Overview

SGC Prism P120 Single Tube Kit With Sidus Link

The SGC P120 LED Light Tube (1205mm) is a cinema-grade LED light tube jointly developed by Quasar Science, a well-known lighting brand among Hollywood gaffers, and Aputure, a professional LED lighting company established by filmmakers for filmmakers. With a colour temperature range from 2700k-6500k, full 360 colour control and multiple connectivity options (onboard buttons control, Bluetooth-mesh Sidus Link and DMX), and feature detachable high capacity batteries, the SGC P series light tubes are designed to push boundaries and realise the creative visions of filmmakers while integrating seamlessly into the Aputure ecosystem.

SKU: GC49-48.PR120BSEU

SGC Prism P120 Single Tube Kit With Sidus Link

SGC Prism P120 Single Tube Kit With Sidus Link

The SGC P120 LED Light Tube (1205mm) is a cinema-grade LED light tube jointly developed by Quasar Science, a well-known lighting brand among Hollywood gaffers, and Aputure, a professional LED lighting company established by filmmakers for filmmakers. With a colour temperature range from 2700k-6500k, full 360 colour control and multiple connectivity options (onboard buttons control, Bluetooth-mesh Sidus Link and DMX), and feature detachable high capacity batteries, the SGC P series light tubes are designed to push boundaries and realise the creative visions of filmmakers while integrating seamlessly into the Aputure ecosystem.

Features:

Built-in 16000mah battery is detachable and universal for P60 / P120

The power adapter can be used for the AC power supply

Battery life – P60: 2 hours 40 minutes; P120: 1 hour 10 minutes

Full-colour gamut, 36000 colours available

Colour temperature 2700-6500k, green and magenta +/- tunable

CRI 95+, TLCI 95+

CTP shortcut mode, quick selection among red, green, blue, magenta, yellow, orange, 3200K, 4000K, 5600k, 6000K

9 built-in lighting effects: rainbow, faulty bulb, paparazzi, 3 fire effects, 2 police car lights, and demo

Master wireless remote control mode Sidus Link APP supported

Groove shaped aluminium alloy die-casting light tube body improves grip and is more durable

Handy light fixture accessories included

The lamp protection case is made of rugged acrylic interlayer and coated with wear-resistant flannelette, which is firm and durable

Regular price $699.00
Sale price $699.00
Pay with
Pay with
Found a better price? Request a price match

Price Match

Fill out the price match form below, and we will be in touch shortly.

Price Match Request For:
SGC Prism P120 Single Tube Kit With Sidus Link
SGC Prism P120 Single Tube Kit With Sidus Link
Our Price: $699.00

Price Match

Fill out the price match form below, and we will be in touch shortly.

Competitor Information:
Your Details:
This item is currently backordered and we are awaiting arrival. star If you'd like to know when it's due, we're here to help!

phone Call us during business hours at 02 9299 0177.
chatChat live with our team on-site.
emailOr email us anytime at info@georges.com.au with the subject "Awaiting Arrival"
Awaiting Stock ⓘ

Checking availability...

$699.00

Product Overview

SGC Prism P120 Single Tube Kit With Sidus Link

The SGC P120 LED Light Tube (1205mm) is a cinema-grade LED light tube jointly developed by Quasar Science, a well-known lighting brand among Hollywood gaffers, and Aputure, a professional LED lighting company established by filmmakers for filmmakers. With a colour temperature range from 2700k-6500k, full 360 colour control and multiple connectivity options (onboard buttons control, Bluetooth-mesh Sidus Link and DMX), and feature detachable high capacity batteries, the SGC P series light tubes are designed to push boundaries and realise the creative visions of filmmakers while integrating seamlessly into the Aputure ecosystem.

Need advice?

Speak to one of our dedicated Australian-based sales team members.

Call us

Product Reviews

Beauty Photo of Sienna Etches

Beauty Lighting: How to Combine Hard and Soft Light to Make S...

A working beauty photographer’s guide to combining hard and soft light, beauty dish vs softbox, grids, negative fill and a clamshell setup you can copy, for skin that pops.

View post
Panel Discussion at Lunar Studios

Everyone Can Take a Picture. Not Everyone Can Hold the Room

What an agent, a Vogue visuals producer and a brand-side creative lead really look for in photographers now. There is a point in almost every creative career where the work alone stops...

View post
Beyond Reach: My Experience With the Fujifilm XF400mmF4.5 Super-Telephoto Lens

Beyond Reach: My Experience With the Fujifilm XF400mmF4.5 Sup...

Explore our hands-on experience with the Fujifilm XF400mmF4.5, covering its sharpness, autofocus, reach and performance for sport, wildlife, landscapes and portraits.

View post
Learn to Get the Shot Right In-Camera

Learn to Get the Shot Right In-Camera

Beauty photography tips from Oliver Minnett’s Georges workshop, covering lighting, direction, working with a creative team, and using Sony and Profoto gear.

View post
Stop Trying to Learn Everything at Once

Stop Trying to Learn Everything at Once

Beauty photography tips from Oliver Minnett’s Georges workshop, covering lighting, direction, working with a creative team, and using Sony and Profoto gear.

View post
Beauty Photography Tips: Three Things I Wish I Knew Earlier

Beauty Photography Tips: Three Things I Wish I Knew Earlier

Beauty photography tips from Oliver Minnett’s Georges workshop, covering lighting, direction, working with a creative team, and using Sony and Profoto gear.

View post
Models on stage at Karla Spetics show

How We Lit Karla Spetic's Australian Fashion Week Show with P...

We were invited by Karla Spetic to help light her runway, we chose Profoto's new LED lights for the job!

View post
Ricardo sits with Ollie and discusses mobile podcasting setups

Sony A7R VI First Thoughts: A Portrait Photographer’s Take on...

Sony has just launched the new Sony A7R VI, the latest camera in its high-resolution Alpha line, and I was lucky enough to spend some time with it earlier this week. I...

View post
Ricardo sits with Ollie and discusses mobile podcasting setups

Mobile Podcasting Setups Explained: From First Rig to Full Pr...

Mobile podcasting isn’t about shortcuts. It’s about picking gear that actually works, in the places podcasts actually happen. I used to chase the “best” setup. Turns out, the best setup is the...

View post
Tilta Sony FX Rigging

Rigging Up Your Sony Cinema Camera

Rigging gets a bad rap because a lot of rigs are built backwards. People buy parts first, bolt everything on, and end up with a camera that looks serious but shoots worse....

View post