Overview

Tokina Cinema 50-135mm MK II T2.9 Lens for PL Mount

The Tokina Cinema 50-135mm T2.9 MK II delivers a highly versatile zoom range in a compact design. Tokina engineers have created a telephoto lens that is parfocal, has dramatically reduced breathing and image shift, and a de-clicked, 9-bladed, curved iris for beautiful bokeh and precise exposure control. With its 3.3 foot close-focus capability, the lens allows you the freedom to capture a tight close-ups while maintaining a comfortable distance from your subject.

SKU: GC40-KPC-1017PL

Tokina Cinema 50-135mm MK II T2.9 Lens for PL Mount

Tokina Cinema 50-135mm MK II T2.9 Lens for PL Mount

The Tokina Cinema 50-135mm T2.9 MK II delivers a highly versatile zoom range in a compact design. Tokina engineers have created a telephoto lens that is parfocal, has dramatically reduced breathing and image shift, and a de-clicked, 9-bladed, curved iris for beautiful bokeh and precise exposure control. With its 3.3 foot close-focus capability, the lens allows you the freedom to capture a tight close-ups while maintaining a comfortable distance from your subject.

The 50-135mm T2.9 MKII cinema lens is an update to the original 50-135mm T3 Telephoto zoom lens, it has received an all new metal mechanical housing featuring industry standard 0.8 MOD cinema gears, 300 degree focus throw, updated T2.9 iris, and 95mm front diameter for common cinema accessories. Designed to match the mechanical and optical properties of the popular Tokina Cinema 11- 20mm T2.9 zoom. The 50-135mm T2.9 MKII retains optical design features similar to the 11- 20mm T2.9 including parfocal design to retain focus while zooming, limited focus breathing, and low distortion.

Features:

Highly versatile zoom range

Parfocal Design

Compact Size

Super35 coverage

300° Focus Rotation

Low distortion

Durable, All-metal Cine-style Housing with 0.8 Mod Focus, Zoom and Iris

Designed to match the mechanical and optical properties of 11-20mm T2.9

Regular price $6,599.00
Sale price $6,599.00
Pay with
Pay with
Found a better price? Request a price match

Price Match

Fill out the price match form below, and we will be in touch shortly.

Price Match Request For:
Tokina Cinema 50-135mm MK II T2.9 Lens for PL Mount
Tokina Cinema 50-135mm MK II T2.9 Lens for PL Mount
Our Price: $6,599.00

Price Match

Fill out the price match form below, and we will be in touch shortly.

Competitor Information:
Your Details:
This item is currently backordered and we are awaiting arrival. star If you'd like to know when it's due, we're here to help!

phone Call us during business hours at 02 9299 0177.
chatChat live with our team on-site.
emailOr email us anytime at info@georges.com.au with the subject "Awaiting Arrival"
Awaiting Stock ⓘ

Checking availability...

$6,599.00

Product Overview

Tokina Cinema 50-135mm MK II T2.9 Lens for PL Mount

The Tokina Cinema 50-135mm T2.9 MK II delivers a highly versatile zoom range in a compact design. Tokina engineers have created a telephoto lens that is parfocal, has dramatically reduced breathing and image shift, and a de-clicked, 9-bladed, curved iris for beautiful bokeh and precise exposure control. With its 3.3 foot close-focus capability, the lens allows you the freedom to capture a tight close-ups while maintaining a comfortable distance from your subject.

Need advice?

Speak to one of our dedicated Australian-based sales team members.

Call us

Key Features

Product Reviews

Tamron 16-50mm F2.8 vs Sigma 18-50mm F2.8: Which Compact APS-C Zoom Should You Buy?

Tamron 16-50mm F2.8 vs Sigma 18-50mm F2.8: Which Compact APS-...

If you shoot on an APS-C mirrorless camera and want one lens that stays on the body most of the time, there's a good chance the Sigma 18-50mm F2.8 DC DN Contemporary...

View post
PTZ Cameras

The Ultimate Guide to PTZ Cameras: Choosing the Right Setup f...

Compare Canon, Sony, BirdDog and Telycam PTZ cameras on image quality, tracking, zoom and value. Find the right setup for your production at Georges Cameras.

View post
Beauty Photo of Sienna Etches

Beauty Lighting: How to Combine Hard and Soft Light to Make S...

A working beauty photographer’s guide to combining hard and soft light, beauty dish vs softbox, grids, negative fill and a clamshell setup you can copy, for skin that pops.

View post
Panel Discussion at Lunar Studios

Everyone Can Take a Picture. Not Everyone Can Hold the Room

What an agent, a Vogue visuals producer and a brand-side creative lead really look for in photographers now. There is a point in almost every creative career where the work alone stops...

View post
Beyond Reach: My Experience With the Fujifilm XF400mmF4.5 Super-Telephoto Lens

Beyond Reach: My Experience With the Fujifilm XF400mmF4.5 Sup...

Explore our hands-on experience with the Fujifilm XF400mmF4.5, covering its sharpness, autofocus, reach and performance for sport, wildlife, landscapes and portraits.

View post
Learn to Get the Shot Right In-Camera

Learn to Get the Shot Right In-Camera

Beauty photography tips from Oliver Minnett’s Georges workshop, covering lighting, direction, working with a creative team, and using Sony and Profoto gear.

View post
Stop Trying to Learn Everything at Once

Stop Trying to Learn Everything at Once

Beauty photography tips from Oliver Minnett’s Georges workshop, covering lighting, direction, working with a creative team, and using Sony and Profoto gear.

View post
Beauty Photography Tips: Three Things I Wish I Knew Earlier

Beauty Photography Tips: Three Things I Wish I Knew Earlier

Beauty photography tips from Oliver Minnett’s Georges workshop, covering lighting, direction, working with a creative team, and using Sony and Profoto gear.

View post
Models on stage at Karla Spetics show

How We Lit Karla Spetic's Australian Fashion Week Show with P...

We were invited by Karla Spetic to help light her runway, we chose Profoto's new LED lights for the job!

View post
Ricardo sits with Ollie and discusses mobile podcasting setups

Sony A7R VI First Thoughts: A Portrait Photographer’s Take on...

Sony has just launched the new Sony A7R VI, the latest camera in its high-resolution Alpha line, and I was lucky enough to spend some time with it earlier this week. I...

View post