35.4 Megapixels
8K Video Quality
Wi-Fi
ISO Undefined
Optional Viewfinder
2.4" LCD Screen
Overview

The RED V-RAPTOR 8K VV + 6K S35 (Dual Format) is the perfect tool for creatives looking to create stunning visuals. With its advanced dual format capabilities, you can capture incredible 8K VV and 6K S35 footage at up to 60 frames per second (fps). It also offers improved data throughput with its simultaneous recording of REDCODE RAW and Apple ProRes or Avid DNxHR/HD codecs – allowing for greater flexibility when working in post-production. In addition, the sensor supports an impressive ISO range of 320 to 21,600, giving you added control over your image look.

SKU: GC47-RED-710-0342

RED V-RAPTOR 8K VV + 6K S35 (Dual Format)

The RED V-RAPTOR 8K VV + 6K S35 (Dual Format) is the perfect tool for creatives looking to create stunning visuals. With its advanced dual format capabilities, you can capture incredible 8K VV and 6K S35 footage at up to 60 frames per second (fps). It also offers improved data throughput with its simultaneous recording of REDCODE RAW and Apple ProRes or Avid DNxHR/HD codecs – allowing for greater flexibility when working in post-production. In addition, the sensor supports an impressive ISO range of 320 to 21,600, giving you added control over your image look.

The camera's innovative modular design makes it easy to customize your setup for any project. Whether shooting documentary style or capturing high-speed action, the RED V-RAPTOR 8K VV + 6K S35 (Dual Format) is sure to exceed your expectations. Create beautiful images with stunning clarity and rich colours that will captivate your audience. Get ready for a whole new level of imaging experience.

 

Features:

New Full-Frame Sensor

The new 35.4MP full-frame sensor at the heart of the V-RAPTOR provides 17+ stops of dynamic range that enable it to excel at low-light capture while offering the lowest noise floor of the RED lineup. And while the V-RAPTOR does not employ a global shutter, its rolling shutter with high-speed readout is almost twice as fast as that of the MONSTRO, all but eliminating motion artifacts. This new sensor also enables phase-detection autofocus (PDAF), a boon for single operators grabbing fast-paced or unpredictable action. To accompany the new sensor, a new fixed OLPF (optical low-pass filter) will enable you to capture RED's signature color quality and sensitivity.

Compact Micro-V Batteries

In keeping with the V-RAPTOR's smaller footprint, power is obtained using RED and Core SWX-developed Micro-V mount batteries or RED-approved batteries from Anton Bauer, bebob, FXlion, Hawk-Woods, IDX, and SWIT. Measuring less than 3" wide, the 98Wh RED Micro-V batteries will power the camera for about one hour, with one battery charging in about 2.5 hours and two in 4 hours on the dual charger. Full-size V-mount and Gold-mount adapters will be available as well for users who already have a supply of those batteries or want longer runtimes.

 

CFexpress Card Capture

Capture to CFexpress 2.0 Type B cards will enable V-RAPTOR users to avail themselves of more widely available media, although currently, only the RED/Angelbird 660GB card is RED approved. This 660GB card will soon be joined by a 1.3TB card version.

 

Assistant Interface

A right-side LCD screen user interface offers on-camera control to 1st and 2nd ACs or an operator positioned at that side of the camera. Physical buttons eliminate accidental selections that can occur with touchscreens, and the ability to save user pages lets you customize the interface to your liking. The interface also helpfully only displays the resolutions and frame rates available with your chosen format.

 

Input and Outputs

Dual 12G-SDI ports enable you to output mirror feeds to two displays, or individual feeds with or without focus peaking, timecode, or other displays, or with two different looks. A USB-C port outputs up to 1080p wired preview video.

High-Speed and REDCODE Options

  • When slow-motion is your thing, the V-RAPTOR delivers with high-speed frame rates options, including 8K 17:9 at 120 fps, 6K S35 at 198 fps, 4K 17:9 at 240 fps, and 2K 2.4:1 up to a blazing 600 fps.
  • REDCODE Raw options have been simplified with HQ, MQ, and LQ selections equaling the more popular choices available in RED DSMC2 cameras. Because the 8K sensor captures such massive detail, RED recommends trying MQ or even LQ for most uses, with HQ being ideal for F/X work. Data rates range from 180 MB/s in LQ to 360 MB/s in HQ, so you can plan your media needs accordingly.

DSMC3 Form

The DSMC3 form features several improvements over DSMC2 but offers only limited compatibility with DSMC2 accessories. For example, the KOMODO Outrigger handle is compatible, but POGO-connector compatibility is limited to the new V-RAPTOR version components. One update is a larger fan system with two intake valves that provide better thermal heat exchange (TEC), enabling a wide ambient temperature operating range.

DSMC3 Accessories

Separately available, upcoming V-RAPTOR accessories include a dedicated 7.0 TOUCH monitor, a new expander module, a top plate, a top handle with extension, an Arca-Swiss compatible quick release baseplate system, side handgrips, cage-type side accessory arms, and a 5-pin to dual XLR audio adapter.

35.4 Megapixels
8K Video Quality
Wi-Fi
ISO Undefined
Optional Viewfinder
2.4" LCD Screen
Regular price $44,654.00
Sale price $44,654.00 Regular price $44,655.00 Save 0%
Pay with
Pay with
This item is currently backordered and we are awaiting arrival. star If you'd like to know when it's due, we're here to help!

phone Call us during business hours at 02 9299 0177.
chatChat live with our team on-site.
emailOr email us anytime at info@georges.com.au with the subject "Awaiting Arrival"
Awaiting Stock

Checking availability...

Request a Price Match

Fill out the price match form below, and we will be in touch shortly.

$44,654.00

Product Overview

The RED V-RAPTOR 8K VV + 6K S35 (Dual Format) is the perfect tool for creatives looking to create stunning visuals. With its advanced dual format capabilities, you can capture incredible 8K VV and 6K S35 footage at up to 60 frames per second (fps). It also offers improved data throughput with its simultaneous recording of REDCODE RAW and Apple ProRes or Avid DNxHR/HD codecs – allowing for greater flexibility when working in post-production. In addition, the sensor supports an impressive ISO range of 320 to 21,600, giving you added control over your image look.

Need advice?

Speak to one of our dedicated Australian-based sales team members.

Call us

Key Features

35.4 Megapixels

The RED V-RAPTOR has 35.4 effective megapixels.

8K Video Quality

Features a ground breaking multi-format 8K sensor- with the ability to shoot 8K large format or 6K S35.

Wi-Fi

The RED V-RAPTOR supports 2.4 / 5 GHz Wi-Fi video output.

ISO Undefined

There is no defined native ISO of the RED V-RAPTOR and in REDCODE RAW, the ISO can be set in post.

Optional Viewfinder

The RED V-RAPTOR does not come with a built in viewfinder however an optional viewfinder may used if needed.

2.4" LCD Screen

The RED V-RAPTOR features a 2.4" fixed LCD screen.

Product Reviews

Tilta Sony FX Rigging

Rigging Up Your Sony Cinema Camera

Rigging gets a bad rap because a lot of rigs are built backwards. People buy parts first, bolt everything on, and end up with a camera that looks serious but shoots worse....

View post
Gracaie Stendl Portfolio Images

What Makes a Good Photographer? A Portfolio Deconstruction

Clyde Vaughan Guest post by Clyde Vaughan — ahead of  Clyde's talk on January 22: “How to create incredible images: A talk by Clyde Vaughan”. If you ask “what makes a good...

View post
Ollie Jones holds the 22 kg DJI Power 2000

The End of the Generator? Hands-on with the DJI Power 2000

We’ve all been there: you’re on a remote shoot, beautiful location, but you’re either scrambling to find a power outlet or lugging a massive, noisy petrol generator through the bush. We’ve been...

View post
Oliver Minnett teaching a photography workshop

Why 2026 Might be the year to change from DSLR to Mirrorless

Alright—let’s do the DSLR vs mirrorless thing properly. Not “on paper”, not “in theory”, but head-to-head on the stuff that actually matters when you’re out shooting. My name's Oliver Minnett, I'm Georges...

View post
Two Leica M11P's on a desk

Leica is now at Georges Cameras

Some cameras don’t just document your life; they become part of it. I bought a Leica M6 in 2012. Photography had always been a part of my life; my dad had run...

View post
Man using Sony A7 V Mirrorless Camera

5 Things to Know Before You Upgrade Your Camera

Upgrading your camera? Learn the 5 things that matter: sensor size, ergonomics, lenses, power/media, and colour/screens—so you can choose the right camera with confidence.

View post
Girls taking photo with Point and Shoot

Canon G7X Mark III vs Sony, Panasonic, Ricoh & Fujifilm: Best...

Looking beyond the Canon G7X Mark III? We compare the best compact cameras from Sony, Panasonic, Ricoh and Fujifilm to help you choose the right model for 2025.

View post
Wedding photoshoot on a warf

Couples Photography: Get Real Moments, Not Stiff Poses

Clyde Vaughan shares five great tips that consistently make couples shoots shoots feel easy and look incredible for Georges Cameras.

View post
Canon EOS R6 MARK III

Canon EOS R6 Mark III Review: First Impressions, Real-World P...

In this post, we review the new Canon EOS R6 Mark III Camera and the RF 45mm F1.2 STM Lens.

View post
xt50 III

First Look: Fujifilm X-T30 III - The Little Legend Returns

In this post we review the new Canon EOS C50!

View post