Overview

The OOOM 25-100mm T2.9 Cine is the first cinema zoom lens from Laowa. We are committed to develop a versatile, all-in-one zoom lens with a blend of vintage & modern characters where cinematographers can own one for different kinds of productions.

SKU: GC07-VEAPT133PL

Laowa 1.33x Rear Anamorphic Adapter

The OOOM 25-100mm T2.9 Cine is the first cinema zoom lens from Laowa. We are committed to develop a versatile, all-in-one zoom lens with a blend of vintage & modern characters where cinematographers can own one for different kinds of productions.

Features

  • Comprehensive 4X zoom range
  • Super 35+ coverage
  • Parfocal design
  • Extremely low focus breathing
  • Constant T2.9
  • Super close focusing distance
  • Interchangeable PL/EF/FE mounts
  • Full Frame sensor compatible via 1.4x FF Expander (included with cine bundle)
  • 1.33X Rear Anamorphic Adapter designed to create 2.39:1 widescreen aspect ratio (included with cine bundle)

Comprehensive 4x zoom range

A versatile, all-in-one lens. From ultra wide to telephoto.

Parfocal design

The focus remains the same no matter zoom in or out. Your subject will remain sharp and in focus.

Extremely low focus breathing

Your composition will remain the same when changing the focus.© Ascending Works, DP: Weston Walker

Constant T2.9 with super close focus

The large constant T2.9 allows you to shot in low light situation through-out the whole zoom range. The lens can focus as close as 60cm (~2 feet) which give you more opportunities for a creative shot.

Optional Rear 1.33X Anamorphic Adapter (coming soon)

A 1.33X Rear Anamorphic Adapter is also designed to create cinematic 2:39:1 widescreen ratio when paired up with the OOOM.

Optional Full Frame Compatible via 1.4x Expander (arriving soon)

A 1.4X FF Expander is carefully designed to match with the OOOM with no degradation on image quality. A quick switch button on the lens allows easy conversion of focal length scale.

The Look

We are trying to deliver a zoom lens which blends in the characters of both modern and vintage optics. The OOOM is designed to offer a beautiful vintage look in its colour and bokeh. The image is not overly contrasty nor flat but with good sharpness found in modern lens. It also renders a natural healthy skin tone and silky smooth transition.

Compatibility

Laowa 1.33x Rear Anamorphic Adapter

Regular price $1,089.00
Sale price $1,089.00 Regular price $1,099.00 Save 0%
Pay with
Pay with
Found a better price? Request a price match

Price Match

Fill out the price match form below, and we will be in touch shortly.

Price Match Request For:
Laowa 1.33x Rear Anamorphic Adapter
Laowa 1.33x Rear Anamorphic Adapter
Our Price: $1,089.00

Price Match

Fill out the price match form below, and we will be in touch shortly.

Competitor Information:
Your Details:
This item is currently backordered and we are awaiting arrival. star If you'd like to know when it's due, we're here to help!

phone Call us during business hours at 02 9299 0177.
chatChat live with our team on-site.
emailOr email us anytime at info@georges.com.au with the subject "Awaiting Arrival"
Awaiting Stock

Checking availability...

$1,089.00

Product Overview

The OOOM 25-100mm T2.9 Cine is the first cinema zoom lens from Laowa. We are committed to develop a versatile, all-in-one zoom lens with a blend of vintage & modern characters where cinematographers can own one for different kinds of productions.

FAQs

Need advice?

Speak to one of our dedicated Australian-based sales team members.

Call us

Product Reviews

Panel Discussion at Lunar Studios

Everyone Can Take a Picture. Not Everyone Can Hold the Room

What an agent, a Vogue visuals producer and a brand-side creative lead really look for in photographers now. There is a point in almost every creative career where the work alone stops...

View post
Beauty Photography Tips: Three Things I Wish I Knew Earlier

Beauty Photography Tips: Three Things I Wish I Knew Earlier

Beauty photography tips from Oliver Minnett’s Georges workshop, covering lighting, direction, working with a creative team, and using Sony and Profoto gear.

View post
Models on stage at Karla Spetics show

How We Lit Karla Spetic's Australian Fashion Week Show with P...

We were invited by Karla Spetic to help light her runway, we chose Profoto's new LED lights for the job!

View post
Ricardo sits with Ollie and discusses mobile podcasting setups

Sony A7R VI First Thoughts: A Portrait Photographer’s Take on...

Sony has just launched the new Sony A7R VI, the latest camera in its high-resolution Alpha line, and I was lucky enough to spend some time with it earlier this week. I...

View post
Ricardo sits with Ollie and discusses mobile podcasting setups

Mobile Podcasting Setups Explained: From First Rig to Full Pr...

Mobile podcasting isn’t about shortcuts. It’s about picking gear that actually works, in the places podcasts actually happen. I used to chase the “best” setup. Turns out, the best setup is the...

View post
Tilta Sony FX Rigging

Rigging Up Your Sony Cinema Camera

Rigging gets a bad rap because a lot of rigs are built backwards. People buy parts first, bolt everything on, and end up with a camera that looks serious but shoots worse....

View post
Gracaie Stendl Portfolio Images

What Makes a Good Photographer? A Portfolio Deconstruction

Clyde Vaughan Guest post by Clyde Vaughan — ahead of  Clyde's talk on January 22: “How to create incredible images: A talk by Clyde Vaughan”. If you ask “what makes a good...

View post
Ollie Jones holds the 22 kg DJI Power 2000

The End of the Generator? Hands-on with the DJI Power 2000

We’ve all been there: you’re on a remote shoot, beautiful location, but you’re either scrambling to find a power outlet or lugging a massive, noisy petrol generator through the bush. We’ve been...

View post
Oliver Minnett teaching a photography workshop

Why 2026 Might be the year to change from DSLR to Mirrorless

Alright—let’s do the DSLR vs mirrorless thing properly. Not “on paper”, not “in theory”, but head-to-head on the stuff that actually matters when you’re out shooting. My name's Oliver Minnett, I'm Georges...

View post
Two Leica M11P's on a desk

Leica is now at Georges Cameras

Some cameras don’t just document your life; they become part of it. I bought a Leica M6 in 2012. Photography had always been a part of my life; my dad had run...

View post