Overview

Ilford Multigrade IV RC Portfolio Paper (Glossy, 4 x 6", 25 Sheets)

A versatile black and white paper that is well-suited to showcasing your work, this box of 25 sheets of 4 x 6" Multigrade IV RC Portfolio Paper from Ilford features a glossy 1K surface finish that is smooth and reflective in order to achieve noticeably deep black tones and a long tonal scale. Compared to the standard range of medium weight RC papers, this heavyweight Portfolio paper has a 250 gsm base for a sturdier structure that is ideal for exhibiting or for use in presentation books. Its bright white base tint delivers a cool-to-neutral image colour, and it responds well to select toners, especially selenium, for increasing the effective print lifespan. As a variable contrast paper, it responds to seven full grades of contrast during printing, when using multigrade filters, and it is suitable for printing both conventional black and white negatives as well as chromogenic black and white negative films. Additionally, the paper can be processed using standard black and white chemistry in either trays or using machine processors.

SKU: GC40-1175712

Ilford Multigrade IV RC Portfolio Paper (Glossy, 4 x 6", 25 Sheets)

Ilford Multigrade IV RC Portfolio Paper (Glossy, 4 x 6", 25 Sheets)

A versatile black and white paper that is well-suited to showcasing your work, this box of 25 sheets of 4 x 6" Multigrade IV RC Portfolio Paper from Ilford features a glossy 1K surface finish that is smooth and reflective in order to achieve noticeably deep black tones and a long tonal scale. Compared to the standard range of medium weight RC papers, this heavyweight Portfolio paper has a 250 gsm base for a sturdier structure that is ideal for exhibiting or for use in presentation books. Its bright white base tint delivers a cool-to-neutral image colour, and it responds well to select toners, especially selenium, for increasing the effective print lifespan. As a variable contrast paper, it responds to seven full grades of contrast during printing, when using multigrade filters, and it is suitable for printing both conventional black and white negatives as well as chromogenic black and white negative films. Additionally, the paper can be processed using standard black and white chemistry in either trays or using machine processors.

Key Features:

For Traditional Black & White Printing

Resin Coated Base

Glossy 1K Surface Finish

Delivers Seven Full Grades of Contrast

Double Weight, 250 gsm

Cool-to-Neutral Colour, White Base Tint

Can Be Processed in Trays or via Machine

What's in the Box:

Ilford Multigrade IV RC Portfolio Paper (Glossy, 4 x 6", 25 Sheets)

Regular price $70.00
Sale price $70.00 Regular price $71.00 Save 1%
Pay with
Pay with
Found a better price? Request a price match

Price Match

Fill out the price match form below, and we will be in touch shortly.

Price Match Request For:
Ilford Multigrade IV RC Portfolio Paper (Glossy, 4 x 6
Ilford Multigrade IV RC Portfolio Paper (Glossy, 4 x 6", 25 Sheets)
Our Price: $70.00

Price Match

Fill out the price match form below, and we will be in touch shortly.

Competitor Information:
Your Details:
This item is currently backordered and we are awaiting arrival. star If you'd like to know when it's due, we're here to help!

phone Call us during business hours at 02 9299 0177.
chatChat live with our team on-site.
emailOr email us anytime at info@georges.com.au with the subject "Awaiting Arrival"
Awaiting Stock

Checking availability...

$70.00

Product Overview

Ilford Multigrade IV RC Portfolio Paper (Glossy, 4 x 6", 25 Sheets)

A versatile black and white paper that is well-suited to showcasing your work, this box of 25 sheets of 4 x 6" Multigrade IV RC Portfolio Paper from Ilford features a glossy 1K surface finish that is smooth and reflective in order to achieve noticeably deep black tones and a long tonal scale. Compared to the standard range of medium weight RC papers, this heavyweight Portfolio paper has a 250 gsm base for a sturdier structure that is ideal for exhibiting or for use in presentation books. Its bright white base tint delivers a cool-to-neutral image colour, and it responds well to select toners, especially selenium, for increasing the effective print lifespan. As a variable contrast paper, it responds to seven full grades of contrast during printing, when using multigrade filters, and it is suitable for printing both conventional black and white negatives as well as chromogenic black and white negative films. Additionally, the paper can be processed using standard black and white chemistry in either trays or using machine processors.

Need advice?

Speak to one of our dedicated Australian-based sales team members.

Call us

Product Reviews

Panel Discussion at Lunar Studios

Everyone Can Take a Picture. Not Everyone Can Hold the Room

What an agent, a Vogue visuals producer and a brand-side creative lead really look for in photographers now. There is a point in almost every creative career where the work alone stops...

View post
Beauty Photography Tips: Three Things I Wish I Knew Earlier

Beauty Photography Tips: Three Things I Wish I Knew Earlier

Beauty photography tips from Oliver Minnett’s Georges workshop, covering lighting, direction, working with a creative team, and using Sony and Profoto gear.

View post
Models on stage at Karla Spetics show

How We Lit Karla Spetic's Australian Fashion Week Show with P...

We were invited by Karla Spetic to help light her runway, we chose Profoto's new LED lights for the job!

View post
Ricardo sits with Ollie and discusses mobile podcasting setups

Sony A7R VI First Thoughts: A Portrait Photographer’s Take on...

Sony has just launched the new Sony A7R VI, the latest camera in its high-resolution Alpha line, and I was lucky enough to spend some time with it earlier this week. I...

View post
Ricardo sits with Ollie and discusses mobile podcasting setups

Mobile Podcasting Setups Explained: From First Rig to Full Pr...

Mobile podcasting isn’t about shortcuts. It’s about picking gear that actually works, in the places podcasts actually happen. I used to chase the “best” setup. Turns out, the best setup is the...

View post
Tilta Sony FX Rigging

Rigging Up Your Sony Cinema Camera

Rigging gets a bad rap because a lot of rigs are built backwards. People buy parts first, bolt everything on, and end up with a camera that looks serious but shoots worse....

View post
Gracaie Stendl Portfolio Images

What Makes a Good Photographer? A Portfolio Deconstruction

Clyde Vaughan Guest post by Clyde Vaughan — ahead of  Clyde's talk on January 22: “How to create incredible images: A talk by Clyde Vaughan”. If you ask “what makes a good...

View post
Ollie Jones holds the 22 kg DJI Power 2000

The End of the Generator? Hands-on with the DJI Power 2000

We’ve all been there: you’re on a remote shoot, beautiful location, but you’re either scrambling to find a power outlet or lugging a massive, noisy petrol generator through the bush. We’ve been...

View post
Oliver Minnett teaching a photography workshop

Why 2026 Might be the year to change from DSLR to Mirrorless

Alright—let’s do the DSLR vs mirrorless thing properly. Not “on paper”, not “in theory”, but head-to-head on the stuff that actually matters when you’re out shooting. My name's Oliver Minnett, I'm Georges...

View post
Two Leica M11P's on a desk

Leica is now at Georges Cameras

Some cameras don’t just document your life; they become part of it. I bought a Leica M6 in 2012. Photography had always been a part of my life; my dad had run...

View post