Wide Angle Zoom
f/2.8
82mm
24-70mm
1.01 kg
Overview

Tokina 24-70mm f/2.8 PRO FX Lens for Nikon with Vanguard VEO 2 265CB Tripod

One of the most versatile focal lengths available, Tokina's AT-X 24-70mm f/2.8 PRO FX Lens is a standard wide-angle to portrait-length zoom featuring a bright, constant f/2.8 maximum aperture. Designed for Nikon FX-format DSLRs, this everyday lens is ideally suited for nearly any genre of photography, including travel, portraiture, landscape, and event shooting. Three aspherical elements pair with three super-low dispersion elements to produce bright, evenly-illuminated imagery with controlled aberrations and distortions, while multi-layer lens coatings help to reduce flare and ghosting for improved contrast and colour accuracy. Well-suited to working in a wide variety of situations, this standard zoom covers an array of perspectives while maintaining consistent illumination for working in challenging lighting.

SKU: GC40-2470PROFXNIK-K1

Tokina 24-70mm f/2.8 PRO FX Lens for Nikon + Vanguard VEO 2 265CB Tripod

Tokina 24-70mm f/2.8 PRO FX Lens for Nikon with Vanguard VEO 2 265CB Tripod

One of the most versatile focal lengths available, Tokina's AT-X 24-70mm f/2.8 PRO FX Lens is a standard wide-angle to portrait-length zoom featuring a bright, constant f/2.8 maximum aperture. Designed for Nikon FX-format DSLRs, this everyday lens is ideally suited for nearly any genre of photography, including travel, portraiture, landscape, and event shooting. Three aspherical elements pair with three super-low dispersion elements to produce bright, evenly-illuminated imagery with controlled aberrations and distortions, while multi-layer lens coatings help to reduce flare and ghosting for improved contrast and colour accuracy. Well-suited to working in a wide variety of situations, this standard zoom covers an array of perspectives while maintaining consistent illumination for working in challenging lighting.

Benefitting the usability, a one-touch focusing clutch permits quick switching between autofocus and manual focus modes, and an internal focusing design maintains the overall length of the lens during use. A Silent-Drive Module AF system suits both stills and video recording, too, by providing quick and quiet performance. Additionally, this lens sees the incorporation of a nine-blade diaphragm, which contributes to a pleasing out-of-focus quality when employing shallow depth of field shooting techniques.

Compatible with Nikon FX-format DSLRs, this standard zoom can also be used with DX-format DSLRs where it will provide a 36-105mm equivalent focal length range.

Constant f/2.8 maximum aperture provides consistent performance throughout the zoom range and also contributes to greater control over focus position and when working in low-light conditions.

Three glass molded aspherical elements and three super-low dispersion (SD) glass elements combine to enable high resolution and consistent, even illumination with minimal distortion. The trio of low dispersion elements are arranged within the rear lens groups and also help to reduce chromatic aberrations for greater colour accuracy and clarity.

Multi-layer lens coatings reduce lens flare and ghosting for greater contrast and maintained colour fidelity.

A Silent Drive-Module (SDM) offers fast and quiet autofocus performance to benefit both still and movie recording applications.

A one-touch focus clutch mechanism permits seamless switching between autofocus and manual focusing positions.

An internal focusing mechanism maintains the overall lens form factor during operation.

A nine-blade diaphragm contributes to a smooth out-of-focus quality, which benefits the use of shallow depth of field techniques.

Vanguard VEO 2 265CB Tripod

The gray-finished Vanguard VEO 2 265 Carbon Fiber Tripod with Ball Head combines the VEO 2 265C carbon fiber legs with the BH-50 ball head. Ideal for travel, wildlife, and nature as well as studio work, the tripod weighs just 1.32 kg thanks to carbon fiber construction, and has an extended load capacity of 7.98 kg for heavy cameras or long lenses. It can rise to 59", and folds down to a compact 16.4".

The tripod's 5-section legs feature advanced twist locks that require only 1/4 turn and individual spread in 20°, 45°, and 80° positions for easy setup on uneven terrain or spreading out as low as 7.25" for macro photography. A loop for a counterweight is provided for extra stability. The BH-50 has 3 independent dedicated knobs for locking, panning, and friction control.

Intuitive and simple to set the tripod into desired position: Exclusive and innovative central column system that allows you to set the central column and tripod legs in less than 15 seconds.

Carbon fiber material for lightweight, robust, and long-lasting working or playing sessions.

Multi-action ball head with 3 independent knobs for lock, pan, and friction control operation. Ergonomic knobs provide up to 17.6-pound work load performance for quality images. Arca compatible QR plate included.

Advanced twist lock system for fast and rock solid position setting. Extend the 5 sections in a matter of seconds.

Highly engineered leg tubes for smooth and precise leg extensions.

Dedicated suspension loop on canopy to accommodate counterbalance weights or bags for additional stability.

Independent leg positioning at 3 different angles (20°, 45°, and 80°) for more versatility and possibilities to adapt to uneven terrain enabling you to shoot more creative pictures.

Non-slip, all-weather TPU grip on 1 leg for the perfect hand grip.

Bonus tripod bag with extension system to accommodate any standard size tripod head.

Key Features:

F-Mount Lens/FX Format

Aperture Range: f/2.8 to f/22

Three Glass Molded Aspherical Elements

Three SD Super-Low Dispersion Elements

Multi-Layer Lens Coatings

Silent-Drive Module AF System

Internal Focus; One-Touch Focus Clutch

Nine-Blade Diaphragm

Load Capacity: 7.98 kg

5 Leg Sections with 1/4 Twist Locks

Rubber Handle on 1 Leg

VEO 2 BH-50 Arca-Compatible Ball Head

Arca-Type Compatible QR Plate Included

Bubble Level on Head

Loop for Counterbalance

What's in the Box:

Tokina 24-70mm f/2.8 PRO FX Lens for Nikon with Vanguard VEO 2 265CB Tripod

Front and Rear Lens Caps

BH-822 Lens Hood

VEO 2 BH-50 Ball Head

Vanguard Quick Shoe Release Plate QS-60S

Tripod Bag

Wide Angle Zoom
f/2.8
82mm
24-70mm
1.01 kg
Regular price $1,601.00
Sale price $1,601.00 Regular price $1,601.00
Pay with
Pay with
Found a better price? Request a price match

Price Match

Fill out the price match form below, and we will be in touch shortly.

Price Match Request For:
Tokina 24-70mm f/2.8 PRO FX Lens for Nikon + Vanguard VEO 2 265CB Tripod
Tokina 24-70mm f/2.8 PRO FX Lens for Nikon + Vanguard VEO 2 265CB Tripod
Our Price: $1,601.00

Price Match

Fill out the price match form below, and we will be in touch shortly.

Competitor Information:
Your Details:
This item is currently backordered and we are awaiting arrival. star If you'd like to know when it's due, we're here to help!

phone Call us during business hours at 02 9299 0177.
chatChat live with our team on-site.
emailOr email us anytime at info@georges.com.au with the subject "Awaiting Arrival"
Awaiting Stock

Checking availability...

$1,601.00

Product Overview

Tokina 24-70mm f/2.8 PRO FX Lens for Nikon with Vanguard VEO 2 265CB Tripod

One of the most versatile focal lengths available, Tokina's AT-X 24-70mm f/2.8 PRO FX Lens is a standard wide-angle to portrait-length zoom featuring a bright, constant f/2.8 maximum aperture. Designed for Nikon FX-format DSLRs, this everyday lens is ideally suited for nearly any genre of photography, including travel, portraiture, landscape, and event shooting. Three aspherical elements pair with three super-low dispersion elements to produce bright, evenly-illuminated imagery with controlled aberrations and distortions, while multi-layer lens coatings help to reduce flare and ghosting for improved contrast and colour accuracy. Well-suited to working in a wide variety of situations, this standard zoom covers an array of perspectives while maintaining consistent illumination for working in challenging lighting.

FAQs

Need advice?

Speak to one of our dedicated Australian-based sales team members.

Call us

Key Features

Wide Angle Zoom

Tokina 24-70mm f/2.8 PRO FX Lens for Nikon is a high performing wide angle zoom lens.

f/2.8

Tokina 24-70mm PRO FX Lens for Nikon supports a maximum aperture of f/2.8.

82mm

Tokina 24-70mm f/2.8 PRO FX Lens for Nikon has a filter size of 82mm.

24-70mm

Tokina f/2.8 PRO FX Lens for Nikon comes with 24-70mm focal length.

1.01 kg

Tokina 24-70mm f/2.8 PRO FX Lens for Nikon weighs 1.01 kg.

Legendary Classics

Tokina 24-70mm f/2.8 PRO FX Lens for Nikon

Legendary Classics

Product Reviews

Panel Discussion at Lunar Studios

Everyone Can Take a Picture. Not Everyone Can Hold the Room

What an agent, a Vogue visuals producer and a brand-side creative lead really look for in photographers now. There is a point in almost every creative career where the work alone stops...

View post
Beauty Photography Tips: Three Things I Wish I Knew Earlier

Beauty Photography Tips: Three Things I Wish I Knew Earlier

Beauty photography tips from Oliver Minnett’s Georges workshop, covering lighting, direction, working with a creative team, and using Sony and Profoto gear.

View post
Models on stage at Karla Spetics show

How We Lit Karla Spetic's Australian Fashion Week Show with P...

We were invited by Karla Spetic to help light her runway, we chose Profoto's new LED lights for the job!

View post
Ricardo sits with Ollie and discusses mobile podcasting setups

Sony A7R VI First Thoughts: A Portrait Photographer’s Take on...

Sony has just launched the new Sony A7R VI, the latest camera in its high-resolution Alpha line, and I was lucky enough to spend some time with it earlier this week. I...

View post
Ricardo sits with Ollie and discusses mobile podcasting setups

Mobile Podcasting Setups Explained: From First Rig to Full Pr...

Mobile podcasting isn’t about shortcuts. It’s about picking gear that actually works, in the places podcasts actually happen. I used to chase the “best” setup. Turns out, the best setup is the...

View post
Tilta Sony FX Rigging

Rigging Up Your Sony Cinema Camera

Rigging gets a bad rap because a lot of rigs are built backwards. People buy parts first, bolt everything on, and end up with a camera that looks serious but shoots worse....

View post
Gracaie Stendl Portfolio Images

What Makes a Good Photographer? A Portfolio Deconstruction

Clyde Vaughan Guest post by Clyde Vaughan — ahead of  Clyde's talk on January 22: “How to create incredible images: A talk by Clyde Vaughan”. If you ask “what makes a good...

View post
Ollie Jones holds the 22 kg DJI Power 2000

The End of the Generator? Hands-on with the DJI Power 2000

We’ve all been there: you’re on a remote shoot, beautiful location, but you’re either scrambling to find a power outlet or lugging a massive, noisy petrol generator through the bush. We’ve been...

View post
Oliver Minnett teaching a photography workshop

Why 2026 Might be the year to change from DSLR to Mirrorless

Alright—let’s do the DSLR vs mirrorless thing properly. Not “on paper”, not “in theory”, but head-to-head on the stuff that actually matters when you’re out shooting. My name's Oliver Minnett, I'm Georges...

View post
Two Leica M11P's on a desk

Leica is now at Georges Cameras

Some cameras don’t just document your life; they become part of it. I bought a Leica M6 in 2012. Photography had always been a part of my life; my dad had run...

View post