Overview

Kondor Blue URSA CINE LWS ARRI Bridge Plate

Add 15mm LWS and quick release support to your professional camera rig with this 15mm LWS ARRI Bridge Plate from Kondor Blue. The bridge plate is designed to work with ARRI-standard dovetail rigs and can support larger pro cameras from ARRI and RED cameras, as well as models such as the ALEXA Mini, Blackmagic Design URSA Mini line, Pocket Cinema Camera 6K Pro, RED KOMODO, Canon EOS C70, and the Sony FX6, FX3, FX30, Rialto, FS5, F5, and VENICE. It features an ARRI-standard dovetail base, a quick release camera plate, and a 15mm LWS rod system.

SKU: GC47-KB-UARRI-BRP-UC-Bk

Kondor Blue URSA CINE LWS ARRI Bridge Plate

Kondor Blue URSA CINE LWS ARRI Bridge Plate

Add 15mm LWS and quick release support to your professional camera rig with this 15mm LWS ARRI Bridge Plate from Kondor Blue. The bridge plate is designed to work with ARRI-standard dovetail rigs and can support larger pro cameras from ARRI and RED cameras, as well as models such as the ALEXA Mini, Blackmagic Design URSA Mini line, Pocket Cinema Camera 6K Pro, RED KOMODO, Canon EOS C70, and the Sony FX6, FX3, FX30, Rialto, FS5, F5, and VENICE. It features an ARRI-standard dovetail base, a quick release camera plate, and a 15mm LWS rod system.

The quick release camera plate features 1/4"-20 and 3/8"-16 mounting screws, front M4 screws for a lens support, and rubber padding on top to protect the camera from scratching or twisting. The dovetail base offers 1/4"-20 and 3/8"-16 tripod mount threads. Its 15mm rod ports pass through the entire base and are secured with four locking levers, making it easy to add two sets of optional rods of different lengths through the front and rear. The bridge plate features a standard 3.3" riser height to match the camera's lens height, and optional riser plates will be available to support additional camera models.

Key Features:

ARRI-Standard Dovetail Bridge Plate

1/4"-20 and 3/8"-16 Camera Screws

1/4"-20 and 3/8"-16 Tripod Threads

Quick Release Camera Plate

15mm LWS Rod Support

3.3" Standard Riser Lens Height

Rubber Padding on Camera Plate

Supports a Variety of Pro Cinema Cameras

What's in the Box:

Kondor Blue URSA CINE LWS ARRI Bridge Plate

Quick Release Camera Plate

Regular price $450.00
Sale price $450.00 Regular price $469.00 Save 4%
Pay with
Pay with
Found a better price? Request a price match

Price Match

Fill out the price match form below, and we will be in touch shortly.

Price Match Request For:
Kondor Blue URSA CINE LWS ARRI Bridge Plate
Kondor Blue URSA CINE LWS ARRI Bridge Plate
Our Price: $450.00

Price Match

Fill out the price match form below, and we will be in touch shortly.

Competitor Information:
Your Details:
This item is currently backordered and we are awaiting arrival. star If you'd like to know when it's due, we're here to help!

phone Call us during business hours at 02 9299 0177.
chatChat live with our team on-site.
emailOr email us anytime at info@georges.com.au with the subject "Awaiting Arrival"
Awaiting Stock ⓘ

Checking availability...

$450.00

Product Overview

Kondor Blue URSA CINE LWS ARRI Bridge Plate

Add 15mm LWS and quick release support to your professional camera rig with this 15mm LWS ARRI Bridge Plate from Kondor Blue. The bridge plate is designed to work with ARRI-standard dovetail rigs and can support larger pro cameras from ARRI and RED cameras, as well as models such as the ALEXA Mini, Blackmagic Design URSA Mini line, Pocket Cinema Camera 6K Pro, RED KOMODO, Canon EOS C70, and the Sony FX6, FX3, FX30, Rialto, FS5, F5, and VENICE. It features an ARRI-standard dovetail base, a quick release camera plate, and a 15mm LWS rod system.

Need advice?

Speak to one of our dedicated Australian-based sales team members.

Call us

Product Reviews

Beauty Photo of Sienna Etches

Beauty Lighting: How to Combine Hard and Soft Light to Make S...

A working beauty photographer’s guide to combining hard and soft light, beauty dish vs softbox, grids, negative fill and a clamshell setup you can copy, for skin that pops.

View post
Panel Discussion at Lunar Studios

Everyone Can Take a Picture. Not Everyone Can Hold the Room

What an agent, a Vogue visuals producer and a brand-side creative lead really look for in photographers now. There is a point in almost every creative career where the work alone stops...

View post
Beyond Reach: My Experience With the Fujifilm XF400mmF4.5 Super-Telephoto Lens

Beyond Reach: My Experience With the Fujifilm XF400mmF4.5 Sup...

Explore our hands-on experience with the Fujifilm XF400mmF4.5, covering its sharpness, autofocus, reach and performance for sport, wildlife, landscapes and portraits.

View post
Learn to Get the Shot Right In-Camera

Learn to Get the Shot Right In-Camera

Beauty photography tips from Oliver Minnett’s Georges workshop, covering lighting, direction, working with a creative team, and using Sony and Profoto gear.

View post
Stop Trying to Learn Everything at Once

Stop Trying to Learn Everything at Once

Beauty photography tips from Oliver Minnett’s Georges workshop, covering lighting, direction, working with a creative team, and using Sony and Profoto gear.

View post
Beauty Photography Tips: Three Things I Wish I Knew Earlier

Beauty Photography Tips: Three Things I Wish I Knew Earlier

Beauty photography tips from Oliver Minnett’s Georges workshop, covering lighting, direction, working with a creative team, and using Sony and Profoto gear.

View post
Models on stage at Karla Spetics show

How We Lit Karla Spetic's Australian Fashion Week Show with P...

We were invited by Karla Spetic to help light her runway, we chose Profoto's new LED lights for the job!

View post
Ricardo sits with Ollie and discusses mobile podcasting setups

Sony A7R VI First Thoughts: A Portrait Photographer’s Take on...

Sony has just launched the new Sony A7R VI, the latest camera in its high-resolution Alpha line, and I was lucky enough to spend some time with it earlier this week. I...

View post
Ricardo sits with Ollie and discusses mobile podcasting setups

Mobile Podcasting Setups Explained: From First Rig to Full Pr...

Mobile podcasting isn’t about shortcuts. It’s about picking gear that actually works, in the places podcasts actually happen. I used to chase the “best” setup. Turns out, the best setup is the...

View post
Tilta Sony FX Rigging

Rigging Up Your Sony Cinema Camera

Rigging gets a bad rap because a lot of rigs are built backwards. People buy parts first, bolt everything on, and end up with a camera that looks serious but shoots worse....

View post