-v1665700116905.png?500x500&options=w_150){kind=icon}
KipperTie Adapta E/PL Mount
KipperTie Adapta E/PL Mount
Converting from native E mount to industry standard PL, Adapta E/PL is carefully designed with optical baffles and flare traps for optimal performance, and with consideration for Sony's specific optical characteristics.
The mount is optimised for strength and long life. Stainless steel and aerospace grade aluminium are used throughout. The PL mount is shimmable for accurate backfocus, and its internal mechanism is service adjustable for locking position to guard against wear.
Included is a robust support bracket engineered to match the FX3 and FX30 body size, allowing the PL mount to be tied rigidly to the camera and providing 1/4-20 and 3/8-16 fittings. Other E-mount cameras will require a universal mount support available separately.
The grippy PL mounting ring may optionally be augmented with a pair of grip tabs, each of which can be attached in a choice of positions to suit the user.
What's in the Box:
KipperTie Adapta E/PL Mount
Price Match
Fill out the price match form below, and we will be in touch shortly.
Price Match
Fill out the price match form below, and we will be in touch shortly.
If you'd like to know when it's due, we're here to help!
Call us during business hours at 02 9299 0177.
Chat live with our team on-site.
Or email us anytime at info@georges.com.au with the subject "Awaiting Arrival"Checking availability...
Product Overview
KipperTie Adapta E/PL Mount
Converting from native E mount to industry standard PL, Adapta E/PL is carefully designed with optical baffles and flare traps for optimal performance, and with consideration for Sony's specific optical characteristics.
Need advice?
Speak to one of our dedicated Australian-based sales team members.
Price Match
Fill out the price match form below, and we will be in touch shortly.
Price Match
Fill out the price match form below, and we will be in touch shortly.
Product Reviews
Blog posts
Beauty Lighting: How to Combine Hard and Soft Light to Make S...
A working beauty photographer’s guide to combining hard and soft light, beauty dish vs softbox, grids, negative fill and a clamshell setup you can copy, for skin that pops.
View post
Everyone Can Take a Picture. Not Everyone Can Hold the Room
What an agent, a Vogue visuals producer and a brand-side creative lead really look for in photographers now. There is a point in almost every creative career where the work alone stops...
View post
Beyond Reach: My Experience With the Fujifilm XF400mmF4.5 Sup...
Explore our hands-on experience with the Fujifilm XF400mmF4.5, covering its sharpness, autofocus, reach and performance for sport, wildlife, landscapes and portraits.
View post
Learn to Get the Shot Right In-Camera
Beauty photography tips from Oliver Minnett’s Georges workshop, covering lighting, direction, working with a creative team, and using Sony and Profoto gear.
View post
Stop Trying to Learn Everything at Once
Beauty photography tips from Oliver Minnett’s Georges workshop, covering lighting, direction, working with a creative team, and using Sony and Profoto gear.
View post
Beauty Photography Tips: Three Things I Wish I Knew Earlier
Beauty photography tips from Oliver Minnett’s Georges workshop, covering lighting, direction, working with a creative team, and using Sony and Profoto gear.
View post
How We Lit Karla Spetic's Australian Fashion Week Show with P...
We were invited by Karla Spetic to help light her runway, we chose Profoto's new LED lights for the job!
View post
Sony A7R VI First Thoughts: A Portrait Photographer’s Take on...
Sony has just launched the new Sony A7R VI, the latest camera in its high-resolution Alpha line, and I was lucky enough to spend some time with it earlier this week. I...
View post
Mobile Podcasting Setups Explained: From First Rig to Full Pr...
Mobile podcasting isn’t about shortcuts. It’s about picking gear that actually works, in the places podcasts actually happen. I used to chase the “best” setup. Turns out, the best setup is the...
View post
Rigging Up Your Sony Cinema Camera
Rigging gets a bad rap because a lot of rigs are built backwards. People buy parts first, bolt everything on, and end up with a camera that looks serious but shoots worse....
View post
