141 Megapixels
17K Video Quality
Bluetooth
5.0" Touchscreen OLED
3.96kg
Overview

Blackmagic URSA Cine 17K 65 Body

Get ready for big and bold cinema with the Blackmagic Design URSA Cine 17K 65 digital cinema camera. This 17K cinema camera provides a brand-new large-format 65mm RGBW sensor with 17,520 x 8040 resolution and numerous improvements over the URSA Cine 12K. Interchangeable lens mounts, built-in OLPF, 8TB storage, built-in live streaming, Generation 5 colour science, and integration with the Blackmagic Cloud and the Blackmagic cinema ecosystem.

SKU: GC50-CINEURSAAD17K65ABDY

Blackmagic URSA Cine 17K 65 Body

Blackmagic URSA Cine 17K 65 Body

Get ready for big and bold cinema with the Blackmagic Design URSA Cine 17K 65 digital cinema camera. This 17K cinema camera provides a brand-new large-format 65mm RGBW sensor with 17,520 x 8040 resolution and numerous improvements over the URSA Cine 12K. Interchangeable lens mounts, built-in OLPF, 8TB storage, built-in live streaming, Generation 5 colour science, and integration with the Blackmagic Cloud and the Blackmagic cinema ecosystem.

New 17K Sensor

The new URSA Cine 17K 65 camera features a new 65mm sensor designed for high-quality images at all resolutions from 4K to a massive 17K. The larger sensor builds on URSA Mini Pro 12K technology with 16 stops of dynamic range. The RGBW architecture provides equal amounts of red, green, and blue pixels to deliver rich colours at all resolutions.

Storage Options

Blackmagic Media Dock accelerates post-production workflow by making it faster and simpler to start editing and colour correction. You can mount up to three Blackmagic Media Modules for high-speed access to media from multiple URSA Cine cameras, all at the same time.

The URSA Cine 17K records to the included Blackmagic Media Module 8TB, allowing customers to capture over four hours of Blackmagic RAW in 17K using the full 65mm sensor aperture or up to 20 hours in 4K. You can also use the optional Blackmagic Media Module CF, which has dual CFexpress slots.

Built-In Cloud Storage

The URSA Cine 17K features built-in ultrafast Cloud Store technology, allowing customers to record at the highest resolutions and frame rates for hours and access their files directly over high-speed 10G Ethernet. It supports creating a small H.264 proxy file in addition to the camera's original media for upload to Blackmagic Cloud in seconds, so their media is available back at the studio in real time.

Lens Options

The lens mount is user-interchangeable between PL, LPL, EF, and Hasselblad mounts. A PL lens mount comes preinstalled on the camera body. Each mount has contact pins to read lens metadata for monitoring and post-production.

Built-In OLPF

The camera includes a high-performance, optical low-pass filter that is precisely matched to the sensor. The OLPF also incorporates updated IR filtering that improves far red colour response, which, when combined with Blackmagic RAW processing for the URSA Cine 17K, preserves colour and critical image detail for new levels of image fidelity.

Blackmagic Raw Capture

Blackmagic RAW is a format designed to capture and preserve the quality of the sensor data from your camera. Blackmagic RAW files store camera metadata, lens data, white balance, digital slate information, and custom LUTs to ensure consistency of image on set and through post-production. URSA Cine records to the included Blackmagic Media Module 8TB, allowing you to capture over 4 hours of Blackmagic RAW in 12K or 20 hours in 4K.

Built-In ND Filters

The URSA Cine features high-quality built-in ND filters that let you quickly reduce the amount of light entering the camera. Designed to match the colourimetry and colour science of the camera, the 2, 4, and 6-stop filters provide you with additional latitude even under harsh lighting. The IR filters have been designed to filter both optical wavelengths and IR wavelengths evenly to eliminate IR contamination of the images from which many ND filters can suffer.

Monitoring Options

There is a large foldout 5" HDR touchscreen monitor on one side and an external colour status LCD on the other. There is also a second 5" HDR touchscreen, allowing the crew to work around the camera without needing external monitors. There's even a dedicated focus puller mode to help customers get perfect focus. The URSA Cine 17K supports the optional Blackmagic URSA Cine EVF to make outdoor and handheld shooting accurate and easy.

Accessory and Control Ports

The 7-pin LEMO and 3-pin Fischer connectors on the front of the camera provide record start/stop and 24V power and are ideal for onboard accessories such as focus motors.

Wireless Bluetooth Control

If you're positioning the camera on the end of a jib or gimbal, you can get full control from up to 30' away using Bluetooth. The Blackmagic Camera Control app for iPad or third-party apps such as Bluetooth+ or tRigger can control the camera from your iOS and Android devices. A free developer SDK with sample code is also available from the Blackmagic Design developer website, so you can create your own remote camera control and digital slate solutions.

Post-Production Workflows

There are three main post-production workflows that the URSA Cine 17K supports:

You can record to the internal Blackmagic Media Module.

If you're offline, you can browse media and manually select which clips you want to upload later.

Live Sync your DaVinci Resolve project with Blackmagic Cloud. As the camera is recording, the media will continuously upload and sync to all DaVinci users on that project.

Streaming Options

You can live stream directly from the camera using its hardware streaming engine, which supports RTMP and SRT streaming to major platforms or directly to clients. Simply connect to the internet via Ethernet, high-speed Wi-Fi, or even connect a 4G or 5G connection for mobile data.

Ample Power

An 8-pin LEMO connector on the back of the camera is compatible with 24V and 12V power supplies, so you can use new or existing ways to power your camera. A 250W power supply and a B-mount battery plate are available as separate options, so customers can use a wide range of high-voltage batteries from manufacturers such as IDX, Blueshape, Core SWX, BEBOB, and more. There's also an additional 12V 2-pin LEMO output on the rear of the camera to power lower-voltage accessories.

Versatile Body Design

The evenly weighted camera body is built with a robust magnesium alloy chassis and lightweight carbon fiber polycarbonate composite skin to help customers move quickly on set.

Localised in 13 Languages

When setting up your camera, you can choose to work in English, German, French, Spanish, Portuguese, Italian, Polish, Russian, Ukrainian, Turkish, Chinese, Japanese, or Korean. It's easy to switch to another language, and it will display that language on all on-screen overlays, setup menus, and monitoring information in the selected language.

Key Features:

17K 65mm RGBW 17,520 x 8040 CMOS Sensor

PL (Included), LPL, EF & HC Lens Options

16-Stop Dynamic Range

5" Foldout HDR Touchscreen

LEMO/Fisher for Power/Remote Control

12G-SDI Output, XLR Audio Inputs, USB-C

Ethernet/Wi-Fi/Optional Mobile Streaming

Optional B-Mount Battery Plate

Carbon Fiber & Magnesium Alloy Body

What's in the Box:

Blackmagic URSA Cine 17K 65 Body

PL Mount (Preinstalled)

Media Module (8TB)

Wi-Fi Antenna Set

PL Body Cap

DaVinci Resolve Studio License (Download)

141 Megapixels
17K Video Quality
Bluetooth
5.0" Touchscreen OLED
3.96kg
Regular price $24,470.00
Sale price $24,470.00 Regular price $26,485.00 Save 7%
Pay with
Pay with
Found a better price? Request a price match

Price Match

Fill out the price match form below, and we will be in touch shortly.

Price Match Request For:
Blackmagic URSA Cine 17K 65 Body
Blackmagic URSA Cine 17K 65 Body
Our Price: $24,470.00

Price Match

Fill out the price match form below, and we will be in touch shortly.

Competitor Information:
Your Details:
This item is currently backordered and we are awaiting arrival. star If you'd like to know when it's due, we're here to help!

phone Call us during business hours at 02 9299 0177.
chatChat live with our team on-site.
emailOr email us anytime at info@georges.com.au with the subject "Awaiting Arrival"
Awaiting Stock

Checking availability...

$24,470.00

Product Overview

Blackmagic URSA Cine 17K 65 Body

Get ready for big and bold cinema with the Blackmagic Design URSA Cine 17K 65 digital cinema camera. This 17K cinema camera provides a brand-new large-format 65mm RGBW sensor with 17,520 x 8040 resolution and numerous improvements over the URSA Cine 12K. Interchangeable lens mounts, built-in OLPF, 8TB storage, built-in live streaming, Generation 5 colour science, and integration with the Blackmagic Cloud and the Blackmagic cinema ecosystem.

Need advice?

Speak to one of our dedicated Australian-based sales team members.

Call us

Key Features

141 Megapixels

The Blackmagic URSA Cine 17K 65 features a 141-megapixel resolution.

17K Video Quality

The Blackmagic URSA Cine 65 offers 17K video quality.

Bluetooth

With built in Bluetooth you can easily transfer images from your camera to your phone.

5.0" Touchscreen OLED

The Blackmagic URSA Cine 17K 65 features a 5.0" OLED Touchscreen.

3.96kg

Blackmagic URSA Cine 17K 65 weighs 3.96kg.

Massive 65mm Sensor, Rich Colors

Blackmagic URSA Cine 17K 65

Massive 65mm Sensor, Rich Colors

Precision ND & IR Filters

URSA Cine’s ND filters offer precise light control and IR protection for clear, true-to-color footage.

Large Format Flexibility

Large Format Flexibility

Unmatched Flexibility and Quality with Large Format Sensors for Cinematic Content Creation

Product Reviews

Ricardo sits with Ollie and discusses mobile podcasting setups

Mobile Podcasting Setups Explained: From First Rig to Full Pr...

Mobile podcasting isn’t about shortcuts. It’s about picking gear that actually works, in the places podcasts actually happen. I used to chase the “best” setup. Turns out, the best setup is the...

View post
Tilta Sony FX Rigging

Rigging Up Your Sony Cinema Camera

Rigging gets a bad rap because a lot of rigs are built backwards. People buy parts first, bolt everything on, and end up with a camera that looks serious but shoots worse....

View post
Gracaie Stendl Portfolio Images

What Makes a Good Photographer? A Portfolio Deconstruction

Clyde Vaughan Guest post by Clyde Vaughan — ahead of  Clyde's talk on January 22: “How to create incredible images: A talk by Clyde Vaughan”. If you ask “what makes a good...

View post
Ollie Jones holds the 22 kg DJI Power 2000

The End of the Generator? Hands-on with the DJI Power 2000

We’ve all been there: you’re on a remote shoot, beautiful location, but you’re either scrambling to find a power outlet or lugging a massive, noisy petrol generator through the bush. We’ve been...

View post
Oliver Minnett teaching a photography workshop

Why 2026 Might be the year to change from DSLR to Mirrorless

Alright—let’s do the DSLR vs mirrorless thing properly. Not “on paper”, not “in theory”, but head-to-head on the stuff that actually matters when you’re out shooting. My name's Oliver Minnett, I'm Georges...

View post
Two Leica M11P's on a desk

Leica is now at Georges Cameras

Some cameras don’t just document your life; they become part of it. I bought a Leica M6 in 2012. Photography had always been a part of my life; my dad had run...

View post
Man using Sony A7 V Mirrorless Camera

5 Things to Know Before You Upgrade Your Camera

Upgrading your camera? Learn the 5 things that matter: sensor size, ergonomics, lenses, power/media, and colour/screens—so you can choose the right camera with confidence.

View post
Girls taking photo with Point and Shoot

Canon G7X Mark III vs Sony, Panasonic, Ricoh & Fujifilm: Best...

Looking beyond the Canon G7X Mark III? We compare the best compact cameras from Sony, Panasonic, Ricoh and Fujifilm to help you choose the right model for 2025.

View post
Wedding photoshoot on a warf

Couples Photography: Get Real Moments, Not Stiff Poses

Clyde Vaughan shares five great tips that consistently make couples shoots shoots feel easy and look incredible for Georges Cameras.

View post
Canon EOS R6 MARK III

Canon EOS R6 Mark III Review: First Impressions, Real-World P...

In this post, we review the new Canon EOS R6 Mark III Camera and the RF 45mm F1.2 STM Lens.

View post