Receive a Bonus $150 EFTPOS Gift Card via redemption. T&C's Apply. Offer Ends 31st July 2026. Learn more
Overview

A portable ultra-wide-angle zoom perfect for creators, the Nikon NIKKOR Z 17-28mm f/2.8 manages to mix speed and compactness while presenting a broad field of view that's perfect for anything from landscapes to architecture subjects to handheld vlogging applications.

SKU: GC46-JMA718DA

Nikon NIKKOR Z 17-28mm f/2.8

A portable ultra-wide-angle zoom perfect for creators, the Nikon NIKKOR Z 17-28mm f/2.8 manages to mix speed and compactness while presenting a broad field of view that's perfect for anything from landscapes to architecture subjects to handheld vlogging applications.

Lightweight and Compact Design

  • Despite the bright f/2.8 design, this manages to remain sleek and lightweight, making it ideal for handheld use, all-day shoots, and a variety of vlogging needs.
  • Compared to the NIKKOR Z 14-24mm f/2.8 S, this lens has a smaller diameter, uses more widely available 67mm front filters, and is 30% lighter while retaining the same f/2.8 speed.
  • Internal zooming design prevents the lens from extending during use, making it easier to balance while shooting, especially when used in conjunction with a gimbal.
  • Perfect for FX-format Z-mount cameras, this smaller lens is also ideal for DX-format bodies and will provide a 25.5-42mm equivalent focal length range.
  • Programmable Control Ring is, by default, set to adjust manual focus but can also be used to control aperture or exposure compensation. It has a click-less design, too, that's suitable for video needs.
  • Specialized electromagnetic aperture mechanism provides greater exposure control stability that is especially beneficial when working with fast continuous shooting rates.
  • Dust- and moisture-resistant lens barrel benefits the lens' use in inclement conditions.
  • Autofocus

  • Stepping motor maintains quick and quiet autofocus performance that's ideal for both photo and video needs.
  • An internal focusing design is used, where only the internal lens groups are moved during focusing, to maintain the overall length of the lens during use and to promote faster focusing speeds.
  • Minimum focusing distance of 7.5" benefits working with close-up subjects.
  • Focus breathing has been suppressed to benefit video use and maintain a consistent field of view when changing focus.
  • Ultra-Wide Flexibility

  • Constant f/2.8 design maintains consistent performance throughout the zoom range and also benefits both low-light performance and depth of field control.
  • The bright design and ultra-wide-angle focal length make this lens suitable for astrophotography needs.
  • Broad zoom range suits travel and everyday shooting needs and is especially well-suited to cityscapes, landscapes, interiors, and architectural subjects.
  • Rounded 9-blade diaphragm contributes to a pleasing bokeh quality, benefitting the use of shallow depth of field and selective focus techniques.
  • Receive a Bonus $150 EFTPOS Gift Card via redemption. T&C's Apply. Offer Ends 31st July 2026. Learn more
    Regular price $1,895.00
    Sale price $1,895.00 Regular price $2,100.00 Save 9%
    Pay with
    Pay with
    Found a better price? Request a price match

    Price Match

    Fill out the price match form below, and we will be in touch shortly.

    Price Match Request For:
    Nikon NIKKOR Z 17-28mm f/2.8
    Nikon NIKKOR Z 17-28mm f/2.8
    Our Price: $1,895.00

    Price Match

    Fill out the price match form below, and we will be in touch shortly.

    Competitor Information:
    Your Details:
    In Stock

    Checking availability...

    $1,895.00

    Product Overview

    A portable ultra-wide-angle zoom perfect for creators, the Nikon NIKKOR Z 17-28mm f/2.8 manages to mix speed and compactness while presenting a broad field of view that's perfect for anything from landscapes to architecture subjects to handheld vlogging applications.

    FAQs

    Need advice?

    Speak to one of our dedicated Australian-based sales team members.

    Call us

    Key Features

    Product Reviews

    Beauty Photo of Sienna Etches

    Beauty Lighting: How to Combine Hard and Soft Light to Make S...

    A working beauty photographer’s guide to combining hard and soft light, beauty dish vs softbox, grids, negative fill and a clamshell setup you can copy, for skin that pops.

    View post
    Panel Discussion at Lunar Studios

    Everyone Can Take a Picture. Not Everyone Can Hold the Room

    What an agent, a Vogue visuals producer and a brand-side creative lead really look for in photographers now. There is a point in almost every creative career where the work alone stops...

    View post
    Beauty Photography Tips: Three Things I Wish I Knew Earlier

    Beauty Photography Tips: Three Things I Wish I Knew Earlier

    Beauty photography tips from Oliver Minnett’s Georges workshop, covering lighting, direction, working with a creative team, and using Sony and Profoto gear.

    View post
    Models on stage at Karla Spetics show

    How We Lit Karla Spetic's Australian Fashion Week Show with P...

    We were invited by Karla Spetic to help light her runway, we chose Profoto's new LED lights for the job!

    View post
    Ricardo sits with Ollie and discusses mobile podcasting setups

    Sony A7R VI First Thoughts: A Portrait Photographer’s Take on...

    Sony has just launched the new Sony A7R VI, the latest camera in its high-resolution Alpha line, and I was lucky enough to spend some time with it earlier this week. I...

    View post
    Ricardo sits with Ollie and discusses mobile podcasting setups

    Mobile Podcasting Setups Explained: From First Rig to Full Pr...

    Mobile podcasting isn’t about shortcuts. It’s about picking gear that actually works, in the places podcasts actually happen. I used to chase the “best” setup. Turns out, the best setup is the...

    View post
    Tilta Sony FX Rigging

    Rigging Up Your Sony Cinema Camera

    Rigging gets a bad rap because a lot of rigs are built backwards. People buy parts first, bolt everything on, and end up with a camera that looks serious but shoots worse....

    View post
    Gracaie Stendl Portfolio Images

    What Makes a Good Photographer? A Portfolio Deconstruction

    Clyde Vaughan Guest post by Clyde Vaughan — ahead of  Clyde's talk on January 22: “How to create incredible images: A talk by Clyde Vaughan”. If you ask “what makes a good...

    View post
    Ollie Jones holds the 22 kg DJI Power 2000

    The End of the Generator? Hands-on with the DJI Power 2000

    We’ve all been there: you’re on a remote shoot, beautiful location, but you’re either scrambling to find a power outlet or lugging a massive, noisy petrol generator through the bush. We’ve been...

    View post
    Oliver Minnett teaching a photography workshop

    Why 2026 Might be the year to change from DSLR to Mirrorless

    Alright—let’s do the DSLR vs mirrorless thing properly. Not “on paper”, not “in theory”, but head-to-head on the stuff that actually matters when you’re out shooting. My name's Oliver Minnett, I'm Georges...

    View post