Overview

Ilford Galerie Tesuki-Washi Echizen Smooth Warmtone 110gsm A3+ 10 Sheets

Hailing from the Echizen region, where the tradition of washi paper-making stretches back over 1500 years, Tesuki-Washi EchiZen Warmtone Smooth 110 is a fine example of authentic Japanese craftsmanship. Handmade with great care, this paper is highly valued by artists for its impeccable quality, especially for reproducing both black-and-white and colour artwork with exquisite detail. Composed of 40% kozo and 60% hemp, it offers a blend of strength, resilience, and flexibility. The smooth surface of the paper complements inkjet prints, ensuring that every image retains a natural handmade texture. Free of optical brighteners and acid-free, this paper ensures the longevity and authenticity of the work printed upon it. Enhanced with Ilford's original coating recipe, Tesuki-Washi EchiZen Warmtone Smooth 110 provides brilliant, rich colours and an exceptional reproduction of detail. Available in A1+ and A3+ (13x19") sizes with deckle edges on all sides, it makes a perfect choice for high-quality artwork reproductions.

SKU: GC40-2004944

Ilford Galerie Tesuki-Washi Echizen Warmtone Smooth 110gsm (A3+, 10 Sheets)

Ilford Galerie Tesuki-Washi Echizen Smooth Warmtone 110gsm A3+ 10 Sheets

Hailing from the Echizen region, where the tradition of washi paper-making stretches back over 1500 years, Tesuki-Washi EchiZen Warmtone Smooth 110 is a fine example of authentic Japanese craftsmanship. Handmade with great care, this paper is highly valued by artists for its impeccable quality, especially for reproducing both black-and-white and colour artwork with exquisite detail. Composed of 40% kozo and 60% hemp, it offers a blend of strength, resilience, and flexibility. The smooth surface of the paper complements inkjet prints, ensuring that every image retains a natural handmade texture. Free of optical brighteners and acid-free, this paper ensures the longevity and authenticity of the work printed upon it. Enhanced with Ilford's original coating recipe, Tesuki-Washi EchiZen Warmtone Smooth 110 provides brilliant, rich colours and an exceptional reproduction of detail. Available in A1+ and A3+ (13x19") sizes with deckle edges on all sides, it makes a perfect choice for high-quality artwork reproductions.

Key Features:

Handmade Japanese Washi Paper

40% Kozo, 60% Hemp Composition

High-Quality Inkjet Printing

Natural Flexibility and Texture

Deckle Edges on All Sides

What's in the Box:

Ilford Galerie Tesuki-Washi Echizen Smooth Warmtone 110gsm A3+ 10 Sheets

Regular price $229.00
Sale price $229.00 Regular price $253.00 Save 9%
Pay with
Pay with
Found a better price? Request a price match

Price Match

Fill out the price match form below, and we will be in touch shortly.

Price Match Request For:
Ilford Galerie Tesuki-Washi Echizen Warmtone Smooth 110gsm (A3+, 10 Sheets)
Ilford Galerie Tesuki-Washi Echizen Warmtone Smooth 110gsm (A3+, 10 Sheets)
Our Price: $229.00

Price Match

Fill out the price match form below, and we will be in touch shortly.

Competitor Information:
Your Details:
This item is currently backordered and we are awaiting arrival. star If you'd like to know when it's due, we're here to help!

phone Call us during business hours at 02 9299 0177.
chatChat live with our team on-site.
emailOr email us anytime at info@georges.com.au with the subject "Awaiting Arrival"
Awaiting Stock β“˜

Checking availability...

$229.00

Product Overview

Ilford Galerie Tesuki-Washi Echizen Smooth Warmtone 110gsm A3+ 10 Sheets

Hailing from the Echizen region, where the tradition of washi paper-making stretches back over 1500 years, Tesuki-Washi EchiZen Warmtone Smooth 110 is a fine example of authentic Japanese craftsmanship. Handmade with great care, this paper is highly valued by artists for its impeccable quality, especially for reproducing both black-and-white and colour artwork with exquisite detail. Composed of 40% kozo and 60% hemp, it offers a blend of strength, resilience, and flexibility. The smooth surface of the paper complements inkjet prints, ensuring that every image retains a natural handmade texture. Free of optical brighteners and acid-free, this paper ensures the longevity and authenticity of the work printed upon it. Enhanced with Ilford's original coating recipe, Tesuki-Washi EchiZen Warmtone Smooth 110 provides brilliant, rich colours and an exceptional reproduction of detail. Available in A1+ and A3+ (13x19") sizes with deckle edges on all sides, it makes a perfect choice for high-quality artwork reproductions.

Need advice?

Speak to one of our dedicated Australian-based sales team members.

Call us

Product Reviews

Beauty Photo of Sienna Etches

Beauty Lighting: How to Combine Hard and Soft Light to Make S...

A working beauty photographer’s guide to combining hard and soft light, beauty dish vs softbox, grids, negative fill and a clamshell setup you can copy, for skin that pops.

View post
Panel Discussion at Lunar Studios

Everyone Can Take a Picture. Not Everyone Can Hold the Room

What an agent, a Vogue visuals producer and a brand-side creative lead really look for in photographers now. There is a point in almost every creative career where the work alone stops...

View post
Beyond Reach: My Experience With the Fujifilm XF400mmF4.5 Super-Telephoto Lens

Beyond Reach: My Experience With the Fujifilm XF400mmF4.5 Sup...

Explore our hands-on experience with the Fujifilm XF400mmF4.5, covering its sharpness, autofocus, reach and performance for sport, wildlife, landscapes and portraits.

View post
Learn to Get the Shot Right In-Camera

Learn to Get the Shot Right In-Camera

Beauty photography tips from Oliver Minnett’s Georges workshop, covering lighting, direction, working with a creative team, and using Sony and Profoto gear.

View post
Stop Trying to Learn Everything at Once

Stop Trying to Learn Everything at Once

Beauty photography tips from Oliver Minnett’s Georges workshop, covering lighting, direction, working with a creative team, and using Sony and Profoto gear.

View post
Beauty Photography Tips: Three Things I Wish I Knew Earlier

Beauty Photography Tips: Three Things I Wish I Knew Earlier

Beauty photography tips from Oliver Minnett’s Georges workshop, covering lighting, direction, working with a creative team, and using Sony and Profoto gear.

View post
Models on stage at Karla Spetics show

How We Lit Karla Spetic's Australian Fashion Week Show with P...

We were invited by Karla Spetic to help light her runway, we chose Profoto's new LED lights for the job!

View post
Ricardo sits with Ollie and discusses mobile podcasting setups

Sony A7R VI First Thoughts: A Portrait Photographer’s Take on...

Sony has just launched the new Sony A7R VI, the latest camera in its high-resolution Alpha line, and I was lucky enough to spend some time with it earlier this week. I...

View post
Ricardo sits with Ollie and discusses mobile podcasting setups

Mobile Podcasting Setups Explained: From First Rig to Full Pr...

Mobile podcasting isn’t about shortcuts. It’s about picking gear that actually works, in the places podcasts actually happen. I used to chase the β€œbest” setup. Turns out, the best setup is the...

View post
Tilta Sony FX Rigging

Rigging Up Your Sony Cinema Camera

Rigging gets a bad rap because a lot of rigs are built backwards. People buy parts first, bolt everything on, and end up with a camera that looks serious but shoots worse....

View post