RED KOMODO-X Starter Pack (incl. Batteries)

The RED KOMODO-X is the next evolution in the KOMODO family, multiplying the frame rates, dynamic range and usability of the original KOMODO to break new grounds. The KOMODO-X features the same sized 6K S35 Global Shutter sensor as the KOMODO, but with a ground up redesign and key architecture improvements. Improved detail and colour in shadows, paired with double the frame rates at 6K 80P and 4K 120P makes KOMODO-X an even more powerful tool for creatives.

Features

• Super35 KOMODO-X 6K Camera

• Full-Frame 6K to 80 fps, 4K to 120 fps

• Reinforced, Locking Canon RF Lens Mount

• 2 x RED PRO CFexpress 1TB Cards

• 2 x REDVOLT NANO-V 49Wh Batteries

• KOMODO Outrigger R/S Top Handle

• 2 x KOMODO Wing Grips

• Compact Dual V-Mount Battery Charger

• CFexpress Card Reader

• Timecode and 5-Pin to 3.5mm Audio Cables

ENHANCED BODY AND I/O

With key improvements for professional workflows, the KOMODO-X now shares many features with the DSMC3^™ line while still maintaining the impressively small KOMODO form factor. An integrated micro V-Lock allows for direct attachment of professional micro V-Lock batteries without the need for adapters and is also compatible with the upcoming RED Pro I/O Module to provide auxiliary power and compatibility with full sized V-Lock and Gold Mount batteries.

A reinforced RF lens mount with locking mechanism maintains the flexibility of toolless switching between multiple lens mount types, while providing the stability and rigidity professionals need. KOMODO-X is also fully compatible with /i PL lenses using the RED^® RF to PL Adapter.

12G SDI, full sized DC-IN, USB Type-C, and a phantom powered locking audio connector further enables KOMODO-X to seamlessly integrate into any professional workflow. KOMODO-X is compatible with DSMC3™ RED® 5-Pin to Single 3.5mm Adapter to support existing KOMODO microphones, or the DSMC3™ RED® 5-Pin to Dual XLR Adapter for general purpose XLR microphones.

An integrated 2.9” LCD allows for simplified control and image preview in compact setups. For more precise monitoring, KOMODO-X supports the DSMC3™ RED® Touch 7.0" LCD which provides a daylight viewable, high-resolution, camera top monitor and control solution without the mess of cables.

IP CONNECTED

KOMODO-X is a powerful platform for any IP based workflow, from virtual production to live broadcast. With integrated USB Type-C connection and built-in Wi-Fi, remotely control the camera using RED Control or RED Control Pro, as well as IP media offloading using FTPS or in-camera Cloud Uploading functionality (Frame.io and S3). In addition, KOMODO-X supports frame-accurate PTP synchronisation or tri-level genlock sensor sync with the ability to offset on the fly to support multi-camera LED volume productions.

Specifications

SENSOR TYPE KOMODO-X 19.9MP Super 35mm Global Shutter CMOS

EFFECTIVE PIXELS 6144 x 3240

SENSOR SIZE 27.03 mm x 14.26 mm (Diagonal: 30.56mm)

DYNAMIC RANGE 16.5+ stops

MOUNT TYPE Integrated locking RF mount with electronic communication
Supports /i PL lenses with RED® RF to PL Adapters
Supports Canon EF Adapter with communication and other adapters based on the RF mount

MAX DATA RATES Up to 560 MB/s using RED branded or other qualified CFexpress media cards

REDCODE® RAW MAX FRAME RATES 80 fps at 6K 17:9 (6144 x 3240)
96 fps at 5K 17:9 (5120 x 2700))
120 fps at 4K 17:9 (4096 x 2160)
240 fps at 2K 17:9 (2048 x 1080)

PLAYBACK FRAME RATES (PROJECT TIME BASE) 23.98, 24, 25, 29.97, 30, 50, 59.94, 60 fps, all resolutions

BEST AVAILABLE REDCODE® SETTINGS REDCODE HQ, MQ, LQ, and ELQ at 6K 17:9 (6144 x 3240) up to 80 fps
REDCODE HQ, MQ, LQ, and ELQ at 4K 17:9 (4096 x 2160) up to 120 fps
REDCODE HQ, MQ, LQ, and ELQ at 2K 17:9 (2048 x 1080) up to 240 fps

REDCODE® RAW ACQUISITION FORMATS 6K 17:9 (6144 x 3240), 2:1, 2.4:1, 16:9. 1:1, and Anamorphic 2x, 1.8x, 1.6x, 1.5x, 1.3x, 1.25x
5K 17:9 (5120 x 2700) and 16:9
4K 17:9 (4096 x 2160) and 16:9
2K 17:9 (2048 x 1080)

APPLE PRORES Dedicated recording in 4K (4096 x 2160) ProRes 4444 XQ up to 60 fps, ProRes 4444 up to 80 fps, and ProRes 422 HQ, ProRes 422, and ProRes 422 LT up to 120 fps

CONSTRUCTION Aluminium Alloy

DIMENSIONS 129.37 x 101.26 x 95.26 mm (LxWxH, largest fixed dims.)

WEIGHT 2.62lbs (without body cap and CFexpress card)

MEDIA TYPE CFexpress Type B

BATTERY TYPE Integrated V-Lock battery interface optimised for Micro V-Lock Batteries

DC POWER INPUT 11-17V via 6-pin DC-IN

OPERATING TEMPERATURE 0°C to 40°C (32°F to 104°F)

STORAGE TEMPERATURE –20°C to 50°C (–4°F to 122°F)

STORAGE RELATIVE HUMIDITY 0% to 85% non-condensing

COLOR MANAGEMENT Image Processing Pipeline 2 (IPP2)
Supports 33×33×33 3D LUTs
Supports import and adjustment of CDLs

AUDIO Integrated dual channel digital mono microphones, uncompressed, 24-bit 48 kHz
Integrated dual channel (mic/line/+48V) input via 5-Pin 00B Audio Port, uncompressed, 24-bit 48 kHz

AUTOFOCUS Phase Detect and Contrast

MONITOR OPTIONS Proprietary Top Accessory Port for Monitoring and Control
Integrated 2.9" 1440x1440 touchscreen LCD with preview and camera control
Integrated 12G-SDI with 6G-SDI, 3G-SDI and 1.5G-SDI modes
12G-SDI: Up to 4096 x 2160 4:2:2 for 60p
6G-SDI: Up to 4096 x 2160 4:2:2 for 30p
3G-SDI: Up to 2048 x 1080 4:2:2 for 60p
1.5G-SDI: Up to 2048 x 1080 4:2:2 for 30p, 24p
SMPTE Timecode, HANC Metadata, 24-bit 48 kHz Audio

ADDITIONAL I/O Tri-Level Genlock Input via 9-Pin EXT
LTC Timecode Input via 9-Pin EXT
RS232 CTRL (using RCP2) via 9-Pin EXT

IP CONNECTED Wi-Fi (2.4GHz/5GHz) for camera control, video preview, and media offloading
Ethernet via USB Type-C for camera control, video preview, and media offloading
MJPEG 1080p live stream accessible through Wi-Fi and USB-C.
PTP for frame level synchronisation
R3D live broadcasting available with RED Connect License and 5Gbps Ethernet Adapter

RED CONTROL & RED CONTROL PRO Access full camera controls and live preview from iOS or Android devices
Pro App: Operate one or multiple cameras over an IP connection to synchronise settings, manage media files locally or upload directly to FrameIO, develop custom looks with advanced CDL and LUT controls, and more. Ideal for control of multi-camera arrays, multi-cam shoots, and live events, all from one central location.
Standard app available from the Apple App Store and Google Play Store.
RED Control Pro available via Apple App store only and requires additional purchase.
RED Control works wirelessly or wired via USB-C