SKU: GC07-VE1229CCM

Laowa 12mm T2.9 Zero-D Cine - Canon EF (Meters)

Regular price $2,413.95
RRP $2,729.00, now $2,413.95Save $315.05
Pay with
Pay with

Availability

  • Availability: Out of stock

This item is currently out of stock. Place an order and a dedicated team member will reach out to you for delivery expectation.

Price Match

Fill out the price match form below, and we will be in touch shortly.

Price Match Request For:
Laowa 12mm T2.9 Zero-D Cine - Canon EF (Meters)
Laowa 12mm T2.9 Zero-D Cine - Canon EF (Meters)
Our Price: $2,413.95

Price Match

Fill out the price match form below, and we will be in touch shortly.

Competitor Information:
Your Details:
This item is currently backordered and we are awaiting arrival. star If you'd like to know when it's due, we're here to help!

phone Call us during business hours at 02 9299 0177.
chatChat live with our team on-site.
emailOr email us anytime at info@georges.com.au with the subject "Awaiting Arrival"
Awaiting Stock ⓘ
Regular price $2,413.95
RRP $2,729.00, now $2,413.95
Regular price $2,413.95
RRP $2,729.00, now $2,413.95

Product Overview

Laowa 12mm T2.9 Zero-D Cine - Canon EF (Meters)

Need advice?

Speak to one of our dedicated Australian-based sales team members.

Call us

Key Features

FAQs

What benefits does the Laowa 12mm T2.9 Zero-D Cine lens provide for filmmakers using large format cameras?

The Laowa 12mm T2.9 Zero-D Cine lens is specifically designed to cover both full-frame and Vista Vision sensor sizes, making it an exceptional choice for filmmakers using large format cameras such as the RED Monstro and Arri Alexa LF. Its wide image circle allows cinematographers to fully utilize the capabilities of these high-end sensors, delivering stunning wide-angle shots with minimal distortion. This future-proof design ensures that when filmmakers upgrade their equipment, this lens can seamlessly adapt to their new camera systems.

How does the close focusing ability of this lens enhance creative options for cinematographers?

The Laowa 12mm T2.9 Zero-D Cine lens has an impressive close focusing distance of just 7 inches from the sensor, allowing filmmakers to capture unique perspectives and intricate details from very close range. This capability enables the creation of a wide and shallow depth of field, producing visually engaging shots that may include pleasing bokeh effects. Such flexibility encourages creativity in framing and composition, making it ideal for narrative storytelling where intimate close-ups can be effectively juxtaposed with expansive wide shots.

What makes the distortion performance of the Laowa 12mm lens stand out compared to other wide-angle lenses?

The Laowa 12mm T2.9 Zero-D Cine lens boasts a close-to-zero distortion rate, which is significantly lower than the typical 2-4% distortion found in many competing wide-angle lenses. This remarkable performance is validated by numerous users who attest to the lens's quality. The minimal distortion allows cinematographers to maintain the integrity of their compositions, ensuring that architectural lines and natural subjects appear true to life, which is particularly advantageous for professional cinema productions where precision is crucial.

Is this lens suitable for handheld shooting and stabilisation systems?

Yes, the Laowa 12mm T2.9 Zero-D Cine lens is designed with compactness and lightweight in mind, measuring only 3.4 inches in length and weighing less than 1.5 pounds. This makes it an excellent choice for handheld shooting and allows for easy integration with various stabilisation systems, including gimbals. Filmmakers can achieve smooth and stable footage without the added burden of a heavy lens, making it ideal for dynamic shooting scenarios, such as documentaries or event coverage.

What features of the lens enhance its usability in professional filmmaking?

The Laowa 12mm T2.9 Zero-D Cine lens is equipped with several professional features that enhance its usability, including standard 0.8 mod gears on both the aperture and focusing rings, facilitating the integration of follow-focus systems. Additionally, the lens has a 270-degree smooth focus throw, allowing for precise focus adjustments during shooting. Its robust aluminium alloy construction ensures durability, making it suitable for the rigors of professional film production.

How does the fast T2.9 aperture influence shooting in various lighting conditions?

The fast T2.9 aperture of the Laowa 12mm lens provides cinematographers with greater flexibility when shooting in low-light conditions. This wide aperture allows more light to hit the sensor, enabling better performance in dimly lit environments without the need for excessively high ISO settings, which can introduce noise. The ability to create shallow depth of field with a T2.9 aperture also allows for artistic control over background blur, enhancing the overall cinematic quality of the footage.

Product Reviews

Verified by Trustvoice

Recommended Accessories

Tamron 16-50mm F2.8 vs Sigma 18-50mm F2.8: Which Compact APS-C Zoom Should You Buy?

Tamron 16-50mm F2.8 vs Sigma 18-50mm F2.8: Which Compact APS-...

If you shoot on an APS-C mirrorless camera and want one lens that stays on the body most of the time, there's a good chance the Sigma 18-50mm F2.8 DC DN Contemporary...

View post
PTZ Cameras

The Ultimate Guide to PTZ Cameras: Choosing the Right Setup f...

Compare Canon, Sony, BirdDog and Telycam PTZ cameras on image quality, tracking, zoom and value. Find the right setup for your production at Georges Cameras.

View post
Beauty Photo of Sienna Etches

Beauty Lighting: How to Combine Hard and Soft Light to Make S...

A working beauty photographer’s guide to combining hard and soft light, beauty dish vs softbox, grids, negative fill and a clamshell setup you can copy, for skin that pops.

View post
Panel Discussion at Lunar Studios

Everyone Can Take a Picture. Not Everyone Can Hold the Room

What an agent, a Vogue visuals producer and a brand-side creative lead really look for in photographers now. There is a point in almost every creative career where the work alone stops...

View post
Beyond Reach: My Experience With the Fujifilm XF400mmF4.5 Super-Telephoto Lens

Beyond Reach: My Experience With the Fujifilm XF400mmF4.5 Sup...

Explore our hands-on experience with the Fujifilm XF400mmF4.5, covering its sharpness, autofocus, reach and performance for sport, wildlife, landscapes and portraits.

View post
Learn to Get the Shot Right In-Camera

Learn to Get the Shot Right In-Camera

Beauty photography tips from Oliver Minnett’s Georges workshop, covering lighting, direction, working with a creative team, and using Sony and Profoto gear.

View post
Stop Trying to Learn Everything at Once

Stop Trying to Learn Everything at Once

Beauty photography tips from Oliver Minnett’s Georges workshop, covering lighting, direction, working with a creative team, and using Sony and Profoto gear.

View post
Beauty Photography Tips: Three Things I Wish I Knew Earlier

Beauty Photography Tips: Three Things I Wish I Knew Earlier

Beauty photography tips from Oliver Minnett’s Georges workshop, covering lighting, direction, working with a creative team, and using Sony and Profoto gear.

View post
Models on stage at Karla Spetics show

How We Lit Karla Spetic's Australian Fashion Week Show with P...

We were invited by Karla Spetic to help light her runway, we chose Profoto's new LED lights for the job!

View post
Ricardo sits with Ollie and discusses mobile podcasting setups

Sony A7R VI First Thoughts: A Portrait Photographer’s Take on...

Sony has just launched the new Sony A7R VI, the latest camera in its high-resolution Alpha line, and I was lucky enough to spend some time with it earlier this week. I...

View post