Standard Prime
50mm Focal Length
T2.1 Aperture
Various Mounts Available
82mm Filter Thread
0.82 kg
Overview

TTArtisan 50mm T2.1 CINE Lens (Black)

The TTArtisan 50mm T2.1 CINE Lens is a full-frame cinema prime crafted for filmmakers who want a versatile, natural perspective paired with distinctive artistic character. With its classic 50mm focal length and fast T2.1 maximum aperture, this lens delivers a balanced field of view ideal for narrative filmmaking, interviews, documentaries, and everyday cinematic storytelling.

SKU: GC47-TTA-LMFC05O-L-B

TTArtisan 50mm T2.1 CINE Lens (Black)

TTArtisan 50mm T2.1 CINE Lens (Black)

The TTArtisan 50mm T2.1 CINE Lens is a full-frame cinema prime crafted for filmmakers who want a versatile, natural perspective paired with distinctive artistic character. With its classic 50mm focal length and fast T2.1 maximum aperture, this lens delivers a balanced field of view ideal for narrative filmmaking, interviews, documentaries, and everyday cinematic storytelling.

Featuring a unique dual-bokeh design, the lens allows users to switch between bubble bokeh and soft bokeh rendering, offering creative control over background aesthetics to suit different visual moods. The 11-blade iris ensures smooth, rounded out-of-focus highlights, while the 47° angle of view provides a natural and immersive cinematic look.

Designed for professional cine workflows, the lens offers a precise T2.1 to T22 aperture range for accurate exposure control across varied lighting conditions. In soft bokeh mode, a close focusing distance of 25.5 inches enables detailed close-ups with pleasing background separation. The lens is equipped with industry-standard 0.8 MOD gear pitch on both focus and aperture rings, ensuring seamless compatibility with follow-focus systems and motorised rigs.

Built to withstand the demands of production environments, the aviation-grade aluminium construction delivers durability and a solid, professional feel. An 85mm front diameter with an 82mm filter thread supports common cine matte boxes and filters, making it easy to integrate into established camera setups.

Combining creative optical versatility, robust build quality, and cinema-ready ergonomics, the TTArtisan 50mm T2.1 CINE Lens is a reliable and expressive tool for filmmakers seeking professional performance with distinctive visual character.

Key Features:

Full-Frame Format Lens

T2.1 to T22 Aperture Range

50mm Focal Length

Dual-Bokeh Design (Bubble & Soft)

11-Blade Iris and 47° Angle of View

85mm Front Diameter and 82mm Filter Thread

25.5" Close Focus in Soft Bokeh Mode

0.8 MOD Gear Pitch

Aviation-Grade Aluminium Build

What's in the Box:

TTArtisan 50mm T2.1 CINE Lens (Black)

Front Cap

Rear Cap

Standard Prime
50mm Focal Length
T2.1 Aperture
Various Mounts Available
82mm Filter Thread
0.82 kg
Regular price $640.77
Sale price $640.77 Regular price $689.00 Save 7%
Pay with
Pay with
Found a better price? Request a price match

Price Match

Fill out the price match form below, and we will be in touch shortly.

Price Match Request For:
TTArtisan 50mm T2.1 CINE Lens (Black)
TTArtisan 50mm T2.1 CINE Lens (Black)
Our Price: $640.77

Price Match

Fill out the price match form below, and we will be in touch shortly.

Competitor Information:
Your Details:
This item is currently backordered and we are awaiting arrival. star If you'd like to know when it's due, we're here to help!

phone Call us during business hours at 02 9299 0177.
chatChat live with our team on-site.
emailOr email us anytime at info@georges.com.au with the subject "Awaiting Arrival"
Awaiting Stock

Checking availability...

$640.77

Product Overview

TTArtisan 50mm T2.1 CINE Lens (Black)

The TTArtisan 50mm T2.1 CINE Lens is a full-frame cinema prime crafted for filmmakers who want a versatile, natural perspective paired with distinctive artistic character. With its classic 50mm focal length and fast T2.1 maximum aperture, this lens delivers a balanced field of view ideal for narrative filmmaking, interviews, documentaries, and everyday cinematic storytelling.

Need advice?

Speak to one of our dedicated Australian-based sales team members.

Call us

Key Features

Standard Prime

TTArtisan 50mm T2.1 CINE Lens is a standard prime lens crafted for professional imaging applications.

50mm Focal Length

TTArtisan T2.1 CINE Lens features a 50mm focal length, making it ideal for versatile shooting scenarios.

T2.1 Aperture

TTArtisan 50mm CINE Lens features a fast T2.1 aperture, enabling enhanced low-light performance.

Various Mounts Available

TTArtisan 50mm T2.1 CINE Lens is equipped with various mounts, ensuring seamless compatibility with a wide range of cameras.

82mm Filter Thread

TTArtisan 50mm T2.1 CINE Lens supports an 82mm filter size, allowing for enhanced creative control.

0.82 kg

TTArtisan 50mm T2.1 CINE Lens weighs 0.82 kg, ensuring a well-balanced and portable setup.

Cinematic Bokeh Aesthetic

TTArtisan 50mm T2.1 CINE Lens

Cinematic Bokeh Aesthetic

Expressive Close-Up Clarity

The T2.1 aperture enables precise bokeh control for both close-ups and wide-angle shots, helping you create artistic, subject-focused images.

Intimate Portrait Precision

Intimate Portrait Precision

Every detail is delicately rendered, making it perfect for close-up portraits and emotional scenes, where every expression and movement captured through the lens is filled with emotion and depth.

Product Reviews

Panel Discussion at Lunar Studios

Everyone Can Take a Picture. Not Everyone Can Hold the Room

What an agent, a Vogue visuals producer and a brand-side creative lead really look for in photographers now. There is a point in almost every creative career where the work alone stops...

View post
Beauty Photography Tips: Three Things I Wish I Knew Earlier

Beauty Photography Tips: Three Things I Wish I Knew Earlier

Beauty photography tips from Oliver Minnett’s Georges workshop, covering lighting, direction, working with a creative team, and using Sony and Profoto gear.

View post
Models on stage at Karla Spetics show

How We Lit Karla Spetic's Australian Fashion Week Show with P...

We were invited by Karla Spetic to help light her runway, we chose Profoto's new LED lights for the job!

View post
Ricardo sits with Ollie and discusses mobile podcasting setups

Sony A7R VI First Thoughts: A Portrait Photographer’s Take on...

Sony has just launched the new Sony A7R VI, the latest camera in its high-resolution Alpha line, and I was lucky enough to spend some time with it earlier this week. I...

View post
Ricardo sits with Ollie and discusses mobile podcasting setups

Mobile Podcasting Setups Explained: From First Rig to Full Pr...

Mobile podcasting isn’t about shortcuts. It’s about picking gear that actually works, in the places podcasts actually happen. I used to chase the “best” setup. Turns out, the best setup is the...

View post
Tilta Sony FX Rigging

Rigging Up Your Sony Cinema Camera

Rigging gets a bad rap because a lot of rigs are built backwards. People buy parts first, bolt everything on, and end up with a camera that looks serious but shoots worse....

View post
Gracaie Stendl Portfolio Images

What Makes a Good Photographer? A Portfolio Deconstruction

Clyde Vaughan Guest post by Clyde Vaughan — ahead of  Clyde's talk on January 22: “How to create incredible images: A talk by Clyde Vaughan”. If you ask “what makes a good...

View post
Ollie Jones holds the 22 kg DJI Power 2000

The End of the Generator? Hands-on with the DJI Power 2000

We’ve all been there: you’re on a remote shoot, beautiful location, but you’re either scrambling to find a power outlet or lugging a massive, noisy petrol generator through the bush. We’ve been...

View post
Oliver Minnett teaching a photography workshop

Why 2026 Might be the year to change from DSLR to Mirrorless

Alright—let’s do the DSLR vs mirrorless thing properly. Not “on paper”, not “in theory”, but head-to-head on the stuff that actually matters when you’re out shooting. My name's Oliver Minnett, I'm Georges...

View post
Two Leica M11P's on a desk

Leica is now at Georges Cameras

Some cameras don’t just document your life; they become part of it. I bought a Leica M6 in 2012. Photography had always been a part of my life; my dad had run...

View post