Blackmagic URSA Mini Pro 12K OLPF

Step your cine-style video recording up to 12K with the Blackmagic URSA Mini Pro 12K OLPF. This pro video camera uses a 12,288 x 6480 12K Super35 sensor, a new colour science, and up to 14 stops of dynamic range to produce extraordinarily detailed images. The URSA Mini Pro 12K OLPF uses an optical low pass filter that minimises unwanted image interference when shooting in virtual production environments and also offers updated IR filtering. The camera records up to 80MP per frame in Blackmagic Raw and offers flexible recording options that include dual CFast 2.0 card capture and high-speed USB-C output. Recording rates include up to 60 fps in 12K 17:9 full sensor, up to 75 fps in 12K 2.4:1, 120 fps in 8K, and up to 240 fps in 4K Super16.

Key features

• 12K Super35 HDR CMOS Sensor

• 12K 17:9 at 60 fps | 12K 2.4:1 at 75 fps

• OLPF for Reduced Moire and Aliasing

• Updated IR Filtering

• DCI 8K at 120 fps, 14-Stop Dynamic Range

• User-Changeable PL Lens Mount

• 4K Super16 up to 220 fps

• 80MP/frame Blackmagic Raw

• Dual CFast 2.0 or SD Card Recording

• USB-C Recording to Disk/SSD

Rich Film Look with Digital Definition

The URSA Mini Pro 12K's massive resolution gives you the immersive detail, wide dynamic range, and deep colour of film combined with an incredible definition around objects that is perfect for chromakeying, VFX, and IMAX imaging. Oversampling from 12K down to 8K or 4K both improves colour and eliminates aliasing for an ultra-smooth look.

The URSA Mini Pro 12K's new sensor has a native resolution of 12,288 x 6480 that produces a whopping 80 MP per frame. This sensor is designed with equal representations of red, green, and blue pixels, an 800 native ISO, and 14 stops of dynamic range. In-sensor scaling provides 8K and 4K rates up to 110 fps without cropping or a change in the field of view. The 12K sensor also enables you to reframe shots in post to get an 8K or 4K multicamera look using a single camera.

Virtual Cinema Production

The URSA Mini Pro 12K OLPF adds a high-performance, optical low-pass filter that is precisely matched to the 12K sensor. When shooting in virtual production environments, the high frequencies of the LED matrix in video walls can cause problems for ultra-sharp modern lenses and high-resolution sensors, creating interference patterns. Using an optical low pass filter minimises that interference, which results in a reduction of moire and aliasing. The OLPF also incorporates updated IR filtering that improves far red colour response which, when combined with Blackmagic RAW processing for the URSA Mini Pro 12K OLPF, preserves colour and critical image detail for new levels of image fidelity.

Interchangeable PL Lens Mount

• The front of the URSA Mini Pro 12K sports an interchangeable PL lens mount, enabling you to choose from an array of current and vintage pro cine lenses from multiple manufacturers.

• Canon EF and Nikon F mounts are available separately for shooters who have their own glass.

 Choose between Constant Quality and Constant Bitrate encoding as best suits your need. Use constant quality Q0 or Q5 options or the new Q1 and Q3 choices to lock the quality level and enable compression levels to adapt, matching the detail levels of each scene. Turn to Constant Bit Rate 5:1, 8:1, and 12:1 options or the new 18:1 choice when you prefer optimal imaging with predictable and consistent file sizes.

• Dual built-in CFast 2.0 and UHS-II SD card slots and a SuperSpeed USB-C expansion port provide three methods for capturing 12K video.

• A "Record Raw on 2 Cards" option enables you to record across two cards simultaneously at speeds up to an impressive 900 MB/s to two CFast 2.0 cards, or to 500 MB/s to two UHS-II SD cards.

• The third option is capturing to NVMe SSD drives via a USB-C 3.2 Gen 2 port at rates up to 10 Gb/s.

What's in the box

• Blackmagic Design URSA Mini Pro 12K with OLPF

• PL Lens Mount

• Port Cap

• Power Supply

• DaVinci Resolve Studio Activation Key