Overview

The OConnor 120EX Standard Assembly C12250001 is the flagship of fluid head design. With a payload capacity of 120 lbs it is the right choice for larger format film and video cameras. This device features 90 to 90 degree tilt with a folding crank handle with numerical readout for repeatable counterbalance adjustments. This head features the EX Mode which allows extended weight capacity.

SKU: GC76-C1225-0001

O'Connor 120EX Fluid Head Package (Mitchell Only)

The OConnor 120EX Standard Assembly C12250001 is the flagship of fluid head design. With a payload capacity of 120 lbs it is the right choice for larger format film and video cameras. This device features 90 to 90 degree tilt with a folding crank handle with numerical readout for repeatable counterbalance adjustments. This head features the EX Mode which allows extended weight capacity.

Counterbalance System

The fluid head features a counterbalance system that will keep the camera from falling forward or backward when it is tilted. With the correct counterbalance, the camera will stay where you put it, throughout the entire +/-90° tilt range.

Infinitely Adjustable True Fluid Drag

Fluid drag allows you to pan and tilt smoothly, without shake or vibration. The high viscosity fluid acts as a buffer, adding an adjustable level of resistance to the camera movement.

Unmatched Versatility

The fluid head employs a modular design concept that allows you to choose different mounting bases (150mm, Mitchell, Sachtler/Vinten), quick release platforms (Oconnor, 120mm Euro, Panavision Dovetail and Arriflex Plates) and handles for added flexibility.

EX-Technology

EX fluid heads can go far beyond that maximum payload by slowly limiting tilt range as the payload is increased. With the example of the 120EX, the payload for a 90° tilt range is between 30-120 lbs (14-54 kg), but in EX mode the 120EX can counterbalance up to incredible 240 lbs (109 kg) at a tilt range of 60°; all based on a 8" center of gravity.

Compatibility

O'Connor 120EX Fluid Head Package (Mitchell Only)

Key Features

  • EX Mode Extended Capacity
  • Counterbalance Crank Knob
  • Adjustable Platform
  • 120 lbs Capacity
  • 240 lbs EX Capacity

Regular price $55,199.95
Sale price $55,199.95
Pay with
Pay with
Found a better price? Request a price match

Price Match

Fill out the price match form below, and we will be in touch shortly.

Price Match Request For:
O'Connor  120EX Fluid Head Package (Mitchell Only)
O'Connor 120EX Fluid Head Package (Mitchell Only)
Our Price: $55,199.95

Price Match

Fill out the price match form below, and we will be in touch shortly.

Competitor Information:
Your Details:
This item is currently backordered and we are awaiting arrival. star If you'd like to know when it's due, we're here to help!

phone Call us during business hours at 02 9299 0177.
chatChat live with our team on-site.
emailOr email us anytime at info@georges.com.au with the subject "Awaiting Arrival"
Awaiting Stock ⓘ

Checking availability...

$55,199.95

Product Overview

The OConnor 120EX Standard Assembly C12250001 is the flagship of fluid head design. With a payload capacity of 120 lbs it is the right choice for larger format film and video cameras. This device features 90 to 90 degree tilt with a folding crank handle with numerical readout for repeatable counterbalance adjustments. This head features the EX Mode which allows extended weight capacity.

Need advice?

Speak to one of our dedicated Australian-based sales team members.

Call us

Product Reviews

Beauty Photo of Sienna Etches

Beauty Lighting: How to Combine Hard and Soft Light to Make S...

A working beauty photographer’s guide to combining hard and soft light, beauty dish vs softbox, grids, negative fill and a clamshell setup you can copy, for skin that pops.

View post
Panel Discussion at Lunar Studios

Everyone Can Take a Picture. Not Everyone Can Hold the Room

What an agent, a Vogue visuals producer and a brand-side creative lead really look for in photographers now. There is a point in almost every creative career where the work alone stops...

View post
Beyond Reach: My Experience With the Fujifilm XF400mmF4.5 Super-Telephoto Lens

Beyond Reach: My Experience With the Fujifilm XF400mmF4.5 Sup...

Explore our hands-on experience with the Fujifilm XF400mmF4.5, covering its sharpness, autofocus, reach and performance for sport, wildlife, landscapes and portraits.

View post
Learn to Get the Shot Right In-Camera

Learn to Get the Shot Right In-Camera

Beauty photography tips from Oliver Minnett’s Georges workshop, covering lighting, direction, working with a creative team, and using Sony and Profoto gear.

View post
Stop Trying to Learn Everything at Once

Stop Trying to Learn Everything at Once

Beauty photography tips from Oliver Minnett’s Georges workshop, covering lighting, direction, working with a creative team, and using Sony and Profoto gear.

View post
Beauty Photography Tips: Three Things I Wish I Knew Earlier

Beauty Photography Tips: Three Things I Wish I Knew Earlier

Beauty photography tips from Oliver Minnett’s Georges workshop, covering lighting, direction, working with a creative team, and using Sony and Profoto gear.

View post
Models on stage at Karla Spetics show

How We Lit Karla Spetic's Australian Fashion Week Show with P...

We were invited by Karla Spetic to help light her runway, we chose Profoto's new LED lights for the job!

View post
Ricardo sits with Ollie and discusses mobile podcasting setups

Sony A7R VI First Thoughts: A Portrait Photographer’s Take on...

Sony has just launched the new Sony A7R VI, the latest camera in its high-resolution Alpha line, and I was lucky enough to spend some time with it earlier this week. I...

View post
Ricardo sits with Ollie and discusses mobile podcasting setups

Mobile Podcasting Setups Explained: From First Rig to Full Pr...

Mobile podcasting isn’t about shortcuts. It’s about picking gear that actually works, in the places podcasts actually happen. I used to chase the “best” setup. Turns out, the best setup is the...

View post
Tilta Sony FX Rigging

Rigging Up Your Sony Cinema Camera

Rigging gets a bad rap because a lot of rigs are built backwards. People buy parts first, bolt everything on, and end up with a camera that looks serious but shoots worse....

View post