SKU: GC35-SEL55210B In stock

Sony 55-210mm F/4.5-6.3 OSS E-mount Lens

Regular price $216.65
RRP $599.00, now $216.65Save $382.35
Pay with
Pay with

Availability

  • Availability: In stock (1 - 2 days)

Price Match

Fill out the price match form below, and we will be in touch shortly.

Price Match Request For:
Sony 55-210mm F/4.5-6.3 OSS E-mount Lens
Sony 55-210mm F/4.5-6.3 OSS E-mount Lens
Our Price: $216.65

Price Match

Fill out the price match form below, and we will be in touch shortly.

Competitor Information:
Your Details:
In Stock
Regular price $216.65
RRP $599.00, now $216.65
Regular price $216.65
RRP $599.00, now $216.65

Product Overview

An ideal complement to many kits zooms, the black E 55-210mm f/4.5-6.3 OSS Lens from Sony opens the door to many telephoto perspectives with its 82.5-315mm equivalent focal length range on APS-C-format E-mount cameras. With an optical design using two extra-low dispersion elements and two aspherical elements, users will enjoy images with minimal aberrations. Also, thanks to Optical SteadyShot image stabilization, camera shake will be dramatically reduced, resulting in sharper images. An internal focus design enables fast, responsive AF and a minimum focus distance of 3.3'. Additionally, it has a seven-blade circular diaphragm for smooth, rounded bokeh.

What's in the box:

Sony E 55-210mm f/4.5-6.3 OSS Lens (Black)

Sony ALC-SH115 Lens Hood

Sony ALC-F49S 49mm Front Lens Cap

Sony ALC-R1EM Rear Lens Cap

Need advice?

Speak to one of our dedicated Australian-based sales team members.

Call us

Key Features

FAQs

What types of photography is the Sony 55-210mm lens best suited for?

The Sony 55-210mm lens is particularly well-suited for wildlife, sports, and portrait photography due to its extended telephoto range. The lens allows photographers to capture distant subjects with clarity and detail, making it an excellent choice for any situation where you need to zoom in without getting too close.

How does the Optical SteadyShot image stabilization work in this lens?

The Optical SteadyShot image stabilization system in the Sony 55-210mm lens works by compensating for small movements and vibrations that can occur while shooting handheld. This feature is particularly useful at longer focal lengths, where even slight camera shake can lead to blurred images. It allows you to shoot at slower shutter speeds with greater confidence, enhancing your ability to capture sharp images.

Can this lens be used for video recording, and if so, what benefits does it offer?

Yes, the Sony 55-210mm lens is suitable for video recording. The Optical SteadyShot image stabilization greatly benefits video capture by reducing shake, ensuring smoother footage. Additionally, the internal focus mechanism allows for quiet and responsive autofocus, which is crucial for maintaining focus on moving subjects without introducing noise during video shoots.

What is the significance of the lens's seven-blade circular diaphragm?

The seven-blade circular diaphragm in the Sony 55-210mm lens contributes to a smooth and aesthetically pleasing bokeh effect when shooting with a shallow depth of field. This is particularly valuable in portrait photography, where you may want to isolate the subject against a softly blurred background, enhancing the overall visual appeal of your images.

How does this lens perform in low light conditions?

While the maximum aperture of f/4.5-6.3 is not the widest available, the Optical SteadyShot image stabilization helps mitigate the challenges of shooting in low light by allowing for slower shutter speeds. This can help maintain image sharpness. However, for optimal performance in very low light, users may want to consider using a higher ISO setting or pairing the lens with a camera that excels in low light conditions.

Is this lens compatible with full-frame Sony E-mount cameras?

The Sony 55-210mm lens is designed specifically for APS-C format cameras, but it can be used on full-frame Sony E-mount cameras in crop mode. When used in this mode, the effective focal length will still provide a similar telephoto perspective, although users should be aware of the crop factor and the resulting field of view.

What are the advantages of using extra-low dispersion glass elements in this lens?

The inclusion of two extra-low dispersion glass elements in the Sony 55-210mm lens design significantly reduces chromatic aberrations and color fringing, leading to clearer and more accurate images. This enhancement is particularly important for telephoto lenses, where these issues can be more pronounced. As a result, photographers can expect improved clarity and color fidelity in their images.

Product Reviews

Verified by Trustvoice

Recommended Accessories

Insta360 C6

Insta360 X6 Review: 500 km Across the Simpson Desert

We put the Insta360 X6 to the ultimate test across 500 km of the Simpson Desert! From stunning low-light footage and 8K 360° video to replaceable lenses and wireless audio, discover how...

View post
Canon G7 X Mark III vs Fujifilm X100VI: Which Should You Buy?

Canon G7 X Mark III vs Fujifilm X100VI: Which Should You Buy?

Compare the Canon PowerShot G7 X Mark III vs Fujifilm X100VI in our real-world camera comparison. Discover the differences in image quality, low-light performance, colour, video features, zoom, and price to find...

View post
Tamron 16-50mm F2.8 vs Sigma 18-50mm F2.8: Which Compact APS-C Zoom Should You Buy?

Tamron 16-50mm F2.8 vs Sigma 18-50mm F2.8: Which Compact APS-...

If you shoot on an APS-C mirrorless camera and want one lens that stays on the body most of the time, there's a good chance the Sigma 18-50mm F2.8 DC DN Contemporary...

View post
PTZ Cameras

The Ultimate Guide to PTZ Cameras: Choosing the Right Setup f...

Compare Canon, Sony, BirdDog and Telycam PTZ cameras on image quality, tracking, zoom and value. Find the right setup for your production at Georges Cameras.

View post
Beauty Photo of Sienna Etches

Beauty Lighting: How to Combine Hard and Soft Light to Make S...

A working beauty photographer’s guide to combining hard and soft light, beauty dish vs softbox, grids, negative fill and a clamshell setup you can copy, for skin that pops.

View post
Panel Discussion at Lunar Studios

Everyone Can Take a Picture. Not Everyone Can Hold the Room

What an agent, a Vogue visuals producer and a brand-side creative lead really look for in photographers now. There is a point in almost every creative career where the work alone stops...

View post
Beyond Reach: My Experience With the Fujifilm XF400mmF4.5 Super-Telephoto Lens

Beyond Reach: My Experience With the Fujifilm XF400mmF4.5 Sup...

Explore our hands-on experience with the Fujifilm XF400mmF4.5, covering its sharpness, autofocus, reach and performance for sport, wildlife, landscapes and portraits.

View post
Learn to Get the Shot Right In-Camera

Learn to Get the Shot Right In-Camera

Beauty photography tips from Oliver Minnett’s Georges workshop, covering lighting, direction, working with a creative team, and using Sony and Profoto gear.

View post
Stop Trying to Learn Everything at Once

Stop Trying to Learn Everything at Once

Beauty photography tips from Oliver Minnett’s Georges workshop, covering lighting, direction, working with a creative team, and using Sony and Profoto gear.

View post
Beauty Photography Tips: Three Things I Wish I Knew Earlier

Beauty Photography Tips: Three Things I Wish I Knew Earlier

Beauty photography tips from Oliver Minnett’s Georges workshop, covering lighting, direction, working with a creative team, and using Sony and Profoto gear.

View post