Overview

Panasonic Advanced Digital Microphone

This 4-channel electret condenser microphone array offers multiple directional modes to suit different recording needs, including forward cardioid, forward supercardioid, rearward supercardioid, bidirectional supercardioid, stereo (90°), and wide stereo (120°). Wind Cut and Noise Cut settings (OFF / STD / HI) help refine audio capture in varying conditions. Gain can be set to -20 dB, 0 dB or +20 dB, while audio level adjustment ranges from -18 dB to +12 dB. When Float is selected, gain and audio level are fixed at 0 dB and the limiter (LMT OFF / ON / AUTO) is disabled. With a sensitivity of -12 dBFS (0 dB = 1 V/Pa, 1 kHz), a 40 Hz to 20 kHz frequency response, maximum input sound pressure level of 122 dBSPL or more, S/N ratio of 77 dB or greater, and dynamic range of 105 dB or more, it delivers detailed and balanced sound reproduction.

SKU: GC80-DMW-DMS1E

Panasonic Advanced Digital Microphone

Panasonic Advanced Digital Microphone

This 4-channel electret condenser microphone array offers multiple directional modes to suit different recording needs, including forward cardioid, forward supercardioid, rearward supercardioid, bidirectional supercardioid, stereo (90°), and wide stereo (120°). Wind Cut and Noise Cut settings (OFF / STD / HI) help refine audio capture in varying conditions. Gain can be set to -20 dB, 0 dB or +20 dB, while audio level adjustment ranges from -18 dB to +12 dB. When Float is selected, gain and audio level are fixed at 0 dB and the limiter (LMT OFF / ON / AUTO) is disabled. With a sensitivity of -12 dBFS (0 dB = 1 V/Pa, 1 kHz), a 40 Hz to 20 kHz frequency response, maximum input sound pressure level of 122 dBSPL or more, S/N ratio of 77 dB or greater, and dynamic range of 105 dB or more, it delivers detailed and balanced sound reproduction.

Flexible Recording Options in a Compact Design

The microphone supports Linear recording at 48 kHz/24-bit/2ch, 96 kHz/24-bit/2ch, and 48 kHz/24-bit/4ch, as well as Floating recording at 48 kHz/32-bit/2ch, 96 kHz/32-bit/2ch, and 48 kHz/32-bit/4ch (when backup audio recording of CH3/CH4 is performed). Backup Audio Recording includes Mode 1 (CH3: Omnidirectional, CH4: Omnidirectional at -20 dB) and Mode 2 (CH3: CH1 at -20 dB, CH4: CH2 at -20 dB).

Key Features:

4-Channel Electret Condenser Array

Multiple Selectable Directional Modes

Wind Cut and Noise Cut Settings

Adjustable Gain from -20 dB to +20 dB

Linear and 32-Bit Float Recording

Backup Audio Recording Modes

40 Hz to 20 kHz Frequency Response

High 122 dBSPL Maximum Input

105 dB Wide Dynamic Range

Compact and Versatile Design

What's in the Box:

Panasonic Advanced Digital Microphone

Windscreen

Pouch

Regular price $562.90
Sale price $562.90 Regular price $649.00 Save 13%
Pay with
Pay with
Found a better price? Request a price match

Price Match

Fill out the price match form below, and we will be in touch shortly.

Price Match Request For:
Panasonic Advanced Digital Microphone
Panasonic Advanced Digital Microphone
Our Price: $562.90

Price Match

Fill out the price match form below, and we will be in touch shortly.

Competitor Information:
Your Details:
This item is currently backordered and we are awaiting arrival. star If you'd like to know when it's due, we're here to help!

phone Call us during business hours at 02 9299 0177.
chatChat live with our team on-site.
emailOr email us anytime at info@georges.com.au with the subject "Awaiting Arrival"
Awaiting Stock

Checking availability...

$562.90

Product Overview

Panasonic Advanced Digital Microphone

This 4-channel electret condenser microphone array offers multiple directional modes to suit different recording needs, including forward cardioid, forward supercardioid, rearward supercardioid, bidirectional supercardioid, stereo (90°), and wide stereo (120°). Wind Cut and Noise Cut settings (OFF / STD / HI) help refine audio capture in varying conditions. Gain can be set to -20 dB, 0 dB or +20 dB, while audio level adjustment ranges from -18 dB to +12 dB. When Float is selected, gain and audio level are fixed at 0 dB and the limiter (LMT OFF / ON / AUTO) is disabled. With a sensitivity of -12 dBFS (0 dB = 1 V/Pa, 1 kHz), a 40 Hz to 20 kHz frequency response, maximum input sound pressure level of 122 dBSPL or more, S/N ratio of 77 dB or greater, and dynamic range of 105 dB or more, it delivers detailed and balanced sound reproduction.

Need advice?

Speak to one of our dedicated Australian-based sales team members.

Call us

Product Reviews

Panel Discussion at Lunar Studios

Everyone Can Take a Picture. Not Everyone Can Hold the Room

What an agent, a Vogue visuals producer and a brand-side creative lead really look for in photographers now. There is a point in almost every creative career where the work alone stops...

View post
Beauty Photography Tips: Three Things I Wish I Knew Earlier

Beauty Photography Tips: Three Things I Wish I Knew Earlier

Beauty photography tips from Oliver Minnett’s Georges workshop, covering lighting, direction, working with a creative team, and using Sony and Profoto gear.

View post
Models on stage at Karla Spetics show

How We Lit Karla Spetic's Australian Fashion Week Show with P...

We were invited by Karla Spetic to help light her runway, we chose Profoto's new LED lights for the job!

View post
Ricardo sits with Ollie and discusses mobile podcasting setups

Sony A7R VI First Thoughts: A Portrait Photographer’s Take on...

Sony has just launched the new Sony A7R VI, the latest camera in its high-resolution Alpha line, and I was lucky enough to spend some time with it earlier this week. I...

View post
Ricardo sits with Ollie and discusses mobile podcasting setups

Mobile Podcasting Setups Explained: From First Rig to Full Pr...

Mobile podcasting isn’t about shortcuts. It’s about picking gear that actually works, in the places podcasts actually happen. I used to chase the “best” setup. Turns out, the best setup is the...

View post
Tilta Sony FX Rigging

Rigging Up Your Sony Cinema Camera

Rigging gets a bad rap because a lot of rigs are built backwards. People buy parts first, bolt everything on, and end up with a camera that looks serious but shoots worse....

View post
Gracaie Stendl Portfolio Images

What Makes a Good Photographer? A Portfolio Deconstruction

Clyde Vaughan Guest post by Clyde Vaughan — ahead of  Clyde's talk on January 22: “How to create incredible images: A talk by Clyde Vaughan”. If you ask “what makes a good...

View post
Ollie Jones holds the 22 kg DJI Power 2000

The End of the Generator? Hands-on with the DJI Power 2000

We’ve all been there: you’re on a remote shoot, beautiful location, but you’re either scrambling to find a power outlet or lugging a massive, noisy petrol generator through the bush. We’ve been...

View post
Oliver Minnett teaching a photography workshop

Why 2026 Might be the year to change from DSLR to Mirrorless

Alright—let’s do the DSLR vs mirrorless thing properly. Not “on paper”, not “in theory”, but head-to-head on the stuff that actually matters when you’re out shooting. My name's Oliver Minnett, I'm Georges...

View post
Two Leica M11P's on a desk

Leica is now at Georges Cameras

Some cameras don’t just document your life; they become part of it. I bought a Leica M6 in 2012. Photography had always been a part of my life; my dad had run...

View post