Overview

Tokina Cinema 50-135mm T3.0 with Canon EF Mount

The Cinema 50-135mm T3.0 with Canon EF Mount covers Super 35mm image sensors, does not exhibit focus shift while zooming, and has constant T3.0 maximum aperture over the entire zoom range. The lens features an all-metal housing optimized for video and digital cinema use and provides manual focus control with an easy-to-read distance scale, and a click-less aperture ring for smooth iris pulls. The focus, aperture, and zoom rings all have standard 0.8 pitch gears for use with follow focus systems.

SKU: GC40-50135CINEEOS

Tokina Cinema 50-135mm T3.0 with Canon EF Mount

Tokina Cinema 50-135mm T3.0 with Canon EF Mount

The Cinema 50-135mm T3.0 with Canon EF Mount covers Super 35mm image sensors, does not exhibit focus shift while zooming, and has constant T3.0 maximum aperture over the entire zoom range. The lens features an all-metal housing optimized for video and digital cinema use and provides manual focus control with an easy-to-read distance scale, and a click-less aperture ring for smooth iris pulls. The focus, aperture, and zoom rings all have standard 0.8 pitch gears for use with follow focus systems.

Featuring two aspherical elements and super-low dispersion lens elements complimented with multi-layer coatings, the lens is able to produce images with high contrast and sharpness, while minimizing flare, diffraction, and ghosting. A 9-blade aperture diaphragm yields pleasing focus highlights while further reducing the chance of diffraction at small apertures. The lens has an industry-standard 114mm front diameter for use with professional matte boxes.

Features:

Constant maximum aperture T3.0 zoom lens

Parfocal lens design prevents focus shift as you change your zoom

It Covers Super 35 sized sensors

4K image sharpness

Rugged all-metal lens housing

0.8 pitch geared focus, aperture, and zoom rings

LDS (Lens Data System) support

9-blade aperture diaphragm

Industry-standard 114mm front diameter for use with matte boxes

112mm filter diameter

The minimum focus distance of 39.4"

Regular price $6,614.00
Sale price $6,614.00 Regular price $6,619.00 Save 0%
Pay with
Pay with
Found a better price? Request a price match

Price Match

Fill out the price match form below, and we will be in touch shortly.

Price Match Request For:
Tokina Cinema 50-135mm T3.0 with Canon EF Mount
Tokina Cinema 50-135mm T3.0 with Canon EF Mount
Our Price: $6,614.00

Price Match

Fill out the price match form below, and we will be in touch shortly.

Competitor Information:
Your Details:
This item is currently backordered and we are awaiting arrival. star If you'd like to know when it's due, we're here to help!

phone Call us during business hours at 02 9299 0177.
chatChat live with our team on-site.
emailOr email us anytime at info@georges.com.au with the subject "Awaiting Arrival"
Awaiting Stock

Checking availability...

$6,614.00

Product Overview

Tokina Cinema 50-135mm T3.0 with Canon EF Mount

The Cinema 50-135mm T3.0 with Canon EF Mount covers Super 35mm image sensors, does not exhibit focus shift while zooming, and has constant T3.0 maximum aperture over the entire zoom range. The lens features an all-metal housing optimized for video and digital cinema use and provides manual focus control with an easy-to-read distance scale, and a click-less aperture ring for smooth iris pulls. The focus, aperture, and zoom rings all have standard 0.8 pitch gears for use with follow focus systems.

Need advice?

Speak to one of our dedicated Australian-based sales team members.

Call us

Key Features

Product Reviews

Beauty Photography Tips: Three Things I Wish I Knew Earlier

Beauty Photography Tips: Three Things I Wish I Knew Earlier

Beauty photography tips from Oliver Minnett’s Georges workshop, covering lighting, direction, working with a creative team, and using Sony and Profoto gear.

View post
Models on stage at Karla Spetics show

How We Lit Karla Spetic's Australian Fashion Week Show with P...

We were invited by Karla Spetic to help light her runway, we chose Profoto's new LED lights for the job!

View post
Ricardo sits with Ollie and discusses mobile podcasting setups

Sony A7R VI First Thoughts: A Portrait Photographer’s Take on...

Sony has just launched the new Sony A7R VI, the latest camera in its high-resolution Alpha line, and I was lucky enough to spend some time with it earlier this week. I...

View post
Ricardo sits with Ollie and discusses mobile podcasting setups

Mobile Podcasting Setups Explained: From First Rig to Full Pr...

Mobile podcasting isn’t about shortcuts. It’s about picking gear that actually works, in the places podcasts actually happen. I used to chase the “best” setup. Turns out, the best setup is the...

View post
Tilta Sony FX Rigging

Rigging Up Your Sony Cinema Camera

Rigging gets a bad rap because a lot of rigs are built backwards. People buy parts first, bolt everything on, and end up with a camera that looks serious but shoots worse....

View post
Gracaie Stendl Portfolio Images

What Makes a Good Photographer? A Portfolio Deconstruction

Clyde Vaughan Guest post by Clyde Vaughan — ahead of  Clyde's talk on January 22: “How to create incredible images: A talk by Clyde Vaughan”. If you ask “what makes a good...

View post
Ollie Jones holds the 22 kg DJI Power 2000

The End of the Generator? Hands-on with the DJI Power 2000

We’ve all been there: you’re on a remote shoot, beautiful location, but you’re either scrambling to find a power outlet or lugging a massive, noisy petrol generator through the bush. We’ve been...

View post
Oliver Minnett teaching a photography workshop

Why 2026 Might be the year to change from DSLR to Mirrorless

Alright—let’s do the DSLR vs mirrorless thing properly. Not “on paper”, not “in theory”, but head-to-head on the stuff that actually matters when you’re out shooting. My name's Oliver Minnett, I'm Georges...

View post
Two Leica M11P's on a desk

Leica is now at Georges Cameras

Some cameras don’t just document your life; they become part of it. I bought a Leica M6 in 2012. Photography had always been a part of my life; my dad had run...

View post
Man using Sony A7 V Mirrorless Camera

5 Things to Know Before You Upgrade Your Camera

Upgrading your camera? Learn the 5 things that matter: sensor size, ergonomics, lenses, power/media, and colour/screens—so you can choose the right camera with confidence.

View post