Overview

Sony FX5 Full-Frame Cinema Camera with XLR-H2 Handle Unit and Manfrotto 504X / 645 FAST Twin Aluminium Video Tripod Kit

The Sony FX5 Full-Frame Cinema Camera with XLR-H2 Handle Unit empowers filmmakers to step confidently into the next stage of their professional journey. Combining an advanced cinema look and refined operability in a compact body, this kit pairs the FX5 with the XLR-H2 Handle Unit for professional multi-channel audio capture, giving creators the freedom to realise their vision with greater precision, control and expressive potential.

SKU: GC35-ILMEFX5+GC40-MF-MVK504XTWINFA

Sony FX5 Full-Frame Cinema Camera with XLR-H2 Handle Unit and Manfrotto 504X/645 FAST Twin Aluminium Video Tripod Kit

Sony FX5 Full-Frame Cinema Camera with XLR-H2 Handle Unit and Manfrotto 504X / 645 FAST Twin Aluminium Video Tripod Kit

The Sony FX5 Full-Frame Cinema Camera with XLR-H2 Handle Unit empowers filmmakers to step confidently into the next stage of their professional journey. Combining an advanced cinema look and refined operability in a compact body, this kit pairs the FX5 with the XLR-H2 Handle Unit for professional multi-channel audio capture, giving creators the freedom to realise their vision with greater precision, control and expressive potential.

Cinema-Class Image Quality

At the heart of the FX5 is a 5K full-frame fully-stacked Exmor RS CMOS sensor, built for speed, detail and latitude. Fast readout enables high-resolution, high-frame-rate recording, while wide latitude and low noise ensure smooth gradation and natural textures, even in high-contrast scenes. It's all backed by the BIONZ XR2 processor with integrated AI for enhanced shooting support.

Open Gate and Flexible Image Scan Modes

The FX5 offers full-frame Open Gate recording, a first in the Cinema Line FX series. With 5K up to 120 fps (FF 3:2), 4K up to 240 fps (FF crop) and more, you have the freedom to adjust framing, speed and workflow to realise even the most ambitious vision.

Internal X-OCN RAW Recording

Capture 16-bit scene-linear X-OCN internally, eliminating the need for an external RAW data recorder. With LT, C1 and C2 codecs, you can balance image quality, file size and RAW workflow flexibility to suit the production.

Three Base ISO Settings

Three Base ISO settings are available to match your shooting environment: a standard ISO 800, a mid-sensitivity ISO 4000 and a high-sensitivity ISO 12800 for low light. Capture clean shadows and wide latitude across varied lighting conditions, for consistently stunning clarity.

Dual Gain Shooting

Making its debut in the Cinema Line FX series, Dual Gain Shooting maximises latitude while reducing noise to enhance shadow details. Making full use of the sensor's capability, it delivers smooth, natural gradients for greater editing flexibility.

High-Quality Audio Recording

With up to 96 kHz/32bit float audio and up to 4 channels of top-quality recording, the FX5 helps you capture cleaner sound without slowing down the shoot. The XLR handle unit supports two XLR/TRS inputs and a 3.5 mm stereo mini jack.

Intelligent Autofocus and Connectivity

Fast, reliable phase-detection AF with up to 759 points and AI-based Subject Recognition keeps your subject sharp. A 3.5-type 16:9 touch-panel monitor makes operation intuitive, while Wi-Fi (2.4 GHz, 5 GHz and 6 GHz bands), wired LAN up to 2.5GBASE-T and Bluetooth 5.3 keep you connected on set.

XLR-H2 XLR Handle Unit

The XLR-H2 Handle Unit allows connection of XLR microphones and enables high-quality audio capture within the Sony ecosystem. Supporting two XLR/TRS inputs, a 3.5 mm stereo mini jack and up to 96 kHz/32bit float recording with up to 4 channels of audio, it helps you capture cleaner sound without slowing down the shoot.

Ready for Your Next Production

Whether you're shooting documentaries, commercials, music videos or independent film, the FX5 with XLR-H2 Handle Unit delivers cinema-class imagery and professional audio in one ready-to-shoot package. Complete with the NPSA100 battery and BCSAD1 dual charger included in the box, it's everything you need to take your next production further.

Manfrotto 504X / 645 FAST Twin Aluminium Video Tripod Kit

Support your camera rig with the 504X Fluid Video Head with 645 FAST Aluminium Tripod from Manfrotto. The system features the 504X fluid tripod head, the 645 FAST aluminium tripod, a mid-level spreader, a leveling ball to adapt the head to the tripod, and a carry bag.

The head features a 12 kg maximum load, a pan bar, a quick release plate, a counterbalance system with four presets, and its open bridge design that provides a stable, smooth performance and reduces weight. Its flat base with a 3/8"-16 female mounting thread allows compatibility with a wide range of tripods, monopods, sliders, jibs, and dollies, and a variety of rigs.

The twin-leg aluminium tripod provides a 24.95 kg maximum load, a mid-level spreader for added stability, and a 75/100mm ball head mount. The 504X head mounts onto the 645 tripod using the included leveling ball. A carry bag is included to store and transport the entire system.

Manfrotto 504X Fluid Video Head with Flat Base

The 504X Fluid Video Head with Flat Base from Manfrotto features an open bridge design that provides a stable, smooth performance while reducing weight. The head's patented bridge technology allows for a wider top surface and longer sliding plate that add stability and balance. The head features a flat base with a 3/8"-16 female mounting thread that allows compatibility with a wide range of tripods, monopods, sliders, jibs, and dollies, and a variety of rigs.

At the same time, variable friction components with clearly marked degree scales and vibration-free movement bring new levels of fine-tuning to your tilts and pans. A leveling bubble keeps horizons from tilting, even in the dark, while independent disc-brake locks make sure the head stays secure when at rest.

Whether you're using a pro camcorder or an accessorised DSLR, the 504X provides a 504PLONGR-1 sliding quick release plate with 1/4"-20 and 3/8"-16 threads to balance the camera properly on your rig. The head is made from durable aluminium and includes a pan bar that can be attached via rosettes on either the right or left side to help create smooth pan-and-tilt movements.

Manfrotto 645 FAST Twin Leg Video Tripod with Ultra L-Lock Mechanism (Aluminium)

The Manfrotto 645 FAST Twin Leg Video Tripod with Ultra L-Lock Mechanism is a two-stage aluminium tripod with a 100mm bowl and a single leg lock mechanism for each leg. A 100 to 75mm bowl adapter is included, so you get the flexibility to use 100 or 75mm video heads. The tripod features twin spiked feet with removable rubber overshoes, allowing for use on various terrain as well as on flat, smooth surfaces. It supports up to 55 pounds and has a maximum working height of 61.8", a minimum height of 10.6", and a folded length of 28.7".

The tripod legs are selectable between free movement or having three locking leg positions so you can use the legs without a spreader. The optional Manfrotto MVASPR2N1 2-in-1 spreader can be attached if desired.

Leg Locks

The legs feature Manfrotto's Ultra-L Lock for the Twin FAST tripod legs. This allows you to lock and unlock both leg stages using only one locking lever located at the top of each leg, so you don't have to bend down to unlock the legs.

Spreader or Spreaderless

The legs incorporate a locking mechanism that enables the legs to move completely freely, suitable when working with a spreader, or to lock at one of three angles, 70, 50, and 20°, which is suitable for use when working without a spreader.

Rubber Feet

You can use the included rubber feet to protect delicate surfaces from the tripod's foot spikes.

100 to 75mm Bowl Adapter

The legs feature a 100mm bowl and include a 100 to 75mm bowl adapter. This provides the flexibility to use a video head with either a 100 or 75mm leveling ball.

Key Features:

5K Full-Frame CMOS Sensor

BIONZ XR2 AI Processor

Internal X-OCN RAW Recording

Three Base ISO Settings

32-Bit Float Audio

12 kg Maximum Payload

4-Step Counterbalance System

Aluminium Tripod with Head

What's in the Box:

Sony FX5 Full-Frame Cinema Camera with XLR-H2 Handle Unit and Manfrotto 504X / 645 FAST Twin Aluminium Video Tripod Kit

Sony NPSA100 Battery

Sony BCSAD1 Dual Charger

Sony Multi Interface Shoe Cap

Sony ALC-B1EM Body Cap (Sony E)

Regular price $9,699.00
Sale price $9,699.00 Regular price $11,669.00 Save 16%
Pay with
Pay with
Found a better price? Request a price match

Price Match

Fill out the price match form below, and we will be in touch shortly.

Price Match Request For:
Sony FX5 Full-Frame Cinema Camera with XLR-H2 Handle Unit and Manfrotto 504X/645 FAST Twin Aluminium Video Tripod Kit
Sony FX5 Full-Frame Cinema Camera with XLR-H2 Handle Unit and Manfrotto 504X/645 FAST Twin Aluminium Video Tripod Kit
Our Price: $9,699.00

Price Match

Fill out the price match form below, and we will be in touch shortly.

Competitor Information:
Your Details:
This item is currently backordered and we are awaiting arrival. star If you'd like to know when it's due, we're here to help!

phone Call us during business hours at 02 9299 0177.
chatChat live with our team on-site.
emailOr email us anytime at info@georges.com.au with the subject "Awaiting Arrival"
Awaiting Stock

Checking availability...

$9,699.00

Product Overview

Sony FX5 Full-Frame Cinema Camera with XLR-H2 Handle Unit and Manfrotto 504X / 645 FAST Twin Aluminium Video Tripod Kit

The Sony FX5 Full-Frame Cinema Camera with XLR-H2 Handle Unit empowers filmmakers to step confidently into the next stage of their professional journey. Combining an advanced cinema look and refined operability in a compact body, this kit pairs the FX5 with the XLR-H2 Handle Unit for professional multi-channel audio capture, giving creators the freedom to realise their vision with greater precision, control and expressive potential.

Need advice?

Speak to one of our dedicated Australian-based sales team members.

Call us

Product Reviews

Beauty Photo of Sienna Etches

Beauty Lighting: How to Combine Hard and Soft Light to Make S...

A working beauty photographer’s guide to combining hard and soft light, beauty dish vs softbox, grids, negative fill and a clamshell setup you can copy, for skin that pops.

View post
Panel Discussion at Lunar Studios

Everyone Can Take a Picture. Not Everyone Can Hold the Room

What an agent, a Vogue visuals producer and a brand-side creative lead really look for in photographers now. There is a point in almost every creative career where the work alone stops...

View post
Beauty Photography Tips: Three Things I Wish I Knew Earlier

Beauty Photography Tips: Three Things I Wish I Knew Earlier

Beauty photography tips from Oliver Minnett’s Georges workshop, covering lighting, direction, working with a creative team, and using Sony and Profoto gear.

View post
Models on stage at Karla Spetics show

How We Lit Karla Spetic's Australian Fashion Week Show with P...

We were invited by Karla Spetic to help light her runway, we chose Profoto's new LED lights for the job!

View post
Ricardo sits with Ollie and discusses mobile podcasting setups

Sony A7R VI First Thoughts: A Portrait Photographer’s Take on...

Sony has just launched the new Sony A7R VI, the latest camera in its high-resolution Alpha line, and I was lucky enough to spend some time with it earlier this week. I...

View post
Ricardo sits with Ollie and discusses mobile podcasting setups

Mobile Podcasting Setups Explained: From First Rig to Full Pr...

Mobile podcasting isn’t about shortcuts. It’s about picking gear that actually works, in the places podcasts actually happen. I used to chase the “best” setup. Turns out, the best setup is the...

View post
Tilta Sony FX Rigging

Rigging Up Your Sony Cinema Camera

Rigging gets a bad rap because a lot of rigs are built backwards. People buy parts first, bolt everything on, and end up with a camera that looks serious but shoots worse....

View post
Gracaie Stendl Portfolio Images

What Makes a Good Photographer? A Portfolio Deconstruction

Clyde Vaughan Guest post by Clyde Vaughan — ahead of  Clyde's talk on January 22: “How to create incredible images: A talk by Clyde Vaughan”. If you ask “what makes a good...

View post
Ollie Jones holds the 22 kg DJI Power 2000

The End of the Generator? Hands-on with the DJI Power 2000

We’ve all been there: you’re on a remote shoot, beautiful location, but you’re either scrambling to find a power outlet or lugging a massive, noisy petrol generator through the bush. We’ve been...

View post
Oliver Minnett teaching a photography workshop

Why 2026 Might be the year to change from DSLR to Mirrorless

Alright—let’s do the DSLR vs mirrorless thing properly. Not “on paper”, not “in theory”, but head-to-head on the stuff that actually matters when you’re out shooting. My name's Oliver Minnett, I'm Georges...

View post