilities.

How does the lens's optical design contribute to image quality?

The lens features a sophisticated optical design that includes two aspherical elements and three extra-low dispersion elements. This combination effectively reduces both spherical and chromatic aberrations, resulting in sharp images with minimal distortion. Additionally, the 13 elements arranged in 9 groups contribute to excellent corner-to-corner sharpness, ensuring that your images maintain high quality throughout the frame.

Product Reviews

Verified by Trustvoice

Recommended Accessories

Insta360 C6

Insta360 X6 Review: 500 km Across the Simpson Desert

We put the Insta360 X6 to the ultimate test across 500 km of the Simpson Desert! From stunning low-light footage and 8K 360° video to replaceable lenses and wireless audio, discover how...

View post
Canon G7 X Mark III vs Fujifilm X100VI: Which Should You Buy?

Canon G7 X Mark III vs Fujifilm X100VI: Which Should You Buy?

Compare the Canon PowerShot G7 X Mark III vs Fujifilm X100VI in our real-world camera comparison. Discover the differences in image quality, low-light performance, colour, video features, zoom, and price to find...

View post
Tamron 16-50mm F2.8 vs Sigma 18-50mm F2.8: Which Compact APS-C Zoom Should You Buy?

Tamron 16-50mm F2.8 vs Sigma 18-50mm F2.8: Which Compact APS-...

If you shoot on an APS-C mirrorless camera and want one lens that stays on the body most of the time, there's a good chance the Sigma 18-50mm F2.8 DC DN Contemporary...

View post
PTZ Cameras

The Ultimate Guide to PTZ Cameras: Choosing the Right Setup f...

Compare Canon, Sony, BirdDog and Telycam PTZ cameras on image quality, tracking, zoom and value. Find the right setup for your production at Georges Cameras.

View post
Beauty Photo of Sienna Etches

Beauty Lighting: How to Combine Hard and Soft Light to Make S...

A working beauty photographer’s guide to combining hard and soft light, beauty dish vs softbox, grids, negative fill and a clamshell setup you can copy, for skin that pops.

View post
Panel Discussion at Lunar Studios

Everyone Can Take a Picture. Not Everyone Can Hold the Room

What an agent, a Vogue visuals producer and a brand-side creative lead really look for in photographers now. There is a point in almost every creative career where the work alone stops...

View post
Beyond Reach: My Experience With the Fujifilm XF400mmF4.5 Super-Telephoto Lens

Beyond Reach: My Experience With the Fujifilm XF400mmF4.5 Sup...

Explore our hands-on experience with the Fujifilm XF400mmF4.5, covering its sharpness, autofocus, reach and performance for sport, wildlife, landscapes and portraits.

View post
Learn to Get the Shot Right In-Camera

Learn to Get the Shot Right In-Camera

Beauty photography tips from Oliver Minnett’s Georges workshop, covering lighting, direction, working with a creative team, and using Sony and Profoto gear.

View post
Stop Trying to Learn Everything at Once

Stop Trying to Learn Everything at Once

Beauty photography tips from Oliver Minnett’s Georges workshop, covering lighting, direction, working with a creative team, and using Sony and Profoto gear.

View post
Beauty Photography Tips: Three Things I Wish I Knew Earlier

Beauty Photography Tips: Three Things I Wish I Knew Earlier

Beauty photography tips from Oliver Minnett’s Georges workshop, covering lighting, direction, working with a creative team, and using Sony and Profoto gear.

View post