Standard Prime
Nikon Z, Micro Four Thirds, Sony E & Fujifilm X
F/2
43 mm
25mm
100 g
Overview

TTArtisan 25mm f/2 Lens - (Black)

The TTArtisan lens is a compact and discreet manual option, ideal for portraiture, street photography, and general shooting with a natural perspective. It allows for focusing as close as 24.89 cm, and its bright f/2 aperture offers superb depth-of-field control for creative selective focus. With a seven-blade diaphragm that produces pleasing bokeh, this lens enhances your ability to capture stunning, aesthetically pleasing images.

SKU: GC47-TTA-LMC02C-Z-B

TTArtisan 25mm f/2 Lens - (Black)

TTArtisan 25mm f/2 Lens - (Black)

The TTArtisan lens is a compact and discreet manual option, ideal for portraiture, street photography, and general shooting with a natural perspective. It allows for focusing as close as 24.89 cm, and its bright f/2 aperture offers superb depth-of-field control for creative selective focus. With a seven-blade diaphragm that produces pleasing bokeh, this lens enhances your ability to capture stunning, aesthetically pleasing images.

Compact prime is designed for APS-C-format mirrorless cameras and provides a 37.5mm equivalent focal length.

Bright f/2 maximum aperture benefits working in difficult lighting conditions and offers improved control over depth of field for selective focus applications.

Manual focus design permits working with subjects as close as 25 cm away.

7-blade diaphragm contributes to a smooth and pleasing bokeh quality.

Compact and lightweight design

Key Features:

APS-C Format

37.5mm (35mm Equivalent) Nikon Z , Sony E & Fujifilm X

50mm (35mm Equivalent) Micro Four Thirds

Aperture Range: f/2 to f/16

Manual Focus Design

Minimum Focus Distance: 25 cm

7-blade Diaphragm

What's in the Box:

TTArtisan 25mm f/2 Lens - (Black)

Front Lens Cap

Rear Lens Cap

Standard Prime
Nikon Z, Micro Four Thirds, Sony E & Fujifilm X
F/2
43 mm
25mm
100 g
Regular price $89.95
Sale price $89.95 Regular price $99.00 Save 9%
Pay with
Pay with
Found a better price? Request a price match

Price Match

Fill out the price match form below, and we will be in touch shortly.

Price Match Request For:
TTArtisan 25mm f/2 Lens - (Black)
TTArtisan 25mm f/2 Lens - (Black)
Our Price: $89.95

Price Match

Fill out the price match form below, and we will be in touch shortly.

Competitor Information:
Your Details:
In Stock

Checking availability...

$89.95

Product Overview

TTArtisan 25mm f/2 Lens - (Black)

The TTArtisan lens is a compact and discreet manual option, ideal for portraiture, street photography, and general shooting with a natural perspective. It allows for focusing as close as 24.89 cm, and its bright f/2 aperture offers superb depth-of-field control for creative selective focus. With a seven-blade diaphragm that produces pleasing bokeh, this lens enhances your ability to capture stunning, aesthetically pleasing images.

FAQs

Need advice?

Speak to one of our dedicated Australian-based sales team members.

Call us

Key Features

Standard Prime

The TTArtisan 25mm f/2 Lens - (Black) is standard prime lens.

Nikon Z, Micro Four Thirds, Sony E & Fujifilm X

The TTArtisan 25mm f/2 Lens is compatible with Nikon Z, Micro Four Thirds, Sony E & Fujifilm X.

F/2

The TTArtisan 25mm Lens has a maximum aperture of F/2.

43 mm

The TTArtisan 25mm f/2 Lens has a front filter size of 43 mm.

25mm

The TTArtisan f/2 Lens has a focal length of 25mm.

100 g

The TTArtisan 25mm f/2 Lens weighs only 100 grams.

Product Reviews

Beauty Photo of Sienna Etches

Beauty Lighting: How to Combine Hard and Soft Light to Make S...

A working beauty photographer’s guide to combining hard and soft light, beauty dish vs softbox, grids, negative fill and a clamshell setup you can copy, for skin that pops.

View post
Panel Discussion at Lunar Studios

Everyone Can Take a Picture. Not Everyone Can Hold the Room

What an agent, a Vogue visuals producer and a brand-side creative lead really look for in photographers now. There is a point in almost every creative career where the work alone stops...

View post
Beyond Reach: My Experience With the Fujifilm XF400mmF4.5 Super-Telephoto Lens

Beyond Reach: My Experience With the Fujifilm XF400mmF4.5 Sup...

Explore our hands-on experience with the Fujifilm XF400mmF4.5, covering its sharpness, autofocus, reach and performance for sport, wildlife, landscapes and portraits.

View post
Learn to Get the Shot Right In-Camera

Learn to Get the Shot Right In-Camera

Beauty photography tips from Oliver Minnett’s Georges workshop, covering lighting, direction, working with a creative team, and using Sony and Profoto gear.

View post
Stop Trying to Learn Everything at Once

Stop Trying to Learn Everything at Once

Beauty photography tips from Oliver Minnett’s Georges workshop, covering lighting, direction, working with a creative team, and using Sony and Profoto gear.

View post
Beauty Photography Tips: Three Things I Wish I Knew Earlier

Beauty Photography Tips: Three Things I Wish I Knew Earlier

Beauty photography tips from Oliver Minnett’s Georges workshop, covering lighting, direction, working with a creative team, and using Sony and Profoto gear.

View post
Models on stage at Karla Spetics show

How We Lit Karla Spetic's Australian Fashion Week Show with P...

We were invited by Karla Spetic to help light her runway, we chose Profoto's new LED lights for the job!

View post
Ricardo sits with Ollie and discusses mobile podcasting setups

Sony A7R VI First Thoughts: A Portrait Photographer’s Take on...

Sony has just launched the new Sony A7R VI, the latest camera in its high-resolution Alpha line, and I was lucky enough to spend some time with it earlier this week. I...

View post
Ricardo sits with Ollie and discusses mobile podcasting setups

Mobile Podcasting Setups Explained: From First Rig to Full Pr...

Mobile podcasting isn’t about shortcuts. It’s about picking gear that actually works, in the places podcasts actually happen. I used to chase the “best” setup. Turns out, the best setup is the...

View post
Tilta Sony FX Rigging

Rigging Up Your Sony Cinema Camera

Rigging gets a bad rap because a lot of rigs are built backwards. People buy parts first, bolt everything on, and end up with a camera that looks serious but shoots worse....

View post