SKU: GC66-EF16-35LIS

Canon EF 16-35mm f/4L IS USM Lens

Regular price $1,496.15
Sale price $1,496.15 Regular price $1,749.00 Save 14%
Pay with
Pay with

Availability

  • Availability: Out of stock

This item is currently out of stock. Place an order and a dedicated team member will reach out to you for delivery expectation.

Price Match

Fill out the price match form below, and we will be in touch shortly.

Price Match Request For:
Canon EF 16-35mm f/4L IS USM Lens - Georges Cameras
Canon EF 16-35mm f/4L IS USM Lens
Our Price: $1,496.15

Price Match

Fill out the price match form below, and we will be in touch shortly.

Competitor Information:
Your Details:
This item is currently backordered and we are awaiting arrival. star If you'd like to know when it's due, we're here to help!

phone Call us during business hours at 02 9299 0177.
chatChat live with our team on-site.
emailOr email us anytime at info@georges.com.au with the subject "Awaiting Arrival"
Awaiting Stock β“˜
Regular price $1,496.15
Sale price $1,496.15 Regular price $1,749.00
Regular price $1,496.15
Sale price $1,496.15 Regular price $1,749.00

Product Overview

Canon EF 16-35mm f/4L IS USM Lens

What's in the box:

Canon EF 16-35mm f/4L IS USM Lens

Canon E-77 II Lens Cap

Canon Lens Dust Cap E (Rear)

Canon EW-82 Lens Hood

Canon LP1219 Soft Lens Case

Need advice?

Speak to one of our dedicated Australian-based sales team members.

Call us

Key Features

FAQs

What type of photography is the Canon EF 16-35mm f/4L IS USM lens best suited for?

The Canon EF 16-35mm f/4L IS USM lens is ideal for a variety of photography styles, particularly landscape, architecture, and interior photography due to its wide-angle capabilities. Its constant f/4 aperture allows for consistent exposure across the zoom range, making it suitable for shooting in varying light conditions. Additionally, the lens's image stabilization feature is beneficial for handheld shooting, especially in low-light environments, allowing photographers to capture sharp images without the need for a tripod.

How does the image stabilization work in this lens?

The image stabilization system in the Canon EF 16-35mm f/4L IS USM lens compensates for camera shake by providing up to four stops of stabilization. This means that you can shoot at slower shutter speeds without experiencing the blurriness that often results from hand movement. The system detects the direction of camera movement and adjusts the lens elements accordingly, enabling clearer images even when shooting handheld in challenging lighting conditions.

What advantages does the Super Spectra coating offer?

The Super Spectra coating applied to the Canon EF 16-35mm f/4L IS USM lens helps to reduce unwanted flare and ghosting, which can occur when shooting in bright light situations or when the light source is directly in the frame. This coating enhances overall image contrast and colour neutrality, ensuring that the final images exhibit high clarity and accurate colour reproduction, which is crucial for professional photography.

Can this lens be used with APS-C format cameras?

Yes, the Canon EF 16-35mm f/4L IS USM lens can be used with APS-C format cameras as well. When mounted on an APS-C camera, the lens provides a focal length equivalent of approximately 25.6-56mm, making it versatile for both wide-angle and standard focal length photography. This flexibility allows photographers to utilise the lens for a variety of shooting scenarios, including portraits and general photography.

What makes this lens suitable for use in challenging weather conditions?

The Canon EF 16-35mm f/4L IS USM lens is designed with weather-sealing features that protect it from dust and moisture, allowing photographers to use it in various environmental conditions without worry of damage. Additionally, the front and rear elements are treated with a fluorine coating, which not only resists fingerprints and smudges but also makes cleaning easier. This durability ensures that the lens can perform reliably in outdoor settings, even when faced with inclement weather.

How does the ring-type USM contribute to the lens's performance?

The ring-type Ultrasonic Motor (USM) in the Canon EF 16-35mm f/4L IS USM lens provides fast, accurate, and quiet autofocus performance. This is particularly advantageous for both still photography and videography, as it allows for quick adjustments without distracting noise. Additionally, the internal focusing mechanism ensures that the lens remains the same size during focusing, which is beneficial for maintaining balance and ease of handling, especially when using filters.

What benefits does the rounded nine-blade diaphragm provide?

The rounded nine-blade diaphragm in the Canon EF 16-35mm f/4L IS USM lens contributes to a pleasing bokeh, or out-of-focus quality, which enhances the overall aesthetic of images shot with a shallow depth of field. This feature is particularly useful for selective focus techniques, allowing photographers to create striking images where the subject stands out against a beautifully blurred background. The rounded shape of the diaphragm helps maintain a smooth and attractive bokeh, making it an important consideration for portrait and artistic photography.

Product Reviews

Verified by Trustvoice

Recommended Accessories

Tamron 16-50mm F2.8 vs Sigma 18-50mm F2.8: Which Compact APS-C Zoom Should You Buy?

Tamron 16-50mm F2.8 vs Sigma 18-50mm F2.8: Which Compact APS-...

If you shoot on an APS-C mirrorless camera and want one lens that stays on the body most of the time, there's a good chance the Sigma 18-50mm F2.8 DC DN Contemporary...

View post
PTZ Cameras

The Ultimate Guide to PTZ Cameras: Choosing the Right Setup f...

Compare Canon, Sony, BirdDog and Telycam PTZ cameras on image quality, tracking, zoom and value. Find the right setup for your production at Georges Cameras.

View post
Beauty Photo of Sienna Etches

Beauty Lighting: How to Combine Hard and Soft Light to Make S...

A working beauty photographer’s guide to combining hard and soft light, beauty dish vs softbox, grids, negative fill and a clamshell setup you can copy, for skin that pops.

View post
Panel Discussion at Lunar Studios

Everyone Can Take a Picture. Not Everyone Can Hold the Room

What an agent, a Vogue visuals producer and a brand-side creative lead really look for in photographers now. There is a point in almost every creative career where the work alone stops...

View post
Beyond Reach: My Experience With the Fujifilm XF400mmF4.5 Super-Telephoto Lens

Beyond Reach: My Experience With the Fujifilm XF400mmF4.5 Sup...

Explore our hands-on experience with the Fujifilm XF400mmF4.5, covering its sharpness, autofocus, reach and performance for sport, wildlife, landscapes and portraits.

View post
Learn to Get the Shot Right In-Camera

Learn to Get the Shot Right In-Camera

Beauty photography tips from Oliver Minnett’s Georges workshop, covering lighting, direction, working with a creative team, and using Sony and Profoto gear.

View post
Stop Trying to Learn Everything at Once

Stop Trying to Learn Everything at Once

Beauty photography tips from Oliver Minnett’s Georges workshop, covering lighting, direction, working with a creative team, and using Sony and Profoto gear.

View post
Beauty Photography Tips: Three Things I Wish I Knew Earlier

Beauty Photography Tips: Three Things I Wish I Knew Earlier

Beauty photography tips from Oliver Minnett’s Georges workshop, covering lighting, direction, working with a creative team, and using Sony and Profoto gear.

View post
Models on stage at Karla Spetics show

How We Lit Karla Spetic's Australian Fashion Week Show with P...

We were invited by Karla Spetic to help light her runway, we chose Profoto's new LED lights for the job!

View post
Ricardo sits with Ollie and discusses mobile podcasting setups

Sony A7R VI First Thoughts: A Portrait Photographer’s Take on...

Sony has just launched the new Sony A7R VI, the latest camera in its high-resolution Alpha line, and I was lucky enough to spend some time with it earlier this week. I...

View post