-v1665700116905.png?500x500&options=w_150){kind=icon}
Kondor Blue LWS ARRI Bridge Plate For Cinema Cameras with With Riser for RED KOMODO
Availability
- Availability: Awaiting stock
This item is currently on backorder. To secure your allocation from the next shipment, please place a pre-order. Contact us for estimated arrival.
- Delivery: Awaiting stock
This item is currently on backorder. To secure your allocation from the next shipment, please place a pre-order. Contact us for estimated arrival.
Price Match
Fill out the price match form below, and we will be in touch shortly.
Price Match
Fill out the price match form below, and we will be in touch shortly.
If you'd like to know when it's due, we're here to help!
Call us during business hours at 02 9299 0177.
Chat live with our team on-site.
Or email us anytime at info@georges.com.au with the subject "Awaiting Arrival"Recommended accessories
View all
$421.07$554.95
$475.00$479.00
$78.95$79.95
Product Overview
Kondor Blue LWS ARRI Bridge Plate For Cinema Cameras with With Riser for RED KOMODO
Add the convenience of a quick-release baseplate system to your RED KOMODO camera rig with the space grey LWS ARRI Bridge Plate for Cinema Camera with Riser from Kondor Blue. This ARRI-style bridge plate and dedicated riser system provide 15mm LWS rod support at the standard 3.3" height compatible with most pro lens accessories.
What's in the box:
Kondor Blue LWS ARRI Bridge Plate with Riser for RED KOMODO/KOMODO X (Space Gray)
ARRI-Standard 15mm LWS Bridge Plate
RED KOMODO/KOMODO X Riser Plate
Need advice?
Speak to one of our dedicated Australian-based sales team members.
Product Reviews
Recommended Accessories
Blog posts
Canon G7 X Mark III vs Fujifilm X100VI: Which Should You Buy?
Compare the Canon PowerShot G7 X Mark III vs Fujifilm X100VI in our real-world camera comparison. Discover the differences in image quality, low-light performance, colour, video features, zoom, and price to find...
View post
Tamron 16-50mm F2.8 vs Sigma 18-50mm F2.8: Which Compact APS-...
If you shoot on an APS-C mirrorless camera and want one lens that stays on the body most of the time, there's a good chance the Sigma 18-50mm F2.8 DC DN Contemporary...
View post
The Ultimate Guide to PTZ Cameras: Choosing the Right Setup f...
Compare Canon, Sony, BirdDog and Telycam PTZ cameras on image quality, tracking, zoom and value. Find the right setup for your production at Georges Cameras.
View post
Beauty Lighting: How to Combine Hard and Soft Light to Make S...
A working beauty photographerβs guide to combining hard and soft light, beauty dish vs softbox, grids, negative fill and a clamshell setup you can copy, for skin that pops.
View post
Everyone Can Take a Picture. Not Everyone Can Hold the Room
What an agent, a Vogue visuals producer and a brand-side creative lead really look for in photographers now. There is a point in almost every creative career where the work alone stops...
View post
Beyond Reach: My Experience With the Fujifilm XF400mmF4.5 Sup...
Explore our hands-on experience with the Fujifilm XF400mmF4.5, covering its sharpness, autofocus, reach and performance for sport, wildlife, landscapes and portraits.
View post
Learn to Get the Shot Right In-Camera
Beauty photography tips from Oliver Minnettβs Georges workshop, covering lighting, direction, working with a creative team, and using Sony and Profoto gear.
View post
Stop Trying to Learn Everything at Once
Beauty photography tips from Oliver Minnettβs Georges workshop, covering lighting, direction, working with a creative team, and using Sony and Profoto gear.
View post
Beauty Photography Tips: Three Things I Wish I Knew Earlier
Beauty photography tips from Oliver Minnettβs Georges workshop, covering lighting, direction, working with a creative team, and using Sony and Profoto gear.
View post
How We Lit Karla Spetic's Australian Fashion Week Show with P...
We were invited by Karla Spetic to help light her runway, we chose Profoto's new LED lights for the job!
View post