Overview

Leica 10x50 Ultravid HD-Plus Binoculars

Building on the success of the original Ultravid HD, Leica's 10x50 Ultravid HD-Plus Binoculars add improved technologies and materials to create an optic with bright and clear images across the entire field of view. The full-size HD-Plus binoculars deliver enhanced contrast and true colour fidelity, with virtually zero distortion, even in low-light conditions. Helping to compensate for the visually distracting hand shake common with using 10x and greater optics, is a wide 67° apparent viewing angle. This allows the use of high-magnification binoculars without the need for stabilisation equipment like harnesses or tripods, although high-powered binoculars could always benefit from these devices.

SKU: GC165-40096

Leica 10x50 Ultravid HD-Plus Binoculars

Leica 10x50 Ultravid HD-Plus Binoculars

Building on the success of the original Ultravid HD, Leica's 10x50 Ultravid HD-Plus Binoculars add improved technologies and materials to create an optic with bright and clear images across the entire field of view. The full-size HD-Plus binoculars deliver enhanced contrast and true colour fidelity, with virtually zero distortion, even in low-light conditions. Helping to compensate for the visually distracting hand shake common with using 10x and greater optics, is a wide 67° apparent viewing angle. This allows the use of high-magnification binoculars without the need for stabilisation equipment like harnesses or tripods, although high-powered binoculars could always benefit from these devices.

Leica uses specially formulated SCHOTT HT extra-low dispersion (ED) glass, which increases light transmission especially in the blue-violet light band, improves colour fidelity, and enhances low-light performance. Scratch- and abrasion-resistant High Durable Coating (HDC) and hydrophobic AquaDura coating on the outer lenses protect surfaces and cause water and oil to bead off for easier cleaning and clearer vision. The roof prisms feature P40 phase correction and proprietary High Lux System (HLS) coatings. These coatings virtually eliminate chromatic aberration for enhanced colour rendition and increased contrast and overall image sharpness.

Complementing the optical performance are uncompromising construction details. To reduce user fatigue during long glassing sessions, the chassis is made of a lightweight yet durable magnesium alloy, with a wear-resistant titanium center hinge axle. The optical tubes are nitrogen filled for fogproof performance and sealed to make the binoculars submersible to 16.4' or 0.5 bar of pressure. Ergonomic thumb indents on the bottom of the binoculars coupled with protective rubber armoring provide a comfortable slip-resistant grip. A lubrication-free focus system provides fast and precise focusing, with PETP-Discs to provide smooth movement throughout the broad operating temperature range.

Optical Performance

10x magnification

50mm objective lenses

Roof prism optical path

SCHOTT HT extra-low dispersion glass increases light transmission, especially in blue-violet band, improves colour fidelity, and enhances low-light performance

P40 phase-correcting and proprietary High Lux System (HLS) prism coatings reduce internal light scatter for sharper images with improved contrast

High-temperature plasma lens coating depositing system for precise optical coating placement

Scratch- and abrasion-resistant High Durable Coating (HDC) and hydrophobic AquaDura coating on outer lenses protect surfaces and cause water and oil to bead off lenses for easier cleaning and clearer vision in bad weather

352.4' field of view at 1000 yards

Wide 67° apparent angle of view

Long 15mm eye relief

Comfortable 5.0mm exit pupil

Use and Handling

Lubricant-free center focus system with PETP-Discs provides smooth movement throughout the operating temperature range

58-74mm interpupillary adjustment range

±4 right-eye dioptric correction with locking center diopter adjustment wheel

Twist-out two-stage click-stop eyecups

Tripod mountable with optional adapter

Construction Details

Light and durable magnesium chassis

Titanium center hinge axle

Slip-resistant protective rubber-armored body

Nitrogen filled, fogproof and watertight to 16.5' (5m)

Flip-down tethered objective lens caps

Broad -13 to 131°F (-25 to 55°C) operating temperature

Ergonomic thumb rests for added comfort and a better grip

Key Features:

Extra-Low Dispersion SCHOTT HT Glass

Phase-Corrected Roof Prisms

HDC and AquaDura Lens Coatings

Wide 67° Apparent Angle of View

Nitrogen Filled, Water and Fogproof

Closed-Bridge Configuration

Magnesium-Alloy Chassis

Large Center Focusing Knob

Tripod Mountable with Optional Adapter

Twist-Up Click-Stop Eyecups

What's in the Box:

Leica 10x50 Ultravid HD-Plus Binoculars

One-Piece Ocular Rainguard

Cordura Carrying Case

Regular price $4,680.49
Sale price $4,680.49 Regular price $5,090.00 Save 8%
Pay with
Pay with
Found a better price? Request a price match

Price Match

Fill out the price match form below, and we will be in touch shortly.

Price Match Request For:
Leica 10x50 Ultravid HD-Plus Binoculars
Leica 10x50 Ultravid HD-Plus Binoculars
Our Price: $4,680.49

Price Match

Fill out the price match form below, and we will be in touch shortly.

Competitor Information:
Your Details:
This item is currently backordered and we are awaiting arrival. star If you'd like to know when it's due, we're here to help!

phone Call us during business hours at 02 9299 0177.
chatChat live with our team on-site.
emailOr email us anytime at info@georges.com.au with the subject "Awaiting Arrival"
Awaiting Stock

Checking availability...

$4,680.49

Product Overview

Leica 10x50 Ultravid HD-Plus Binoculars

Building on the success of the original Ultravid HD, Leica's 10x50 Ultravid HD-Plus Binoculars add improved technologies and materials to create an optic with bright and clear images across the entire field of view. The full-size HD-Plus binoculars deliver enhanced contrast and true colour fidelity, with virtually zero distortion, even in low-light conditions. Helping to compensate for the visually distracting hand shake common with using 10x and greater optics, is a wide 67° apparent viewing angle. This allows the use of high-magnification binoculars without the need for stabilisation equipment like harnesses or tripods, although high-powered binoculars could always benefit from these devices.

Need advice?

Speak to one of our dedicated Australian-based sales team members.

Call us

Product Reviews

Panel Discussion at Lunar Studios

Everyone Can Take a Picture. Not Everyone Can Hold the Room

What an agent, a Vogue visuals producer and a brand-side creative lead really look for in photographers now. There is a point in almost every creative career where the work alone stops...

View post
Beauty Photography Tips: Three Things I Wish I Knew Earlier

Beauty Photography Tips: Three Things I Wish I Knew Earlier

Beauty photography tips from Oliver Minnett’s Georges workshop, covering lighting, direction, working with a creative team, and using Sony and Profoto gear.

View post
Models on stage at Karla Spetics show

How We Lit Karla Spetic's Australian Fashion Week Show with P...

We were invited by Karla Spetic to help light her runway, we chose Profoto's new LED lights for the job!

View post
Ricardo sits with Ollie and discusses mobile podcasting setups

Sony A7R VI First Thoughts: A Portrait Photographer’s Take on...

Sony has just launched the new Sony A7R VI, the latest camera in its high-resolution Alpha line, and I was lucky enough to spend some time with it earlier this week. I...

View post
Ricardo sits with Ollie and discusses mobile podcasting setups

Mobile Podcasting Setups Explained: From First Rig to Full Pr...

Mobile podcasting isn’t about shortcuts. It’s about picking gear that actually works, in the places podcasts actually happen. I used to chase the “best” setup. Turns out, the best setup is the...

View post
Tilta Sony FX Rigging

Rigging Up Your Sony Cinema Camera

Rigging gets a bad rap because a lot of rigs are built backwards. People buy parts first, bolt everything on, and end up with a camera that looks serious but shoots worse....

View post
Gracaie Stendl Portfolio Images

What Makes a Good Photographer? A Portfolio Deconstruction

Clyde Vaughan Guest post by Clyde Vaughan — ahead of  Clyde's talk on January 22: “How to create incredible images: A talk by Clyde Vaughan”. If you ask “what makes a good...

View post
Ollie Jones holds the 22 kg DJI Power 2000

The End of the Generator? Hands-on with the DJI Power 2000

We’ve all been there: you’re on a remote shoot, beautiful location, but you’re either scrambling to find a power outlet or lugging a massive, noisy petrol generator through the bush. We’ve been...

View post
Oliver Minnett teaching a photography workshop

Why 2026 Might be the year to change from DSLR to Mirrorless

Alright—let’s do the DSLR vs mirrorless thing properly. Not “on paper”, not “in theory”, but head-to-head on the stuff that actually matters when you’re out shooting. My name's Oliver Minnett, I'm Georges...

View post
Two Leica M11P's on a desk

Leica is now at Georges Cameras

Some cameras don’t just document your life; they become part of it. I bought a Leica M6 in 2012. Photography had always been a part of my life; my dad had run...

View post