This is a special-order item that we do not normally hold in stock. It generally ships within 4–8 weeks and cannot be cancelled or returned for change of mind.
Overview

This 4×5.65 carbon fiber matte box is designed to clamp directly onto standard sized cinema lenses in order to be as lightweight and unobtrusive as possible.

SKU: GC33-MB-T12-M114

Tilta 4x5.65 Carbon Fiber Matte Box (Clamp-on) with 114mm Back

This 4×5.65 carbon fiber matte box is designed to clamp directly onto standard sized cinema lenses in order to be as lightweight and unobtrusive as possible.

It includes a single lens adapter ring to fit the front diameter of your choice.

Additional sizedbackingscan be purchased separately. We also offer afull kitwith multiple backings

These adapter rings not only allow the matte box to directly attach to the lens, but it forgoes the need for lens donuts.

Included in the package is one top French flag to provide flare protection.

It also includes an 15mm rod attachment if you wish to mount the matte box via LWS rods.

Compatibility

Tilta 4*5.65 Carbon Fiber Matte Box (Clamp-on) with 114mm Back

Features

  • Fits 114mm Lens Diameter
  • Three Fixed Filter Stages
  • 15mm LWS Rod Clamp Included
  • One Top Flag & Five Hard Mattes
  • Three 4 x 5.65" Filter Trays

This is a special-order item that we do not normally hold in stock. It generally ships within 4–8 weeks and cannot be cancelled or returned for change of mind.
Regular price $539.00
Sale price $539.00 Regular price $598.00 Save 9%
Pay with
Pay with
Found a better price? Request a price match

Price Match

Fill out the price match form below, and we will be in touch shortly.

Price Match Request For:
Tilta 4x5.65 Carbon Fiber Matte Box (Clamp-on) with 114mm Back
Tilta 4x5.65 Carbon Fiber Matte Box (Clamp-on) with 114mm Back
Our Price: $539.00

Price Match

Fill out the price match form below, and we will be in touch shortly.

Competitor Information:
Your Details:
This item is currently backordered and we are awaiting arrival. star If you'd like to know when it's due, we're here to help!

phone Call us during business hours at 02 9299 0177.
chatChat live with our team on-site.
emailOr email us anytime at info@georges.com.au with the subject "Awaiting Arrival"
Awaiting Stock ⓘ

Checking availability...

$539.00

Product Overview

This 4×5.65 carbon fiber matte box is designed to clamp directly onto standard sized cinema lenses in order to be as lightweight and unobtrusive as possible.

Need advice?

Speak to one of our dedicated Australian-based sales team members.

Call us

Product Reviews

Beauty Photo of Sienna Etches

Beauty Lighting: How to Combine Hard and Soft Light to Make S...

A working beauty photographer’s guide to combining hard and soft light, beauty dish vs softbox, grids, negative fill and a clamshell setup you can copy, for skin that pops.

View post
Panel Discussion at Lunar Studios

Everyone Can Take a Picture. Not Everyone Can Hold the Room

What an agent, a Vogue visuals producer and a brand-side creative lead really look for in photographers now. There is a point in almost every creative career where the work alone stops...

View post
Beyond Reach: My Experience With the Fujifilm XF400mmF4.5 Super-Telephoto Lens

Beyond Reach: My Experience With the Fujifilm XF400mmF4.5 Sup...

Explore our hands-on experience with the Fujifilm XF400mmF4.5, covering its sharpness, autofocus, reach and performance for sport, wildlife, landscapes and portraits.

View post
Learn to Get the Shot Right In-Camera

Learn to Get the Shot Right In-Camera

Beauty photography tips from Oliver Minnett’s Georges workshop, covering lighting, direction, working with a creative team, and using Sony and Profoto gear.

View post
Stop Trying to Learn Everything at Once

Stop Trying to Learn Everything at Once

Beauty photography tips from Oliver Minnett’s Georges workshop, covering lighting, direction, working with a creative team, and using Sony and Profoto gear.

View post
Beauty Photography Tips: Three Things I Wish I Knew Earlier

Beauty Photography Tips: Three Things I Wish I Knew Earlier

Beauty photography tips from Oliver Minnett’s Georges workshop, covering lighting, direction, working with a creative team, and using Sony and Profoto gear.

View post
Models on stage at Karla Spetics show

How We Lit Karla Spetic's Australian Fashion Week Show with P...

We were invited by Karla Spetic to help light her runway, we chose Profoto's new LED lights for the job!

View post
Ricardo sits with Ollie and discusses mobile podcasting setups

Sony A7R VI First Thoughts: A Portrait Photographer’s Take on...

Sony has just launched the new Sony A7R VI, the latest camera in its high-resolution Alpha line, and I was lucky enough to spend some time with it earlier this week. I...

View post
Ricardo sits with Ollie and discusses mobile podcasting setups

Mobile Podcasting Setups Explained: From First Rig to Full Pr...

Mobile podcasting isn’t about shortcuts. It’s about picking gear that actually works, in the places podcasts actually happen. I used to chase the “best” setup. Turns out, the best setup is the...

View post
Tilta Sony FX Rigging

Rigging Up Your Sony Cinema Camera

Rigging gets a bad rap because a lot of rigs are built backwards. People buy parts first, bolt everything on, and end up with a camera that looks serious but shoots worse....

View post