SKU: GC47-TM-F053SF

Tamron 35mm f/2.8 Di III OSD M 1:2 Lens for Sony E

Regular price $293.90
Sale price $293.90 Regular price $499.00 Save 41%
Pay with
Pay with

Availability

  • Availability: Awaiting stock

This item is currently on backorder. To secure your allocation from the next shipment, please place a pre-order. Contact us for estimated arrival.

Price Match

Fill out the price match form below, and we will be in touch shortly.

Price Match Request For:
Tamron 35mm f/2.8 Di III OSD M 1:2 Lens for Sony E
Tamron 35mm f/2.8 Di III OSD M 1:2 Lens for Sony E
Our Price: $293.90

Price Match

Fill out the price match form below, and we will be in touch shortly.

Competitor Information:
Your Details:
This item is currently backordered and we are awaiting arrival. star If you'd like to know when it's due, we're here to help!

phone Call us during business hours at 02 9299 0177.
chatChat live with our team on-site.
emailOr email us anytime at info@georges.com.au with the subject "Awaiting Arrival"
Awaiting Stock ⓘ
Regular price $293.90
Sale price $293.90 Regular price $499.00
Regular price $293.90
Sale price $293.90 Regular price $499.00

Product Overview

Tamron 35mm f/2.8 Di III OSD M 1:2 Lens for Sony E

A favoured focal length for everything from street photography to portraiture, the 35mm f/2.8 Di III OSD M 1:2 from Tamron is a sleek and lightweight take on one of the most popular and beloved focal lengths around. Designed for full-frame Sony E-mount mirrorless cameras, this wide-angle prime is distinguished by its f/2.8 design that strikes a balance between speed and a compact design, making for a highly portable lens for use in a variety of situations. Also contributing to its versatility is a half life-size 1:2 maximum magnification ratio and 5.9" minimum focusing distance for working with close-up subjects. An OSD stepping motor achieves fast and near-silent autofocus performance along with full-time manual focus override. Additionally, the lens sports a moisture-resistant physical design along with a fluorine coating to suit working in inclement conditions.

What's in the box:

Tamron 35mm f/2.8 Di III OSD M 1:2 Lens for Sony E

Tamron SP Front Lens Cap (67mm)

Rear Lens Cap

HF053 Lens Hood

Need advice?

Speak to one of our dedicated Australian-based sales team members.

Call us

Key Features

FAQs

What types of photography is the Tamron 35mm f/2.8 lens best suited for?

The Tamron 35mm f/2.8 lens is incredibly versatile, making it ideal for various types of photography. Its wide-angle perspective is particularly well-suited for street photography, allowing photographers to capture dynamic urban scenes with ease. Additionally, the lens is excellent for portraiture, providing a natural perspective that flatters subjects. Its close-focusing capability further enhances its utility for macro photography, enabling detailed shots of small subjects like flowers or insects.

How does the optical design of this lens affect image quality?

The Tamron 35mm f/2.8 lens features advanced optical design elements, including one Low Dispersion (LD) element and one moulded glass aspherical element. These components work together to reduce chromatic aberrations and spherical distortions, ensuring that images maintain high clarity and accurate colour rendition. Additionally, the BBAR (Broad-Band Anti-Reflection) coating minimizes surface reflections and flare, contributing to improved contrast and colour accuracy in your photographs.

Can I use this lens on an APS-C camera and what field of view can I expect?

Yes, the Tamron 35mm f/2.8 lens is compatible with APS-C Sony E-mount cameras. When mounted on an APS-C body, it provides an equivalent focal length of 52.5mm, which is great for general photography, including portraits and landscapes. This versatility allows photographers to use the lens effectively across different camera systems while still achieving high-quality results.

What advantages does the moisture-resistant construction provide?

The moisture-resistant construction of the Tamron 35mm f/2.8 lens offers significant advantages for photographers who work in challenging weather conditions. This feature helps prevent moisture from entering the lens mechanism, safeguarding against potential damage during rain or high humidity. The additional fluorine coating on the front element further protects against dust, dirt, and smearing, ensuring that your lens remains clean and functional even in adverse environments.

How does the OSD stepping motor improve autofocus performance?

The OSD (Optimized Silent Drive) stepping motor in the Tamron 35mm f/2.8 lens enhances autofocus performance by providing fast, precise, and nearly silent focusing capabilities. This is particularly beneficial for video recording, where noise can be distracting. The lens also features full-time manual focus override, allowing photographers to make quick adjustments to focus without switching modes, improving the overall shooting experience.

What kind of bokeh quality can I expect from this lens?

The Tamron 35mm f/2.8 lens is designed with a rounded seven-blade diaphragm, which contributes to a pleasing bokeh quality. This results in smooth and aesthetically pleasing out-of-focus areas, making it ideal for portrait photography where the subject is isolated from the background. The lens produces a natural and soft bokeh, enhancing the overall visual appeal of your images.

Product Reviews

Verified by Trustvoice

Recommended Accessories

Canon G7 X Mark III vs Fujifilm X100VI: Which Should You Buy?

Canon G7 X Mark III vs Fujifilm X100VI: Which Should You Buy?

Compare the Canon PowerShot G7 X Mark III vs Fujifilm X100VI in our real-world camera comparison. Discover the differences in image quality, low-light performance, colour, video features, zoom, and price to find...

View post
Tamron 16-50mm F2.8 vs Sigma 18-50mm F2.8: Which Compact APS-C Zoom Should You Buy?

Tamron 16-50mm F2.8 vs Sigma 18-50mm F2.8: Which Compact APS-...

If you shoot on an APS-C mirrorless camera and want one lens that stays on the body most of the time, there's a good chance the Sigma 18-50mm F2.8 DC DN Contemporary...

View post
PTZ Cameras

The Ultimate Guide to PTZ Cameras: Choosing the Right Setup f...

Compare Canon, Sony, BirdDog and Telycam PTZ cameras on image quality, tracking, zoom and value. Find the right setup for your production at Georges Cameras.

View post
Beauty Photo of Sienna Etches

Beauty Lighting: How to Combine Hard and Soft Light to Make S...

A working beauty photographer’s guide to combining hard and soft light, beauty dish vs softbox, grids, negative fill and a clamshell setup you can copy, for skin that pops.

View post
Panel Discussion at Lunar Studios

Everyone Can Take a Picture. Not Everyone Can Hold the Room

What an agent, a Vogue visuals producer and a brand-side creative lead really look for in photographers now. There is a point in almost every creative career where the work alone stops...

View post
Beyond Reach: My Experience With the Fujifilm XF400mmF4.5 Super-Telephoto Lens

Beyond Reach: My Experience With the Fujifilm XF400mmF4.5 Sup...

Explore our hands-on experience with the Fujifilm XF400mmF4.5, covering its sharpness, autofocus, reach and performance for sport, wildlife, landscapes and portraits.

View post
Learn to Get the Shot Right In-Camera

Learn to Get the Shot Right In-Camera

Beauty photography tips from Oliver Minnett’s Georges workshop, covering lighting, direction, working with a creative team, and using Sony and Profoto gear.

View post
Stop Trying to Learn Everything at Once

Stop Trying to Learn Everything at Once

Beauty photography tips from Oliver Minnett’s Georges workshop, covering lighting, direction, working with a creative team, and using Sony and Profoto gear.

View post
Beauty Photography Tips: Three Things I Wish I Knew Earlier

Beauty Photography Tips: Three Things I Wish I Knew Earlier

Beauty photography tips from Oliver Minnett’s Georges workshop, covering lighting, direction, working with a creative team, and using Sony and Profoto gear.

View post
Models on stage at Karla Spetics show

How We Lit Karla Spetic's Australian Fashion Week Show with P...

We were invited by Karla Spetic to help light her runway, we chose Profoto's new LED lights for the job!

View post