Overview

Sony FR7 Cinema Line PTZ Camera

Capture cinematic, full-frame footage in PTZ form for broadcast use, reality shows, houses of worship, and live events and sports with the black FR7 Cinema Line PTZ Camera from Sony. This versatile camera features the unique ability to use interchangeable Sony E-mount lenses and is currently compatible with up to 70 E-mount lenses ranging from 12 to 1200mm. The large image sensor provides 15+ stops of dynamic range, captures up to UHD 4K120 video, offers live streaming, supports S-Cinetone, Cine EI, and MLUT looks for matching select Sony cameras, and enables you to create shallow depth-of-field bokeh effects.

SKU: GC35-ILMEFR7

Sony FR7 Cinema Line PTZ Camera

Sony FR7 Cinema Line PTZ Camera

Capture cinematic, full-frame footage in PTZ form for broadcast use, reality shows, houses of worship, and live events and sports with the black FR7 Cinema Line PTZ Camera from Sony. This versatile camera features the unique ability to use interchangeable Sony E-mount lenses and is currently compatible with up to 70 E-mount lenses ranging from 12 to 1200mm. The large image sensor provides 15+ stops of dynamic range, captures up to UHD 4K120 video, offers live streaming, supports S-Cinetone, Cine EI, and MLUT looks for matching select Sony cameras, and enables you to create shallow depth-of-field bokeh effects.

Expressive 4K Imaging

Full-Frame Sensor

The FR7 combines a 4K full-frame sensor and compatibility with Sony E-mount lenses to produce outstandingly expressive, cinematic imagery

15+ stops of dynamic range and a base ISO of 800 that is expandable from 12,800 to 409,600 for capturing optimal video in an array of lighting conditions

Sony E-Mount

Compatibility with up to 70 Sony E-mount lenses covers a range of 12 to 1200

Enables you to capture the widest vistas and the closest details

Use with G Master (GM) lenses to obtain impressive resolution and pleasing bokeh

Imaging Functions

Capture rich detail and wide colourusing Sony S-Log3 and create nuanced contrast with Hybrid Log Gamma (HLG)

Built-In ND Filters

An integrated, electronic ND filter offers variable ND filtration ranging from 1/4 (2 stops) to 1/128 (7 stops)

Use the ND filter to compensate for changes in exposure without affecting your depth of field

Create shallow depth-of-field effects by adding the ND and opening the iris

SDI Raw Output

The FR7 can output raw video via the SDI (BNC) output to an external recording for colourgrading and other post-production tweaking

UHD 4K 120p Recording

Record UHD 4K video at rates up to 120 fps for slow-motion effects

Remote and Robotics Functions

IP Control

Use the IP remote function to control your camera from a distance like a broadcast truck and/or to control multiple cameras

Smooth Movement

Slow, smooth pan and tilt movements enable you to unobtrusively zoom in on the action and reframe accordingly

Video Output and Streaming

Output video using the HDMI and up to 12G-SDI video outputs

Stream RTSP, SRT, or NDI|HX (requires NewTek license) using the LAN port

Control Options

The included IR remote can be used for pan, tilt, zoom (PTZ), focus, recording, playback, and other camera settings

Use with the separately available RM-IP500 control panel with joystick zoom rocker, and buttons

Web app remote control can be accessed from a tablet or PC browser

Mounting

Mount on a tripod or riser using the two 1/4"-20 threads

Use the optional mount to attach the FR7 camera to a ceiling

Attach camera accessories using the 15mm rod mounts

Cinematic Multicamera Use

Cine-Style Capture

Bring a cinematic look to your PTZ capture and match footage from other Sony cameras with the S-Cinetone picture profile

The Cine EI mode with MLUT management can be used with S-Log3 or raw recording

XAVC recording with metadata capture supports up to 10-bit, 4:2:2 colourand HDR recording

Hybrid Autofocus

Fast hybrid autofocus with face detection and touch tracking enable you to keep even dynamic action in focus

Up to 100 Presets

Quick control with up to 100 preset positions

Interfaces

A robust interface includes a LAN port for network and PoE++ use, timecode input, a genlock connector, and red/green tally indicators

Dual media slots are compatible with both CFexpress Type A and SDXC memory cards

Key Features:

Supports up to UHD 4K120 Video

Sony E-Mount Lens Interchangeability

4K Full-Frame Sensor

12G-SDI, HDMI & Streaming Output

Variable Electronic ND Filter

Smooth, Slow Pan & Tilt Movement

IR, IP & Web App Remote Control

Flexible PoE+ Installation

Genlock, Timecode & Tally Lamps

What's in the Box:

Sony FR7 Cinema Line PTZ Camera

RMT-RC1 Remote Commander

Lens Mount Cap for Body

AC Adapter

Power Cord

HDMI Cable Clamp

Regular price $14,998.00
Sale price $14,998.00 Regular price $14,999.00 Save 0%
Pay with
Pay with
Found a better price? Request a price match

Price Match

Fill out the price match form below, and we will be in touch shortly.

Price Match Request For:
Sony FR7 Cinema Line PTZ Camera
Sony FR7 Cinema Line PTZ Camera
Our Price: $14,998.00

Price Match

Fill out the price match form below, and we will be in touch shortly.

Competitor Information:
Your Details:
This item is currently backordered and we are awaiting arrival. star If you'd like to know when it's due, we're here to help!

phone Call us during business hours at 02 9299 0177.
chatChat live with our team on-site.
emailOr email us anytime at info@georges.com.au with the subject "Awaiting Arrival"
Awaiting Stock

Checking availability...

$14,998.00

Product Overview

Sony FR7 Cinema Line PTZ Camera

Capture cinematic, full-frame footage in PTZ form for broadcast use, reality shows, houses of worship, and live events and sports with the black FR7 Cinema Line PTZ Camera from Sony. This versatile camera features the unique ability to use interchangeable Sony E-mount lenses and is currently compatible with up to 70 E-mount lenses ranging from 12 to 1200mm. The large image sensor provides 15+ stops of dynamic range, captures up to UHD 4K120 video, offers live streaming, supports S-Cinetone, Cine EI, and MLUT looks for matching select Sony cameras, and enables you to create shallow depth-of-field bokeh effects.

Need advice?

Speak to one of our dedicated Australian-based sales team members.

Call us

Product Reviews

Panel Discussion at Lunar Studios

Everyone Can Take a Picture. Not Everyone Can Hold the Room

What an agent, a Vogue visuals producer and a brand-side creative lead really look for in photographers now. There is a point in almost every creative career where the work alone stops...

View post
Beauty Photography Tips: Three Things I Wish I Knew Earlier

Beauty Photography Tips: Three Things I Wish I Knew Earlier

Beauty photography tips from Oliver Minnett’s Georges workshop, covering lighting, direction, working with a creative team, and using Sony and Profoto gear.

View post
Models on stage at Karla Spetics show

How We Lit Karla Spetic's Australian Fashion Week Show with P...

We were invited by Karla Spetic to help light her runway, we chose Profoto's new LED lights for the job!

View post
Ricardo sits with Ollie and discusses mobile podcasting setups

Sony A7R VI First Thoughts: A Portrait Photographer’s Take on...

Sony has just launched the new Sony A7R VI, the latest camera in its high-resolution Alpha line, and I was lucky enough to spend some time with it earlier this week. I...

View post
Ricardo sits with Ollie and discusses mobile podcasting setups

Mobile Podcasting Setups Explained: From First Rig to Full Pr...

Mobile podcasting isn’t about shortcuts. It’s about picking gear that actually works, in the places podcasts actually happen. I used to chase the “best” setup. Turns out, the best setup is the...

View post
Tilta Sony FX Rigging

Rigging Up Your Sony Cinema Camera

Rigging gets a bad rap because a lot of rigs are built backwards. People buy parts first, bolt everything on, and end up with a camera that looks serious but shoots worse....

View post
Gracaie Stendl Portfolio Images

What Makes a Good Photographer? A Portfolio Deconstruction

Clyde Vaughan Guest post by Clyde Vaughan — ahead of  Clyde's talk on January 22: “How to create incredible images: A talk by Clyde Vaughan”. If you ask “what makes a good...

View post
Ollie Jones holds the 22 kg DJI Power 2000

The End of the Generator? Hands-on with the DJI Power 2000

We’ve all been there: you’re on a remote shoot, beautiful location, but you’re either scrambling to find a power outlet or lugging a massive, noisy petrol generator through the bush. We’ve been...

View post
Oliver Minnett teaching a photography workshop

Why 2026 Might be the year to change from DSLR to Mirrorless

Alright—let’s do the DSLR vs mirrorless thing properly. Not “on paper”, not “in theory”, but head-to-head on the stuff that actually matters when you’re out shooting. My name's Oliver Minnett, I'm Georges...

View post
Two Leica M11P's on a desk

Leica is now at Georges Cameras

Some cameras don’t just document your life; they become part of it. I bought a Leica M6 in 2012. Photography had always been a part of my life; my dad had run...

View post