SKU: GC76-200646 In stock

Samyang 50mm F1.2 UMC II Sony E Full Frame Camera Lens

Regular price $658.00
RRP $717.55, now $658.00Save $59.55
Pay with
Pay with

Availability

  • Availability: In stock (1 - 2 days)

Price Match

Fill out the price match form below, and we will be in touch shortly.

Price Match Request For:
Samyang 50mm F1.2 UMC II Sony E Full Frame Camera Lens
Samyang 50mm F1.2 UMC II Sony E Full Frame Camera Lens
Our Price: $658.00

Price Match

Fill out the price match form below, and we will be in touch shortly.

Competitor Information:
Your Details:
In Stock
Regular price $658.00
RRP $717.55, now $658.00
Regular price $658.00
RRP $717.55, now $658.00

Product Overview

Samyang 50mm F1.2 UMC II Sony E Full Frame Camera Lens

Standard Angle Manual Focus Photo Lens for Mirrorless Cameras

Need advice?

Speak to one of our dedicated Australian-based sales team members.

Call us

Key Features

FAQs

What types of photography are best suited for the Samyang 50mm F1.2 lens?

The Samyang 50mm F1.2 lens is particularly well-suited for portrait photography due to its ability to create a pleasing bokeh effect and its fast aperture, which allows for shooting in low-light conditions. Additionally, this lens is versatile enough for street photography, product photography, and even astrophotography, thanks to its sharpness and clarity at wide apertures.

How does the manual focus feature impact the usability of this lens?

The manual focus design of the Samyang 50mm F1.2 lens allows for precise control over focus, which can be particularly beneficial for photographers who want to achieve specific focus points in their images. While it may take some practice to get used to manual focus, it can enhance creative control, especially in portraiture where the depth of field can be very shallow.

What advantages does the F1.2 aperture provide?

The F1.2 aperture of the Samyang lens permits a significant amount of light to enter, which is advantageous for shooting in dimly lit environments or for achieving a shallow depth of field. This results in beautifully blurred backgrounds that help the subject stand out, making it an ideal choice for portrait and artistic photography. The fast aperture also contributes to the lens's overall sharpness and image quality.

How does the Ultra Multi Coating (UMC) affect image quality?

The Ultra Multi Coating (UMC) on the Samyang 50mm F1.2 lens significantly reduces lens flare and ghosting, which can often occur in backlit situations. This coating enhances light transmission, resulting in clearer and more vibrant images with better contrast. It is particularly beneficial for outdoor photography and in conditions where stray light may impact image quality.

Is this lens suitable for video recording?

Yes, the Samyang 50mm F1.2 lens can be an excellent choice for video recording. Its wide aperture allows for beautiful depth of field effects, and the manual focus enables smooth focus pulls which are essential for cinematic work. Additionally, the lens is designed to be compact and lightweight, making it easier to handle for handheld shooting scenarios.

What should I consider when using this lens on an APS-C sensor camera?

When using the Samyang 50mm F1.2 lens on an APS-C sensor camera, keep in mind that the effective focal length will be approximately 75mm due to the crop factor. This means it will behave more like a short telephoto lens, which is great for portraits but may not be ideal for wider shots. It's important to consider your framing and composition accordingly.

How does the build quality of the lens influence its performance?

The Samyang 50mm F1.2 lens is constructed from high-strength aluminium alloy, which not only provides durability but also contributes to its lightweight and compact design. This robust build quality ensures that the lens can withstand regular use while maintaining its optical performance, making it a reliable choice for both amateur and professional photographers.

Product Reviews

Verified by Trustvoice

Recommended Accessories

Canon G7 X Mark III vs Fujifilm X100VI: Which Should You Buy?

Canon G7 X Mark III vs Fujifilm X100VI: Which Should You Buy?

Compare the Canon PowerShot G7 X Mark III vs Fujifilm X100VI in our real-world camera comparison. Discover the differences in image quality, low-light performance, colour, video features, zoom, and price to find...

View post
Tamron 16-50mm F2.8 vs Sigma 18-50mm F2.8: Which Compact APS-C Zoom Should You Buy?

Tamron 16-50mm F2.8 vs Sigma 18-50mm F2.8: Which Compact APS-...

If you shoot on an APS-C mirrorless camera and want one lens that stays on the body most of the time, there's a good chance the Sigma 18-50mm F2.8 DC DN Contemporary...

View post
PTZ Cameras

The Ultimate Guide to PTZ Cameras: Choosing the Right Setup f...

Compare Canon, Sony, BirdDog and Telycam PTZ cameras on image quality, tracking, zoom and value. Find the right setup for your production at Georges Cameras.

View post
Beauty Photo of Sienna Etches

Beauty Lighting: How to Combine Hard and Soft Light to Make S...

A working beauty photographer’s guide to combining hard and soft light, beauty dish vs softbox, grids, negative fill and a clamshell setup you can copy, for skin that pops.

View post
Panel Discussion at Lunar Studios

Everyone Can Take a Picture. Not Everyone Can Hold the Room

What an agent, a Vogue visuals producer and a brand-side creative lead really look for in photographers now. There is a point in almost every creative career where the work alone stops...

View post
Beyond Reach: My Experience With the Fujifilm XF400mmF4.5 Super-Telephoto Lens

Beyond Reach: My Experience With the Fujifilm XF400mmF4.5 Sup...

Explore our hands-on experience with the Fujifilm XF400mmF4.5, covering its sharpness, autofocus, reach and performance for sport, wildlife, landscapes and portraits.

View post
Learn to Get the Shot Right In-Camera

Learn to Get the Shot Right In-Camera

Beauty photography tips from Oliver Minnett’s Georges workshop, covering lighting, direction, working with a creative team, and using Sony and Profoto gear.

View post
Stop Trying to Learn Everything at Once

Stop Trying to Learn Everything at Once

Beauty photography tips from Oliver Minnett’s Georges workshop, covering lighting, direction, working with a creative team, and using Sony and Profoto gear.

View post
Beauty Photography Tips: Three Things I Wish I Knew Earlier

Beauty Photography Tips: Three Things I Wish I Knew Earlier

Beauty photography tips from Oliver Minnett’s Georges workshop, covering lighting, direction, working with a creative team, and using Sony and Profoto gear.

View post
Models on stage at Karla Spetics show

How We Lit Karla Spetic's Australian Fashion Week Show with P...

We were invited by Karla Spetic to help light her runway, we chose Profoto's new LED lights for the job!

View post