Overview

Kondor Blue Firecrest Alloy Cine IRND 4x5.65" Filters (ND 0.6)

Designed for professional filmmakers seeking improved performance without added weight, the Firecrest Alloy Cine IRND 0.6 Filter from Kondor Blue features an optical density of 0.6 that reduces the amount of available light entering the lens by two stops, allowing users to shoot with longer shutter speeds to create motion blur, or with a wider aperture for shallower depth of field. Its 4mm aluminium frame helps ensure compatibility with most matte box systems, while metal coatings deliver a hyper-neutral colour balance across UV, visible, and infrared spectrums. Built using 2mm Schott Superwite glass, this filter delivers optical clarity and scratch resistance. Also featured are corner grab tabs for smudge-free handling.

SKU: GC47-KB-FCF-ND6

Kondor Blue Firecrest Alloy Cine IRND 4x5.65" Filters (ND 0.6)

Kondor Blue Firecrest Alloy Cine IRND 4x5.65" Filters (ND 0.6)

Designed for professional filmmakers seeking improved performance without added weight, the Firecrest Alloy Cine IRND 0.6 Filter from Kondor Blue features an optical density of 0.6 that reduces the amount of available light entering the lens by two stops, allowing users to shoot with longer shutter speeds to create motion blur, or with a wider aperture for shallower depth of field. Its 4mm aluminium frame helps ensure compatibility with most matte box systems, while metal coatings deliver a hyper-neutral colour balance across UV, visible, and infrared spectrums. Built using 2mm Schott Superwite glass, this filter delivers optical clarity and scratch resistance. Also featured are corner grab tabs for smudge-free handling.

Lightweight and Durable 4 x 5.65" Filter

Designed for professional filmmakers seeking optimal performance without added weight.

4mm Industry-Standard Aluminium Frame

Ensures compatibility with most matte box systems while providing robust protection.

Corner Grab Tabs for Smudge-Free Handling

Facilitates easy, fingerprint-free insertion and removal during fast-paced shoots.

Firecrest Coating Technology

Utilises rare earth metal coatings for hyper-neutral colour balance across UV, visible, and infrared spectrums.

High-Quality 2mm Schott Superwite Glass

Delivers exceptional optical clarity and scratch resistance for enduring use.

Built for the Future - Legendary Glass

Co-engineered by Kondor Blue and Formatt Hitech, these ultra-slim 4 x 5.65" ND filters combine Firecrest coatings with rugged aluminium frames for improved durability, clarity, and colour neutrality. No colour shifts. No added weight. Just pure performance.

Key Features:

Reduces Light by 2 Stops

Optical Density 0.6

Blocks Infrared Light

Neutral Colour Balance

Darkens Entire Image

Shoot with Longer Shutter Speeds

Shoot with Wider Apertures

Schott Superwite Glass

4mm Aluminium Frame

Corner Grab Tabs

What's in the Box:

Kondor Blue Firecrest Alloy Cine IRND 4x5.65" Filters (ND 0.6)

Regular price $485.62
Sale price $485.62 Regular price $529.00 Save 8%
Pay with
Pay with
Found a better price? Request a price match

Price Match

Fill out the price match form below, and we will be in touch shortly.

Price Match Request For:
Kondor Blue Firecrest Alloy Cine IRND 4x5.65
Kondor Blue Firecrest Alloy Cine IRND 4x5.65" Filters (ND 0.6)
Our Price: $485.62

Price Match

Fill out the price match form below, and we will be in touch shortly.

Competitor Information:
Your Details:
This item is currently backordered and we are awaiting arrival. star If you'd like to know when it's due, we're here to help!

phone Call us during business hours at 02 9299 0177.
chatChat live with our team on-site.
emailOr email us anytime at info@georges.com.au with the subject "Awaiting Arrival"
Awaiting Stock ⓘ

Checking availability...

$485.62

Product Overview

Kondor Blue Firecrest Alloy Cine IRND 4x5.65" Filters (ND 0.6)

Designed for professional filmmakers seeking improved performance without added weight, the Firecrest Alloy Cine IRND 0.6 Filter from Kondor Blue features an optical density of 0.6 that reduces the amount of available light entering the lens by two stops, allowing users to shoot with longer shutter speeds to create motion blur, or with a wider aperture for shallower depth of field. Its 4mm aluminium frame helps ensure compatibility with most matte box systems, while metal coatings deliver a hyper-neutral colour balance across UV, visible, and infrared spectrums. Built using 2mm Schott Superwite glass, this filter delivers optical clarity and scratch resistance. Also featured are corner grab tabs for smudge-free handling.

Need advice?

Speak to one of our dedicated Australian-based sales team members.

Call us

Product Reviews

Beauty Photo of Sienna Etches

Beauty Lighting: How to Combine Hard and Soft Light to Make S...

A working beauty photographer’s guide to combining hard and soft light, beauty dish vs softbox, grids, negative fill and a clamshell setup you can copy, for skin that pops.

View post
Panel Discussion at Lunar Studios

Everyone Can Take a Picture. Not Everyone Can Hold the Room

What an agent, a Vogue visuals producer and a brand-side creative lead really look for in photographers now. There is a point in almost every creative career where the work alone stops...

View post
Beyond Reach: My Experience With the Fujifilm XF400mmF4.5 Super-Telephoto Lens

Beyond Reach: My Experience With the Fujifilm XF400mmF4.5 Sup...

Explore our hands-on experience with the Fujifilm XF400mmF4.5, covering its sharpness, autofocus, reach and performance for sport, wildlife, landscapes and portraits.

View post
Learn to Get the Shot Right In-Camera

Learn to Get the Shot Right In-Camera

Beauty photography tips from Oliver Minnett’s Georges workshop, covering lighting, direction, working with a creative team, and using Sony and Profoto gear.

View post
Stop Trying to Learn Everything at Once

Stop Trying to Learn Everything at Once

Beauty photography tips from Oliver Minnett’s Georges workshop, covering lighting, direction, working with a creative team, and using Sony and Profoto gear.

View post
Beauty Photography Tips: Three Things I Wish I Knew Earlier

Beauty Photography Tips: Three Things I Wish I Knew Earlier

Beauty photography tips from Oliver Minnett’s Georges workshop, covering lighting, direction, working with a creative team, and using Sony and Profoto gear.

View post
Models on stage at Karla Spetics show

How We Lit Karla Spetic's Australian Fashion Week Show with P...

We were invited by Karla Spetic to help light her runway, we chose Profoto's new LED lights for the job!

View post
Ricardo sits with Ollie and discusses mobile podcasting setups

Sony A7R VI First Thoughts: A Portrait Photographer’s Take on...

Sony has just launched the new Sony A7R VI, the latest camera in its high-resolution Alpha line, and I was lucky enough to spend some time with it earlier this week. I...

View post
Ricardo sits with Ollie and discusses mobile podcasting setups

Mobile Podcasting Setups Explained: From First Rig to Full Pr...

Mobile podcasting isn’t about shortcuts. It’s about picking gear that actually works, in the places podcasts actually happen. I used to chase the “best” setup. Turns out, the best setup is the...

View post
Tilta Sony FX Rigging

Rigging Up Your Sony Cinema Camera

Rigging gets a bad rap because a lot of rigs are built backwards. People buy parts first, bolt everything on, and end up with a camera that looks serious but shoots worse....

View post