The NiSi Cinema 6.6×6.6″ Enhanced Rotating CPL Filter helps to reduce reflections and glare by filtering out light that has become polarized due to reflection from a non-metallic surface. A polarizing filter arranges, and filters, this directionally polarized light perpendicularly to the reflected light, allowing for the absorption of much of this light. This results in a noticeable reduction of glare and reflections from non-metallic surfaces and an increase in the saturation of skies and foliage.
The NiSi Cinema 6.6×6.6″ Enhanced Rotating CPL Filter helps to reduce reflections and glare by filtering out light that has become polarized due to reflection from a non-metallic surface. A polarizing filter arranges, and filters, this directionally polarized light perpendicularly to the reflected light, allowing for the absorption of much of this light. This results in a noticeable reduction of glare and reflections from non-metallic surfaces and an increase in the saturation of skies and foliage.
NiSi designed their new rotating circular Polariser with the cinematographer in mind. The filter fits into a standard matte box tray and uses a 0.8 gear to turn a circular polariser in the assembly. This design makes it easy to find the polarisation you want with the turn of a finger.
The Rotating Circular Polariser can significantly improve efficiency on time-sensitive shoots, making it a powerful tool for videographers and cinematographers.
Weather isn’t a problem with the NiSi Rotating Circular Polariser. Its double-sided waterproof coating lets water slide right off, leaving no trace on the filter. It also means that less dust and dirt will stick to the filter, making it easier to clean. The edge of the Polariser is sealed to keep moisture from entering the filter.
The Rotating Enhanced CPL uses a unique nano-coating that amplifies the effect the polariser has on colours. It helps to boost colour saturation and make the skin tones more natural.
NiSi Cinema 6.6x6.6" Enhanced Rotating CPL Filter
The NiSi Cinema 6.6×6.6″ Enhanced Rotating CPL Filter helps to reduce reflections and glare by filtering out light that has become polarized due to reflection from a non-metallic surface. A polarizing filter arranges, and filters, this directionally polarized light perpendicularly to the reflected light, allowing for the absorption of much of this light. This results in a noticeable reduction of glare and reflections from non-metallic surfaces and an increase in the saturation of skies and foliage.
NiSi designed their new rotating circular Polariser with the cinematographer in mind. The filter fits into a standard matte box tray and uses a 0.8 gear to turn a circular polariser in the assembly. This design makes it easy to find the polarisation you want with the turn of a finger.
The Rotating Circular Polariser can significantly improve efficiency on time-sensitive shoots, making it a powerful tool for videographers and cinematographers.
Weather isn’t a problem with the NiSi Rotating Circular Polariser. Its double-sided waterproof coating lets water slide right off, leaving no trace on the filter. It also means that less dust and dirt will stick to the filter, making it easier to clean. The edge of the Polariser is sealed to keep moisture from entering the filter.
The Rotating Enhanced CPL uses a unique nano-coating that amplifies the effect the polariser has on colours. It helps to boost colour saturation and make the skin tones more natural.
Learn morePrice Match
Fill out the price match form below, and we will be in touch shortly.

Price Match
Fill out the price match form below, and we will be in touch shortly.
If you'd like to know when it's due, we're here to help!
Call us during business hours at 02 9299 0177.
Chat live with our team on-site.
Or email us anytime at info@georges.com.au with the subject "Awaiting Arrival"Checking availability...
Availability
- Availability: In-Stock at Warehouse (4 - 8 days)
Available to order, ready to pick up in-store within 4 - 8 days.
- Standard insured: $9.99 (4 - 8 days)
Recommended Products (from metafields)
Bright Tangerine 114 - 110mm Clamp on Ring for Misfit Matte Box
HPRC 2550W for SONY ILME-FX6 Cinema Line
Benro A2883F Reverse-Folding Aluminum Travel Tripod with S4Pro Fluid Video Head
NiSi Professional Filter Cleaning Kit
Bright Tangerine 114 - 82mm Threaded Donut Ring
Tenba Cineluxe V2 Shoulder Bag 21 (Black, 32L)
Benro KH25PC Video Head & Tripod Kit (61.6")
VSGO VSVB01E Tumbler Air Blower with built in air filtering system
Bright Tangerine 114 - 72mm Threaded Donut Ring
Tenba Cineluxe V2 Roller 24 (Black, 43L)
Miller CX10 Sprinter II 2-Stage Carbon Fiber Tripod System with Mid-Level Spreader
LensPen Original
Bright Tangerine Frame Safe Clamp Adapter (110mm)
Tenba Cineluxe V2 Roller 21 (Black, 28L)
Tilta 75mm Cine Fluid Head with 2-Stage One Touch Carbon Fiber Tripod Legs (12kg) - Space Grey
VSGO V-P01E Professional Lens Cleaning Pen
Bright Tangerine Frame Safe Clamp Adapter (80mm)
HPRC 2400 Combo for Blackmagic Pocket Cinema Camera 6K or 4K + Metabones
Miller CX8 Fluid Head with Solo 75 2-Stage Alloy Tripod System
Rosco Lens Tissue (100 Sheets, 4 x 6")
Bright Tangerine Frame Safe Clamp Adapter (85mm)
Think Tank Photo Video Rig 18 Rolling Case - Pacific Slate
Miller Air SOLO-Q 75 3-Stage Carbon Fiber Tripod
LensPen FilterKlear
Bright Tangerine Frame Safe Clamp Adapter (114mm)
Sony LCS-U21 Soft Carrying Case (Black)
Miller AirV Fluid Head with Solo 75 2-Stage Aluminium Tripod & Soft Case Kit
NiSi Nano Cleaning LensPen for Filters
Bright Tangerine Frame Safe Clamp Adapter (95mm)
Sony LCS-U11 Soft Carrying Case (Black)
Benro A373F Aluminum Single-Tube Tripod with S8Pro Fluid Video Head
LensPen MicroPRO
Bright Tangerine 114 - 95mm Threaded Donut Ring
HPRC 2400 Case for Sony FX3 Cinema Line
Benro A3883 Reverse-Folding Aluminum Travel Tripod with S6Pro Fluid Video Head
NiSi Clever Cleaner for Cleaning Square Filters
Bright Tangerine 114 - 95mm Clamp on Ring for Misfit Matte Box
HPRC 2400 Case for Blackmagic Pocket 4K Camera - Black
Benro Aero 2 PRO Aluminum Travel Video Tripod with Flip Locks
LensPen Mini Pro
Bright Tangerine 143 - 80mm Clamp on Ring for Misfit & Strummer DNA Matte Box
HPRC 2600 - Hard Case for Matterport Pro2 Camera (Red)
Benro T981 Photo and Video Tripod with BV3H Video Kit
LensPen DigiKlear
Bright Tangerine 114 - 77mm Threaded Donut Ring
HPRC 2600W - Wheeled Hard Case with Foam for Matterport Pro2 Camera - Black
Benro T980 Photo & Video Tripod, PH03 Plate
VSGO Airmove VB-02E Filtered Air Blower
$769.33
Product Overview
The NiSi Cinema 6.6×6.6″ Enhanced Rotating CPL Filter helps to reduce reflections and glare by filtering out light that has become polarized due to reflection from a non-metallic surface. A polarizing filter arranges, and filters, this directionally polarized light perpendicularly to the reflected light, allowing for the absorption of much of this light. This results in a noticeable reduction of glare and reflections from non-metallic surfaces and an increase in the saturation of skies and foliage.
The NiSi Cinema 6.6×6.6″ Enhanced Rotating CPL Filter helps to reduce reflections and glare by filtering out light that has become polarized due to reflection from a non-metallic surface. A polarizing filter arranges, and filters, this directionally polarized light perpendicularly to the reflected light, allowing for the absorption of much of this light. This results in a noticeable reduction of glare and reflections from non-metallic surfaces and an increase in the saturation of skies and foliage.
NiSi designed their new rotating circular Polariser with the cinematographer in mind. The filter fits into a standard matte box tray and uses a 0.8 gear to turn a circular polariser in the assembly. This design makes it easy to find the polarisation you want with the turn of a finger.
The Rotating Circular Polariser can significantly improve efficiency on time-sensitive shoots, making it a powerful tool for videographers and cinematographers.
Weather isn’t a problem with the NiSi Rotating Circular Polariser. Its double-sided waterproof coating lets water slide right off, leaving no trace on the filter. It also means that less dust and dirt will stick to the filter, making it easier to clean. The edge of the Polariser is sealed to keep moisture from entering the filter.
The Rotating Enhanced CPL uses a unique nano-coating that amplifies the effect the polariser has on colours. It helps to boost colour saturation and make the skin tones more natural.
FAQs
A polarising filter, such as the NiSi Cinema 6.6x6.6" Enhanced Rotating CPL Filter, enhances your cinematography by reducing reflections and glare from non-metallic surfaces. This allows for more vibrant colours and greater contrast in your shots. The filter effectively polarises the incoming light, absorbing much of the unwanted glare and increasing the saturation of skies and foliage, resulting in more visually appealing footage.
The NiSi Rotating Circular Polariser is designed specifically for cinematographers, featuring a 0.8 gear that allows for quick and easy adjustments to the polarisation effect with just a turn of the finger. This efficient design saves valuable time during shoots, enabling you to quickly adapt to changing lighting conditions without interrupting your workflow.
Yes, the NiSi Rotating Circular Polariser is designed to withstand various weather conditions. With its double-sided waterproof coating, water beads off the filter, preventing any residue from affecting your shots. Additionally, the sealed edge of the filter helps to keep moisture out, making it a reliable choice for outdoor shooting in unpredictable weather.
The unique nano-coating on the NiSi Enhanced CPL Filter amplifies the polarisation effect on colours, resulting in improved colour saturation and more natural skin tones. This coating enhances the filter's ability to manage reflections and glare, leading to richer and more vivid imagery in your video productions.
The NiSi Cinema 6.6x6.6" Enhanced Rotating CPL Filter is designed to fit into standard matte box trays. However, it's always advisable to check the specifications of your matte box to ensure compatibility, particularly regarding the tray size and mounting options.
To clean and maintain the NiSi Rotating Circular Polariser, use a soft microfiber cloth and a lens cleaning solution specifically designed for optical glass. Avoid using abrasive materials that could scratch the filter's surface. Regular maintenance will help preserve the filter's performance and extend its lifespan, ensuring you get the best results from your cinematography.
Scenes with reflective surfaces, such as water bodies, glass, or foliage, benefit significantly from using the NiSi Cinema 6.6x6.6" Enhanced Rotating CPL Filter. This filter is particularly effective in outdoor settings, where it can enhance the contrast between the sky and clouds, saturate green foliage, and reduce glare from surfaces, allowing for more dynamic and captivating imagery.

Need advice?
Speak to one of our dedicated Australian-based sales team members.
Price Match
Fill out the price match form below, and we will be in touch shortly.

Price Match
Fill out the price match form below, and we will be in touch shortly.
Product Reviews
Blog posts
Beauty Lighting: How to Combine Hard and Soft Light to Make S...
A working beauty photographer’s guide to combining hard and soft light, beauty dish vs softbox, grids, negative fill and a clamshell setup you can copy, for skin that pops.
View post
Everyone Can Take a Picture. Not Everyone Can Hold the Room
What an agent, a Vogue visuals producer and a brand-side creative lead really look for in photographers now. There is a point in almost every creative career where the work alone stops...
View post
Learn to Get the Shot Right In-Camera
Beauty photography tips from Oliver Minnett’s Georges workshop, covering lighting, direction, working with a creative team, and using Sony and Profoto gear.
View post
Beauty Photography Tips: Three Things I Wish I Knew Earlier
Beauty photography tips from Oliver Minnett’s Georges workshop, covering lighting, direction, working with a creative team, and using Sony and Profoto gear.
View post
How We Lit Karla Spetic's Australian Fashion Week Show with P...
We were invited by Karla Spetic to help light her runway, we chose Profoto's new LED lights for the job!
View post
Sony A7R VI First Thoughts: A Portrait Photographer’s Take on...
Sony has just launched the new Sony A7R VI, the latest camera in its high-resolution Alpha line, and I was lucky enough to spend some time with it earlier this week. I...
View post
Mobile Podcasting Setups Explained: From First Rig to Full Pr...
Mobile podcasting isn’t about shortcuts. It’s about picking gear that actually works, in the places podcasts actually happen. I used to chase the “best” setup. Turns out, the best setup is the...
View post
Rigging Up Your Sony Cinema Camera
Rigging gets a bad rap because a lot of rigs are built backwards. People buy parts first, bolt everything on, and end up with a camera that looks serious but shoots worse....
View post
What Makes a Good Photographer? A Portfolio Deconstruction
Clyde Vaughan Guest post by Clyde Vaughan — ahead of Clyde's talk on January 22: “How to create incredible images: A talk by Clyde Vaughan”. If you ask “what makes a good...
View post
The End of the Generator? Hands-on with the DJI Power 2000
We’ve all been there: you’re on a remote shoot, beautiful location, but you’re either scrambling to find a power outlet or lugging a massive, noisy petrol generator through the bush. We’ve been...
View post


































































