Overview

Ultra-brightness

SKU: GC82-OSEE-G7-KIT

G7 7inch 3000nits HDMI/SDI 4K HDR Monitor Standard Kit

Ultra-brightness

Osee G7 monitor has ultra-high brightness, the super 3000 nits screen is almost 6 times the brightness of other field monitors. It allows you to shoot outdoors in direct sunlight without any washing-out of the image on the screen. With osee G7 monitor, there's no need of sun hood anymore, hence the restriction on viewing angle is freed.

Convenient Zoom & Pan

With single joystick operation, zoom and pan is easy at hand, scroll the joystick up, to zoom-in the image by 2x or 4x; and during zoom-in mode, press the joystick, you can easily pan the image in up / down / left / right directions freely.

Scene Switch

One of the most merits that osee G7 can provide is the great convenience of scene switching, cinematographer can create up to 8 scenes, and up to 8 image tools can be added in each scene, so frequently used features can be preset in advance, then you can just switch from one scene to the other when shooting in different conditions!

Anamorphic

Osee G7 monitor can properly restore the video shot by anamorphic lens. It can work with a camera without internal anamorphic de-squeeze. It supports 1x,1.33x,1.5x,1.66x, 2x and 2x mag anamorphic lens.

Durability

With a built-in aluminum sheet, Osee G7 is durable enough while embodied in polycarbonate structure, the goal is to make sure that G7 can provide steady work even in motions or extreme conditions.

Image Tools

CrossHatch

From 2x2 to 9x9, crosshactch can help the cinematographer compose an ideal framing the quickest way possible.

Super False Color

Osee G7 monitor supports more powerful Super False Color mode, including under-exposure / over-exposure / 18 degree grey / skin tone indications, to help you get a correct exposure easily. The exposure indications are calculated for different cameras, there are 16 different log curves including SONY S-Log2, SONY S-Log3, Panasonic V709, ARRI REC709, RED LOGFILM, RED RG4, etc for you to choose.

Level-adjustable Zebra

Zebra helps you expose your image properly by displaying a stripe pattern over a specific brightness (IRE, value) range on your image. This is useful for essentially setting exposure ‘boundaries’ typically for highlights, its level can be adjusted from 1 to 100.

RGB 3-color Focus Assist

Outlining in White, Red, Green or Blue at the edge of shot objects can efficiently help you confirm if your focus is right on the target, you can choose whether to turn on the B&W Background function, also the sensitivity is adjustable from 1-10.

Built-in 3DLUT

Osee G7 monitor provides 33 kinds of De-log 3DLUTs, including S-log 2/3, V-log, C-log 1/2/3, Log-C, J-log1, Redlog,BMD, FujiFilm, GoPro, DJI etc, to convert log mode to REC 709 for all major cameras. To further enhance color brightness and clarity, Osee G7 supports High Dynamic Range (HDR) to help make images more detailed and realistic.

User Upload 3DLUT

Cinematographers can also upload user creative 3DLUT cube or calibration 3DLUT cube to G7 monitor by SD card. G7 supports 17^3, 33^3 and 65^3 cubes. Max 16 user 3DLUTs can be restored.

Full Professional Video Analysis

G7 has full professional video analysis tools including waveform, vector scope, histogram and audio level meter to help our user to analyze their video, and with image re-size tool together, you can put these analysis charts and the image together for a clear comparison to see which parts or parameters need to be adjusted.

Regular price $1,494.00
Sale price $1,494.00 Regular price $1,495.00 Save 0%
Pay with
Pay with
Found a better price? Request a price match

Price Match

Fill out the price match form below, and we will be in touch shortly.

Price Match Request For:
G7 7inch 3000nits HDMI/SDI 4K HDR Monitor Standard Kit
G7 7inch 3000nits HDMI/SDI 4K HDR Monitor Standard Kit
Our Price: $1,494.00

Price Match

Fill out the price match form below, and we will be in touch shortly.

Competitor Information:
Your Details:
This item is currently backordered and we are awaiting arrival. star If you'd like to know when it's due, we're here to help!

phone Call us during business hours at 02 9299 0177.
chatChat live with our team on-site.
emailOr email us anytime at info@georges.com.au with the subject "Awaiting Arrival"
Awaiting Stock

Checking availability...

$1,494.00

Product Overview

Ultra-brightness

Need advice?

Speak to one of our dedicated Australian-based sales team members.

Call us

Product Reviews

Panel Discussion at Lunar Studios

Everyone Can Take a Picture. Not Everyone Can Hold the Room

What an agent, a Vogue visuals producer and a brand-side creative lead really look for in photographers now. There is a point in almost every creative career where the work alone stops...

View post
Beauty Photography Tips: Three Things I Wish I Knew Earlier

Beauty Photography Tips: Three Things I Wish I Knew Earlier

Beauty photography tips from Oliver Minnett’s Georges workshop, covering lighting, direction, working with a creative team, and using Sony and Profoto gear.

View post
Models on stage at Karla Spetics show

How We Lit Karla Spetic's Australian Fashion Week Show with P...

We were invited by Karla Spetic to help light her runway, we chose Profoto's new LED lights for the job!

View post
Ricardo sits with Ollie and discusses mobile podcasting setups

Sony A7R VI First Thoughts: A Portrait Photographer’s Take on...

Sony has just launched the new Sony A7R VI, the latest camera in its high-resolution Alpha line, and I was lucky enough to spend some time with it earlier this week. I...

View post
Ricardo sits with Ollie and discusses mobile podcasting setups

Mobile Podcasting Setups Explained: From First Rig to Full Pr...

Mobile podcasting isn’t about shortcuts. It’s about picking gear that actually works, in the places podcasts actually happen. I used to chase the “best” setup. Turns out, the best setup is the...

View post
Tilta Sony FX Rigging

Rigging Up Your Sony Cinema Camera

Rigging gets a bad rap because a lot of rigs are built backwards. People buy parts first, bolt everything on, and end up with a camera that looks serious but shoots worse....

View post
Gracaie Stendl Portfolio Images

What Makes a Good Photographer? A Portfolio Deconstruction

Clyde Vaughan Guest post by Clyde Vaughan — ahead of  Clyde's talk on January 22: “How to create incredible images: A talk by Clyde Vaughan”. If you ask “what makes a good...

View post
Ollie Jones holds the 22 kg DJI Power 2000

The End of the Generator? Hands-on with the DJI Power 2000

We’ve all been there: you’re on a remote shoot, beautiful location, but you’re either scrambling to find a power outlet or lugging a massive, noisy petrol generator through the bush. We’ve been...

View post
Oliver Minnett teaching a photography workshop

Why 2026 Might be the year to change from DSLR to Mirrorless

Alright—let’s do the DSLR vs mirrorless thing properly. Not “on paper”, not “in theory”, but head-to-head on the stuff that actually matters when you’re out shooting. My name's Oliver Minnett, I'm Georges...

View post
Two Leica M11P's on a desk

Leica is now at Georges Cameras

Some cameras don’t just document your life; they become part of it. I bought a Leica M6 in 2012. Photography had always been a part of my life; my dad had run...

View post