Overview

Tilta Full Camera Cage for Sony FX3/FX30 V2

Add protection and accessories to your Sony FX3 or FX30 digital cinema camera with this lightweight and modular Camera Cage V2 from Tilta. This updated model offers the option of full cage protection or a lighter-weight half cage suitable for gimbal use by removing its side L-bracket. The aluminium cage maintains access to the camera's controls and features a removable Natotop plate that enables the use of the original XLR top handle or another handle.

SKU: GC33-TA-T16-FCC-B

Tilta Full Camera Cage for Sony FX3/FX30 V2

Tilta Full Camera Cage for Sony FX3/FX30 V2

Add protection and accessories to your Sony FX3 or FX30 digital cinema camera with this lightweight and modular Camera Cage V2 from Tilta. This updated model offers the option of full cage protection or a lighter-weight half cage suitable for gimbal use by removing its side L-bracket. The aluminium cage maintains access to the camera's controls and features a removable Natotop plate that enables the use of the original XLR top handle or another handle.

Use the cage to mount a variety of accessories using the top plate Natorail, the shoe mount, and the 3/8"-16 and 1/4"-20 threads with anti-twist locating pins. The cage also features an integrated Arca-style base for quick mounting onto tripod heads and gimbal mounts. It can be used in both horizontal and vertical orientations and also features a right-side handgrip, an HDMI cable clamp, and strap slots for an optional wrist or neck strap.

Compatibility

Sony FX3 cinema camera

Sony FX30 cinema camera

Original Sony XLR top handle

Modular Design

The cage can be configured for both full cage protection and a lighter-weight half cage form for gimbal use. The top module is individually removable and is compatible with the original XLR audio handle. The L-Bracket is removable and can be used as a half cage.

Multiple Accessory Mounts

Accessory-mounting options include a Natorail, a shoe mount, as well as 3/8"-16 and 1/4"-20 threads with locating pins. The bottom of the camera cage features an Arca-type design for quick installation onto baseplates and gimbals.

Mounting Security

The camera body can be secured via three mounting screws on the left, right, and bottom. The included cable clamp prevents pulling or disconnecting, and it mounts with a thumbscrew.

Key Features:

Formfitting Cage for Sony FX3 and FX30

Arca-Type Base, Left-Side NatoRail

Compatible with Original FX3 XLR Handle

L-Bracket Removes to Use as Half Cage

Right-Side Handgrip, Cable Clamp

Shoe Mount, Wrist Strap Slots

Durable Aluminium Construction

What's in the Box:

Tilta Full Camera Cage for Sony FX3/FX30 V2

Removable Top Plate

Magnetic Screwdriver

HDMI Cable Clamp

Allen Wrench

Regular price $160.00
Sale price $160.00 Regular price $200.00 Save 20%
Pay with
Pay with
Found a better price? Request a price match

Price Match

Fill out the price match form below, and we will be in touch shortly.

Price Match Request For:
Tilta Full Camera Cage for Sony FX3/FX30 V2
Tilta Full Camera Cage for Sony FX3/FX30 V2
Our Price: $160.00

Price Match

Fill out the price match form below, and we will be in touch shortly.

Competitor Information:
Your Details:
This item is currently backordered and we are awaiting arrival. star If you'd like to know when it's due, we're here to help!

phone Call us during business hours at 02 9299 0177.
chatChat live with our team on-site.
emailOr email us anytime at info@georges.com.au with the subject "Awaiting Arrival"
Awaiting Stock

Checking availability...

$160.00

Product Overview

Tilta Full Camera Cage for Sony FX3/FX30 V2

Add protection and accessories to your Sony FX3 or FX30 digital cinema camera with this lightweight and modular Camera Cage V2 from Tilta. This updated model offers the option of full cage protection or a lighter-weight half cage suitable for gimbal use by removing its side L-bracket. The aluminium cage maintains access to the camera's controls and features a removable Natotop plate that enables the use of the original XLR top handle or another handle.

Need advice?

Speak to one of our dedicated Australian-based sales team members.

Call us

Product Reviews

Panel Discussion at Lunar Studios

Everyone Can Take a Picture. Not Everyone Can Hold the Room

What an agent, a Vogue visuals producer and a brand-side creative lead really look for in photographers now. There is a point in almost every creative career where the work alone stops...

View post
Beauty Photography Tips: Three Things I Wish I Knew Earlier

Beauty Photography Tips: Three Things I Wish I Knew Earlier

Beauty photography tips from Oliver Minnett’s Georges workshop, covering lighting, direction, working with a creative team, and using Sony and Profoto gear.

View post
Models on stage at Karla Spetics show

How We Lit Karla Spetic's Australian Fashion Week Show with P...

We were invited by Karla Spetic to help light her runway, we chose Profoto's new LED lights for the job!

View post
Ricardo sits with Ollie and discusses mobile podcasting setups

Sony A7R VI First Thoughts: A Portrait Photographer’s Take on...

Sony has just launched the new Sony A7R VI, the latest camera in its high-resolution Alpha line, and I was lucky enough to spend some time with it earlier this week. I...

View post
Ricardo sits with Ollie and discusses mobile podcasting setups

Mobile Podcasting Setups Explained: From First Rig to Full Pr...

Mobile podcasting isn’t about shortcuts. It’s about picking gear that actually works, in the places podcasts actually happen. I used to chase the “best” setup. Turns out, the best setup is the...

View post
Tilta Sony FX Rigging

Rigging Up Your Sony Cinema Camera

Rigging gets a bad rap because a lot of rigs are built backwards. People buy parts first, bolt everything on, and end up with a camera that looks serious but shoots worse....

View post
Gracaie Stendl Portfolio Images

What Makes a Good Photographer? A Portfolio Deconstruction

Clyde Vaughan Guest post by Clyde Vaughan — ahead of  Clyde's talk on January 22: “How to create incredible images: A talk by Clyde Vaughan”. If you ask “what makes a good...

View post
Ollie Jones holds the 22 kg DJI Power 2000

The End of the Generator? Hands-on with the DJI Power 2000

We’ve all been there: you’re on a remote shoot, beautiful location, but you’re either scrambling to find a power outlet or lugging a massive, noisy petrol generator through the bush. We’ve been...

View post
Oliver Minnett teaching a photography workshop

Why 2026 Might be the year to change from DSLR to Mirrorless

Alright—let’s do the DSLR vs mirrorless thing properly. Not “on paper”, not “in theory”, but head-to-head on the stuff that actually matters when you’re out shooting. My name's Oliver Minnett, I'm Georges...

View post
Two Leica M11P's on a desk

Leica is now at Georges Cameras

Some cameras don’t just document your life; they become part of it. I bought a Leica M6 in 2012. Photography had always been a part of my life; my dad had run...

View post