Overview

The AF-S NIKKOR 50mm f/1.8G Lens from Nikon is an attractive alternative to the classic 50mm f/1.4 "normal" lens for everyday shooting with an FX or 35mm camera. The 50mm f/1.8 is near as "fast" as the f/1.4 and provides reduced lens flare and ghosting as well as superior colour consistency through the use of Nikon's Super Integrated Lens Coating. One aspherical lens element virtually eliminates coma and spherical aberration.

SKU: GC46-JAA015DA

Nikon AF-S NIKKOR 50mm f1.8G Lens

The AF-S NIKKOR 50mm f/1.8G Lens from Nikon is an attractive alternative to the classic 50mm f/1.4 "normal" lens for everyday shooting with an FX or 35mm camera. The 50mm f/1.8 is near as "fast" as the f/1.4 and provides reduced lens flare and ghosting as well as superior colour consistency through the use of Nikon's Super Integrated Lens Coating. One aspherical lens element virtually eliminates coma and spherical aberration.

Nikon's Silent Wave Motor gives you smooth, silent and precise autofocus operation, and the M/A mode lets you quickly and easily override the autofocus system for fine manual focusing. This lens is also compatible with DX cameras and when used with a DX camera, the angle of view would be equivalent to a 75mm focal length lens.

Fast f/1.8 Compact FX-Format Prime Lens

This updated classic with a fast maximum aperture is ideal for everyday shooting, perfect in low lighting situations and great for shallow depth of field control, producing images with beautiful background blur. When used on DX-format DSLRs it's 35mm focal length equivalency is 75mm.

Shoot Tack-Sharp Portraits Every Time

Nikon's Super Integrated Coating (SIC) enhances light transmission efficiency and offers superior colour consistency and reduced flare, while an aspherical lens element virtually eliminates coma and other types of aberrations, even when shooting at the widest available aperture.

Quiet Autofocus

A significant innovation in AF lens technology, Nikon's Silent Wave Motor uses ultrasonic (inaudible) vibrations rather than a gear system-to focus the lens, providing incredibly smooth, silent and precise autofocus operation.

Quick Switching from AF to MF

When fine manual focusing is needed, simply rotate the lens focus ring. M/A mode allows you to seamlessly override the AF system with virtually no time lag.

Regular price $301.44
Sale price $301.44 Regular price $400.00 Save 24%
Pay with
Pay with
Found a better price? Request a price match

Price Match

Fill out the price match form below, and we will be in touch shortly.

Price Match Request For:
Nikon AF-S NIKKOR 50mm f1.8G Lens
Nikon AF-S NIKKOR 50mm f1.8G Lens
Our Price: $301.44

Price Match

Fill out the price match form below, and we will be in touch shortly.

Competitor Information:
Your Details:
This item is currently backordered and we are awaiting arrival. star If you'd like to know when it's due, we're here to help!

phone Call us during business hours at 02 9299 0177.
chatChat live with our team on-site.
emailOr email us anytime at info@georges.com.au with the subject "Awaiting Arrival"
Awaiting Stock

Checking availability...

$301.44

Product Overview

The AF-S NIKKOR 50mm f/1.8G Lens from Nikon is an attractive alternative to the classic 50mm f/1.4 "normal" lens for everyday shooting with an FX or 35mm camera. The 50mm f/1.8 is near as "fast" as the f/1.4 and provides reduced lens flare and ghosting as well as superior colour consistency through the use of Nikon's Super Integrated Lens Coating. One aspherical lens element virtually eliminates coma and spherical aberration.

FAQs

Need advice?

Speak to one of our dedicated Australian-based sales team members.

Call us

Key Features

Product Reviews

Beauty Photo of Sienna Etches

Beauty Lighting: How to Combine Hard and Soft Light to Make S...

A working beauty photographer’s guide to combining hard and soft light, beauty dish vs softbox, grids, negative fill and a clamshell setup you can copy, for skin that pops.

View post
Panel Discussion at Lunar Studios

Everyone Can Take a Picture. Not Everyone Can Hold the Room

What an agent, a Vogue visuals producer and a brand-side creative lead really look for in photographers now. There is a point in almost every creative career where the work alone stops...

View post
Beyond Reach: My Experience With the Fujifilm XF400mmF4.5 Super-Telephoto Lens

Beyond Reach: My Experience With the Fujifilm XF400mmF4.5 Sup...

Explore our hands-on experience with the Fujifilm XF400mmF4.5, covering its sharpness, autofocus, reach and performance for sport, wildlife, landscapes and portraits.

View post
Learn to Get the Shot Right In-Camera

Learn to Get the Shot Right In-Camera

Beauty photography tips from Oliver Minnett’s Georges workshop, covering lighting, direction, working with a creative team, and using Sony and Profoto gear.

View post
Beauty Photography Tips: Three Things I Wish I Knew Earlier

Beauty Photography Tips: Three Things I Wish I Knew Earlier

Beauty photography tips from Oliver Minnett’s Georges workshop, covering lighting, direction, working with a creative team, and using Sony and Profoto gear.

View post
Models on stage at Karla Spetics show

How We Lit Karla Spetic's Australian Fashion Week Show with P...

We were invited by Karla Spetic to help light her runway, we chose Profoto's new LED lights for the job!

View post
Ricardo sits with Ollie and discusses mobile podcasting setups

Sony A7R VI First Thoughts: A Portrait Photographer’s Take on...

Sony has just launched the new Sony A7R VI, the latest camera in its high-resolution Alpha line, and I was lucky enough to spend some time with it earlier this week. I...

View post
Ricardo sits with Ollie and discusses mobile podcasting setups

Mobile Podcasting Setups Explained: From First Rig to Full Pr...

Mobile podcasting isn’t about shortcuts. It’s about picking gear that actually works, in the places podcasts actually happen. I used to chase the “best” setup. Turns out, the best setup is the...

View post
Tilta Sony FX Rigging

Rigging Up Your Sony Cinema Camera

Rigging gets a bad rap because a lot of rigs are built backwards. People buy parts first, bolt everything on, and end up with a camera that looks serious but shoots worse....

View post
Gracaie Stendl Portfolio Images

What Makes a Good Photographer? A Portfolio Deconstruction

Clyde Vaughan Guest post by Clyde Vaughan — ahead of  Clyde's talk on January 22: “How to create incredible images: A talk by Clyde Vaughan”. If you ask “what makes a good...

View post