Overview

Bright Tangerine Universal Monitor Mount (1/4"-20 Top, 3/8"-16 Base)

When you buy a cheap, low-quality monitor mount; you often pay a different price. With our Universal Monitor Mount system, which features secure 1/4" and 3/8" anti-twist screws, is guaranteed to securely mount any monitor to any camera system. Pan and tilt to suit your shot, then lock the Monitor Mount in position.

SKU: GC63-B3001.1021

Bright Tangerine Universal Monitor Mount (1/4"-20 Top, 3/8"-16 Base)

Bright Tangerine Universal Monitor Mount (1/4"-20 Top, 3/8"-16 Base)

When you buy a cheap, low-quality monitor mount; you often pay a different price. With our Universal Monitor Mount system, which features secure 1/4" and 3/8" anti-twist screws, is guaranteed to securely mount any monitor to any camera system. Pan and tilt to suit your shot, then lock the Monitor Mount in position.

Choose the Universal Monitor Mount: because the only frequent breaks should be on the call sheet.

Easy Rigging

The Universal Monitor Mount maintains a low profile on your rig, making it perfect for minimalist setups. If you are tired of squinting into your camera's built-in EVF or screen, mounting a monitor has never been easier. The Monitor Mount can handle up to 2.5kg in weight - more than enough for even some of the heaviest monitors.

Tool-Free Tweaking

Both ends of the Universal Monitor Mount feature thumbscrews for hassle-free locking and unlocking of your components. If you're struggling to get enough traction, you can slot a Hex Key through for extra turning power. The only movement should be the panning and tilting that you do yourself.

Pan, Tilt & More

Whether you're going low-angle on a handheld shot or doing an overhead view; standing operator-side on a shoot or sat behind the camera, the Monitor Mount can handle any point of view. The independent pan and tilt mechanisms give you free articulation: 180° tilting up-and-down, and a full 360° pan. The Monitor Mount keeps you level by providing tactile feedback clicks every 90° turn - ensuring you have the right angle every right-angle.

Mount Multiple Monitors

Mounting monitors can be complicated: most use a standard 1/4" screw, but the location for locating pins changes between ARRI, Atomos and SmallHD standards. Our mounting system, which features spring-loaded and removeable pins for each monitor standard, cuts out the second-guessing - making it quick and easy to set up your view.

Part of the Monitor Mount System

Filmmaking is an expensive trade, and a cracked monitor is a mistake you can't afford to make even once. Our Universal Monitor Mounts are durable and dependable, for long-lasting success. Made from aerospace-grade aluminium, each Monitor Mount is designed to withstand the worst that your shoots can throw at it.

Key Features:

Secure 1/4" and 3/8" Mounting

Tool-Free Adjustments for Rigging

180° Tilt and 360° Pan

Supports Monitors up to 2.5kg

Compatible with Multiple Monitor Standards

Durable Aerospace-Grade Aluminium Build

What's in the Box:

Bright Tangerine Universal Monitor Mount (1/4"-20 Top, 3/8"-16 Base)

Regular price $179.00
Sale price $179.00 Regular price $200.00 Save 10%
Pay with
Pay with
Found a better price? Request a price match

Price Match

Fill out the price match form below, and we will be in touch shortly.

Price Match Request For:
Bright Tangerine Universal Monitor Mount (1/4
Bright Tangerine Universal Monitor Mount (1/4"-20 Top, 3/8"-16 Base)
Our Price: $179.00

Price Match

Fill out the price match form below, and we will be in touch shortly.

Competitor Information:
Your Details:
In Stock

Checking availability...

$179.00

Product Overview

Bright Tangerine Universal Monitor Mount (1/4"-20 Top, 3/8"-16 Base)

When you buy a cheap, low-quality monitor mount; you often pay a different price. With our Universal Monitor Mount system, which features secure 1/4" and 3/8" anti-twist screws, is guaranteed to securely mount any monitor to any camera system. Pan and tilt to suit your shot, then lock the Monitor Mount in position.

Need advice?

Speak to one of our dedicated Australian-based sales team members.

Call us

Product Reviews

Panel Discussion at Lunar Studios

Everyone Can Take a Picture. Not Everyone Can Hold the Room

What an agent, a Vogue visuals producer and a brand-side creative lead really look for in photographers now. There is a point in almost every creative career where the work alone stops...

View post
Beauty Photography Tips: Three Things I Wish I Knew Earlier

Beauty Photography Tips: Three Things I Wish I Knew Earlier

Beauty photography tips from Oliver Minnett’s Georges workshop, covering lighting, direction, working with a creative team, and using Sony and Profoto gear.

View post
Models on stage at Karla Spetics show

How We Lit Karla Spetic's Australian Fashion Week Show with P...

We were invited by Karla Spetic to help light her runway, we chose Profoto's new LED lights for the job!

View post
Ricardo sits with Ollie and discusses mobile podcasting setups

Sony A7R VI First Thoughts: A Portrait Photographer’s Take on...

Sony has just launched the new Sony A7R VI, the latest camera in its high-resolution Alpha line, and I was lucky enough to spend some time with it earlier this week. I...

View post
Ricardo sits with Ollie and discusses mobile podcasting setups

Mobile Podcasting Setups Explained: From First Rig to Full Pr...

Mobile podcasting isn’t about shortcuts. It’s about picking gear that actually works, in the places podcasts actually happen. I used to chase the “best” setup. Turns out, the best setup is the...

View post
Tilta Sony FX Rigging

Rigging Up Your Sony Cinema Camera

Rigging gets a bad rap because a lot of rigs are built backwards. People buy parts first, bolt everything on, and end up with a camera that looks serious but shoots worse....

View post
Gracaie Stendl Portfolio Images

What Makes a Good Photographer? A Portfolio Deconstruction

Clyde Vaughan Guest post by Clyde Vaughan — ahead of  Clyde's talk on January 22: “How to create incredible images: A talk by Clyde Vaughan”. If you ask “what makes a good...

View post
Ollie Jones holds the 22 kg DJI Power 2000

The End of the Generator? Hands-on with the DJI Power 2000

We’ve all been there: you’re on a remote shoot, beautiful location, but you’re either scrambling to find a power outlet or lugging a massive, noisy petrol generator through the bush. We’ve been...

View post
Oliver Minnett teaching a photography workshop

Why 2026 Might be the year to change from DSLR to Mirrorless

Alright—let’s do the DSLR vs mirrorless thing properly. Not “on paper”, not “in theory”, but head-to-head on the stuff that actually matters when you’re out shooting. My name's Oliver Minnett, I'm Georges...

View post
Two Leica M11P's on a desk

Leica is now at Georges Cameras

Some cameras don’t just document your life; they become part of it. I bought a Leica M6 in 2012. Photography had always been a part of my life; my dad had run...

View post