Standard Prime Lens
Canon RF Mount
F/1.4
67 mm
35mm
555g
Overview

Canon RF 35mm f/1.4L VCM Lens

Expressive Power in Video and Stills

35mm focal length is close to the natural human angle of vision, allowing the camera to capture the scene as the creator sees it. f/1.4 maximum aperture gives a rich bokeh effect and lets you create videos and images where the subject appears to emerge from the background.

SKU: GC66-RF3514L

Canon RF 35mm f/1.4L VCM Lens

Canon RF 35mm f/1.4L VCM Lens

Expressive Power in Video and Stills

35mm focal length is close to the natural human angle of vision, allowing the camera to capture the scene as the creator sees it. f/1.4 maximum aperture gives a rich bokeh effect and lets you create videos and images where the subject appears to emerge from the background.

Outstanding Optical Performance

High image quality from the centre to the edges of the frame. Colour aberration is optimally corrected by the two UD lenses, while two GMo aspheric lenses suppress spherical aberration and image distortion.

Iris Ring for Manual Aperture Control

Get the cinema lens experience when shooting movies with an iris ring that offers manual aperture control allowing you to adjust the depth of field. Enjoy a light smooth torque, handy for reducing external noise during movie recording.

Electronic Floating Focus Control

Canon's first RF lens to use a VCM (Voice Coil Motor) in combination with a Nano USM to achieve electronic floating focus control. The high-thrust VCM actuates the heavy focusing lens group, while a compact, energy-saving Nano USM actuates the lightweight floating lens to deliver fast, reliable and quiet autofocus.

Key Features:

35mm Focal Length, Natural Angle of Vision

f/1.4 Aperture for Rich Bokeh Effect

High Image Quality from Centre to Edges

Two UD Lenses for Colour Aberration Correction

Two GMo Aspheric Lenses for Distortion Suppression

VCM and Nano USM for Quiet Autofocus

What's in the Box:

Canon RF 35mm f/1.4L VCM Lens

Standard Prime Lens
Canon RF Mount
F/1.4
67 mm
35mm
555g
Regular price $2,165.00
Sale price $2,165.00 Regular price $2,699.00 Save 19%
Pay with
Pay with
Found a better price? Request a price match

Price Match

Fill out the price match form below, and we will be in touch shortly.

Price Match Request For:
Canon RF 35mm f/1.4L VCM Lens
Canon RF 35mm f/1.4L VCM Lens
Our Price: $2,165.00

Price Match

Fill out the price match form below, and we will be in touch shortly.

Competitor Information:
Your Details:
In Stock

Checking availability...

$2,165.00

Product Overview

Canon RF 35mm f/1.4L VCM Lens

Expressive Power in Video and Stills

35mm focal length is close to the natural human angle of vision, allowing the camera to capture the scene as the creator sees it. f/1.4 maximum aperture gives a rich bokeh effect and lets you create videos and images where the subject appears to emerge from the background.

FAQs

Need advice?

Speak to one of our dedicated Australian-based sales team members.

Call us

Key Features

Standard Prime Lens

The Canon RF 35mm f/1.4L VCM Lens is standard prime lens.

Canon RF Mount

The Canon 35mm f/1.4L VCM Lens is compatible with Canon RF Mount.

F/1.4

The Canon RF 35mm VCM Lens has a maximum aperture of F/1.4.

67 mm

The Canon RF 35mm VCM Lens has a front filter size of 67 mm.

35mm

A 35mm focal length closely mirrors the natural human field of vision, enabling the camera to capture scenes as the creator perceives them.

555g

The Canon RF 35mm VCM Lens weighs only 555 grams.

Product Reviews

Beauty Photo of Sienna Etches

Beauty Lighting: How to Combine Hard and Soft Light to Make S...

A working beauty photographer’s guide to combining hard and soft light, beauty dish vs softbox, grids, negative fill and a clamshell setup you can copy, for skin that pops.

View post
Panel Discussion at Lunar Studios

Everyone Can Take a Picture. Not Everyone Can Hold the Room

What an agent, a Vogue visuals producer and a brand-side creative lead really look for in photographers now. There is a point in almost every creative career where the work alone stops...

View post
Beyond Reach: My Experience With the Fujifilm XF400mmF4.5 Super-Telephoto Lens

Beyond Reach: My Experience With the Fujifilm XF400mmF4.5 Sup...

Explore our hands-on experience with the Fujifilm XF400mmF4.5, covering its sharpness, autofocus, reach and performance for sport, wildlife, landscapes and portraits.

View post
Learn to Get the Shot Right In-Camera

Learn to Get the Shot Right In-Camera

Beauty photography tips from Oliver Minnett’s Georges workshop, covering lighting, direction, working with a creative team, and using Sony and Profoto gear.

View post
Stop Trying to Learn Everything at Once

Stop Trying to Learn Everything at Once

Beauty photography tips from Oliver Minnett’s Georges workshop, covering lighting, direction, working with a creative team, and using Sony and Profoto gear.

View post
Beauty Photography Tips: Three Things I Wish I Knew Earlier

Beauty Photography Tips: Three Things I Wish I Knew Earlier

Beauty photography tips from Oliver Minnett’s Georges workshop, covering lighting, direction, working with a creative team, and using Sony and Profoto gear.

View post
Models on stage at Karla Spetics show

How We Lit Karla Spetic's Australian Fashion Week Show with P...

We were invited by Karla Spetic to help light her runway, we chose Profoto's new LED lights for the job!

View post
Ricardo sits with Ollie and discusses mobile podcasting setups

Sony A7R VI First Thoughts: A Portrait Photographer’s Take on...

Sony has just launched the new Sony A7R VI, the latest camera in its high-resolution Alpha line, and I was lucky enough to spend some time with it earlier this week. I...

View post
Ricardo sits with Ollie and discusses mobile podcasting setups

Mobile Podcasting Setups Explained: From First Rig to Full Pr...

Mobile podcasting isn’t about shortcuts. It’s about picking gear that actually works, in the places podcasts actually happen. I used to chase the “best” setup. Turns out, the best setup is the...

View post
Tilta Sony FX Rigging

Rigging Up Your Sony Cinema Camera

Rigging gets a bad rap because a lot of rigs are built backwards. People buy parts first, bolt everything on, and end up with a camera that looks serious but shoots worse....

View post