Overview

Tokina Cinema 50-135mm T3.0 for PL Mount

The Cinema 50-135mm T3.0 with PL Mount covers Super 35mm image sensors, does not exhibit focus shift while zooming, and has constant T3.0 maximum aperture over the entire zoom range. The lens features an all-metal housing optimized for video and digital cinema use and provides manual focus control with an easy-to-read distance scale, and a click-less aperture ring for smooth iris pulls. The focus, aperture, and zoom rings all have standard 0.8 pitch gears for use with follow focus systems.

SKU: GC40-50135CINEPL

Tokina Cinema 50-135mm T3.0 for PL Mount

Tokina Cinema 50-135mm T3.0 for PL Mount

The Cinema 50-135mm T3.0 with PL Mount covers Super 35mm image sensors, does not exhibit focus shift while zooming, and has constant T3.0 maximum aperture over the entire zoom range. The lens features an all-metal housing optimized for video and digital cinema use and provides manual focus control with an easy-to-read distance scale, and a click-less aperture ring for smooth iris pulls. The focus, aperture, and zoom rings all have standard 0.8 pitch gears for use with follow focus systems.

Featuring two aspherical elements and super-low dispersion lens elements complimented with multi-layer coatings, the lens is able to produce images with high contrast and sharpness, while minimizing flare, diffraction, and ghosting. A 9-blade aperture diaphragm yields pleasing focus highlights while further reducing the chance of diffraction at small apertures. The lens has an industry-standard 114mm front diameter for use with professional matte boxes.

Features:

Constant maximum aperture T3.0 zoom lens

Parfocal lens design prevents focus shift as you change your zoom

It Covers Super 35 sized sensors

4K image sharpness

Rugged all-metal lens housing

0.8 pitch geared focus, aperture, and zoom rings

LDS (Lens Data System) support

9-blade aperture diaphragm

Industry-standard 114mm front diameter for use with matte boxes

112mm filter diameter

The minimum focus distance of 1 m

Regular price $6,614.00
Sale price $6,614.00 Regular price $6,619.00 Save 0%
Pay with
Pay with
Found a better price? Request a price match

Price Match

Fill out the price match form below, and we will be in touch shortly.

Price Match Request For:
Tokina Cinema 50-135mm T3.0 for PL Mount
Tokina Cinema 50-135mm T3.0 for PL Mount
Our Price: $6,614.00

Price Match

Fill out the price match form below, and we will be in touch shortly.

Competitor Information:
Your Details:
This item is currently backordered and we are awaiting arrival. star If you'd like to know when it's due, we're here to help!

phone Call us during business hours at 02 9299 0177.
chatChat live with our team on-site.
emailOr email us anytime at info@georges.com.au with the subject "Awaiting Arrival"
Awaiting Stock ⓘ

Checking availability...

$6,614.00

Product Overview

Tokina Cinema 50-135mm T3.0 for PL Mount

The Cinema 50-135mm T3.0 with PL Mount covers Super 35mm image sensors, does not exhibit focus shift while zooming, and has constant T3.0 maximum aperture over the entire zoom range. The lens features an all-metal housing optimized for video and digital cinema use and provides manual focus control with an easy-to-read distance scale, and a click-less aperture ring for smooth iris pulls. The focus, aperture, and zoom rings all have standard 0.8 pitch gears for use with follow focus systems.

Need advice?

Speak to one of our dedicated Australian-based sales team members.

Call us

Key Features

Product Reviews

Tamron 16-50mm F2.8 vs Sigma 18-50mm F2.8: Which Compact APS-C Zoom Should You Buy?

Tamron 16-50mm F2.8 vs Sigma 18-50mm F2.8: Which Compact APS-...

If you shoot on an APS-C mirrorless camera and want one lens that stays on the body most of the time, there's a good chance the Sigma 18-50mm F2.8 DC DN Contemporary...

View post
PTZ Cameras

The Ultimate Guide to PTZ Cameras: Choosing the Right Setup f...

Compare Canon, Sony, BirdDog and Telycam PTZ cameras on image quality, tracking, zoom and value. Find the right setup for your production at Georges Cameras.

View post
Beauty Photo of Sienna Etches

Beauty Lighting: How to Combine Hard and Soft Light to Make S...

A working beauty photographer’s guide to combining hard and soft light, beauty dish vs softbox, grids, negative fill and a clamshell setup you can copy, for skin that pops.

View post
Panel Discussion at Lunar Studios

Everyone Can Take a Picture. Not Everyone Can Hold the Room

What an agent, a Vogue visuals producer and a brand-side creative lead really look for in photographers now. There is a point in almost every creative career where the work alone stops...

View post
Beyond Reach: My Experience With the Fujifilm XF400mmF4.5 Super-Telephoto Lens

Beyond Reach: My Experience With the Fujifilm XF400mmF4.5 Sup...

Explore our hands-on experience with the Fujifilm XF400mmF4.5, covering its sharpness, autofocus, reach and performance for sport, wildlife, landscapes and portraits.

View post
Learn to Get the Shot Right In-Camera

Learn to Get the Shot Right In-Camera

Beauty photography tips from Oliver Minnett’s Georges workshop, covering lighting, direction, working with a creative team, and using Sony and Profoto gear.

View post
Stop Trying to Learn Everything at Once

Stop Trying to Learn Everything at Once

Beauty photography tips from Oliver Minnett’s Georges workshop, covering lighting, direction, working with a creative team, and using Sony and Profoto gear.

View post
Beauty Photography Tips: Three Things I Wish I Knew Earlier

Beauty Photography Tips: Three Things I Wish I Knew Earlier

Beauty photography tips from Oliver Minnett’s Georges workshop, covering lighting, direction, working with a creative team, and using Sony and Profoto gear.

View post
Models on stage at Karla Spetics show

How We Lit Karla Spetic's Australian Fashion Week Show with P...

We were invited by Karla Spetic to help light her runway, we chose Profoto's new LED lights for the job!

View post
Ricardo sits with Ollie and discusses mobile podcasting setups

Sony A7R VI First Thoughts: A Portrait Photographer’s Take on...

Sony has just launched the new Sony A7R VI, the latest camera in its high-resolution Alpha line, and I was lucky enough to spend some time with it earlier this week. I...

View post