Overview

Bright Tangerine Halo Universal Camera Cage (15mm LWS)

The Halo Universal Camera Cage is a full camera cage designed to work with any and all camera bodies. Offering a range of accessory mounting options, the Halo replaces traditional top plates, side plates and rod brackets as a single cage with minimal setup required.

SKU: GC63-B4013.1016

Bright Tangerine Halo Universal Camera Cage (15mm LWS)

Bright Tangerine Halo Universal Camera Cage (15mm LWS)

The Halo Universal Camera Cage is a full camera cage designed to work with any and all camera bodies. Offering a range of accessory mounting options, the Halo replaces traditional top plates, side plates and rod brackets as a single cage with minimal setup required.

Lightweight and mounted via industry-standard 15mm rods, the Halo sets a new standard in universal camera cages.

Camera cages can be exclusive, they can be expensive and they can be expendable - but not anymore. Introducing the Halo Universal Camera Cage: a lightweight yet sturdy camera rigging solution that can be used with any camera. Offering a range of accessory mounting options for industry-standard accessories, the Halo gives you a rigid rig for easy filmmaking.

Made from anodised aluminium, the Halo is an essential tool that will last your whole career: from run-and-gun shooting on a compact camera to fully-fledged narrative filmmaking.

The Only Cage You'll Need

The Halo is capable of fitting to any camera system: providing a clean and streamlined rig for any shooter. Whether you have multiple camera bodies that you constantly swap out, or are tired of throwing away half your rig whenever you upgrade your camera, then the Halo is the perfect solution.

Build the Perfect Setup

Wrapping around your camera body, the Halo offers a huge range of accessory mounting points for you to use. Along with industry-standard screw threads (1/4" and 3/8"), the Halo also offers MAP and QD sockets, a cold shoe mount and Nato rails. Able to take up to 10kg of load without flexing, you have huge scope for accessorising your rig.

Clean Rigging

The Halo mounts via a 15mm LW rod bracket on the bottom of the cage. Coupled with our Universal Dovetail, you can create a minimalist rig. For more involved setups requiring the 15mm LWS height, the Halo can easily be used with our LeftField 3 Baseplate for quick-release convenience on any ARRI BUD system. Whatever way you choose, you can create a comprehensive rig system that is secure, balanced and stylish. The space is precisely designed to accommodate cameras of different sizes, without being overly bulky.

Quick Customisation

Convenience is the name of the game with the Halo: it has been designed to give you as many options as possible, as easily as possible. The top and sides have built-in Nato rails, which allow you to conveniently slide accessories on and off in moments (safety stops help prevent components from falling off entirely). We've also marked the central balance point, making it convenient for you to mount the Halo to an Easyrig or other centrally aligned accessories.

Built to Last

The Halo is designed to be robust and reliable: lasting as long as your camera - and hopefully longer. It is made from lightweight aluminium and hard-anodised for durability, making it resistant to wear-and-tear and corrosion. It is assembled simply and cleanly with a handful of M4 screws, so you can get creating with the Halo as soon as possible and for as long as possible.

Part of the Halo System

The Halo is our best universal camera cage: offering total freedom and scope for customisation in a single package. Ideal for filmmakers with constantly changing setups, the Halo provides a consistent starting point for any camera and any rig.

Compatibility

The Halo is universally compatible with any camera system. It features a range of 1/4", 3/8", MAP, QD, Nato and Cold Shoe mounting points for compatibility with standard camera accessories.

Key Features:

Superior Stability for Cameras

Ergonomic Design for Comfort

Exceptional Durability and Strength

Seamless Adjustability for Positioning

Broad Compatibility with Cameras

Lightweight Design for Travel

What's in the Box:

Bright Tangerine Halo Universal Camera Cage (15mm LWS)

Regular price $189.00
Sale price $189.00 Regular price $200.00 Save 5%
Pay with
Pay with
Found a better price? Request a price match

Price Match

Fill out the price match form below, and we will be in touch shortly.

Price Match Request For:
Bright Tangerine Halo Universal Camera Cage (15mm LWS)
Bright Tangerine Halo Universal Camera Cage (15mm LWS)
Our Price: $189.00

Price Match

Fill out the price match form below, and we will be in touch shortly.

Competitor Information:
Your Details:
This item is currently backordered and we are awaiting arrival. star If you'd like to know when it's due, we're here to help!

phone Call us during business hours at 02 9299 0177.
chatChat live with our team on-site.
emailOr email us anytime at info@georges.com.au with the subject "Awaiting Arrival"
Awaiting Stock β“˜

Checking availability...

$189.00

Product Overview

Bright Tangerine Halo Universal Camera Cage (15mm LWS)

The Halo Universal Camera Cage is a full camera cage designed to work with any and all camera bodies. Offering a range of accessory mounting options, the Halo replaces traditional top plates, side plates and rod brackets as a single cage with minimal setup required.

Need advice?

Speak to one of our dedicated Australian-based sales team members.

Call us

Product Reviews

Beauty Photo of Sienna Etches

Beauty Lighting: How to Combine Hard and Soft Light to Make S...

A working beauty photographer’s guide to combining hard and soft light, beauty dish vs softbox, grids, negative fill and a clamshell setup you can copy, for skin that pops.

View post
Panel Discussion at Lunar Studios

Everyone Can Take a Picture. Not Everyone Can Hold the Room

What an agent, a Vogue visuals producer and a brand-side creative lead really look for in photographers now. There is a point in almost every creative career where the work alone stops...

View post
Beyond Reach: My Experience With the Fujifilm XF400mmF4.5 Super-Telephoto Lens

Beyond Reach: My Experience With the Fujifilm XF400mmF4.5 Sup...

Explore our hands-on experience with the Fujifilm XF400mmF4.5, covering its sharpness, autofocus, reach and performance for sport, wildlife, landscapes and portraits.

View post
Learn to Get the Shot Right In-Camera

Learn to Get the Shot Right In-Camera

Beauty photography tips from Oliver Minnett’s Georges workshop, covering lighting, direction, working with a creative team, and using Sony and Profoto gear.

View post
Stop Trying to Learn Everything at Once

Stop Trying to Learn Everything at Once

Beauty photography tips from Oliver Minnett’s Georges workshop, covering lighting, direction, working with a creative team, and using Sony and Profoto gear.

View post
Beauty Photography Tips: Three Things I Wish I Knew Earlier

Beauty Photography Tips: Three Things I Wish I Knew Earlier

Beauty photography tips from Oliver Minnett’s Georges workshop, covering lighting, direction, working with a creative team, and using Sony and Profoto gear.

View post
Models on stage at Karla Spetics show

How We Lit Karla Spetic's Australian Fashion Week Show with P...

We were invited by Karla Spetic to help light her runway, we chose Profoto's new LED lights for the job!

View post
Ricardo sits with Ollie and discusses mobile podcasting setups

Sony A7R VI First Thoughts: A Portrait Photographer’s Take on...

Sony has just launched the new Sony A7R VI, the latest camera in its high-resolution Alpha line, and I was lucky enough to spend some time with it earlier this week. I...

View post
Ricardo sits with Ollie and discusses mobile podcasting setups

Mobile Podcasting Setups Explained: From First Rig to Full Pr...

Mobile podcasting isn’t about shortcuts. It’s about picking gear that actually works, in the places podcasts actually happen. I used to chase the β€œbest” setup. Turns out, the best setup is the...

View post
Tilta Sony FX Rigging

Rigging Up Your Sony Cinema Camera

Rigging gets a bad rap because a lot of rigs are built backwards. People buy parts first, bolt everything on, and end up with a camera that looks serious but shoots worse....

View post